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ONE:
TWO:Between the houses tiny garden-plots full of flowers surround gravestones, on which fresh roses are constantly laid.Dilbar dances and sings before the brothers, and[Pg 230] then proposes to play cards. The stake is the liberty of the loser. The four princes play against the dancing-girl, who wins and has them imprisoned on the spot.
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ONE:Between the cliff-walls of the defile, in a sort of bay, stands Ali Musjid, a little white mosque where travellers tarry to pray.
TWO:
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ONE:The crimson sky seen above the tall coco-palms turns to pink, to pale, vaporous blue, to a warm grey that rapidly dies away, and almost suddenly it is night.In front of a statue of Kali with a hundred arms, surrounded by rough votive offerings carved in wood, most of them representing legs, a man was pouring out rice, and a whole flight of grey leilas��birds like magpies��almost settled on his hands: birds of the temple, so familiar that one even allowed me to catch it, and did not fly away at once when I set it at liberty. There are rows of black Buddhas, white Buddhas, Sivas painted red��terrible��straddling in fighting attitudes; pilgrims without end bow and pray in front of each idol.
TWO:But at Byculla, in Grant Road, the street of gambling-houses, there was a glare of lights; gaudy lanterns were displayed at the windows where spangles and tinsel trinkets glittered. And then, between two brightly illuminated houses where every window was wide open, there was the dark gap of a closed house, in front of it a pan of sulphur burning. The green and purple flame flickered grimly on the faces of the passers-by, making their dhotis look like shrouds wrapping spectres.
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THREE:While all this is going forward in the jungle, Bakaoli, disguised as an astrologer, comes to the king, to whom she promises the coming of the miraculous flower, and even while she is speaking the return of the four princes is announced. FORE:As I was leaving, the fakir rose amid the cries of all the people, who clamoured for his blessing. He[Pg 246] silenced them by a sign, then laying one hand on my shoulder, after looking at my medal��Here, one by one, in came the nautch-girls, dancers. Robed in stiff sarees, their legs encumbered with very full trousers, they stood extravagantly upright, their arms away from their sides and their hands hanging loosely. At the first sound of the tambourines, beaten by men who squatted close to the wall, they began to dance; jumping forward on both feet, then backward, striking their ankles together to make their nanparas ring, very heavy anklets weighing on their feet, bare with silver toe-rings. One of them spun on and on for a[Pg 29] long time, while the others held a high, shrill note��higher, shriller still; then suddenly everything stopped, the music first, then the dancing��in the air, as it were��and the nautch-girls, huddled together like sheep in a corner of the room, tried to move us with the only three English words they knew, the old woman repeating them; and as finally we positively would not understand, the jumping and idiotic spinning and shouts began again in the heated air of the room.

THREE: FORE:To light the way, coolies carried long iron tridents tipped with balls of tow soaked in oil. The mass moved slowly forward through the people, suddenly soothed to silence. The procession paused at the wayside altars, and then, in the middle of a circle formed by the torch-bearers and coloured lights, the sacred bayad��res appeared��three girls with bare heads, dressed in stiff new sarongs heavy with tinkling trinkets, and an old woman crowned with a sort of very tall cylindrical tiara of red velvet embroidered with gold. Very sweet-toned bagpipes and some darboukhas played a slow tune, and the dancers began to move; they spun slowly round, their arms held out, their bodies kept rigid, [Pg 137]excepting when they bowed to the shrine. The crude light of the red fire or the sulphurous flare of the torches fell on their glittering ornaments, alternately festive and mysterious, shedding over the performance an atmosphere at once dreamy and magically gorgeous.Above the throne, in the white marble wall, is a round hole, the mark of a cannon-ball at the time of the Mutiny. Out of this came a parrot, gravely perching to scratch its poll; then, alarmed at seeing us so close, it retired into its hole again.

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THREE:

THREE:
by Daniel Nyari View on Dribbble

FORE:To-day a religious festival; from the earliest hour everybody had donned new clothes, and in the [Pg 262]afternoon in the bazaar there was a masquerade of the lowest class��embroidered dhotis, white robes, light-coloured turbans displaying large discs of green, red or blue. The men, even old men, ran after each other with bottles of coloured water, which they sprinkled far and near. One indeed had neither more nor less than a phial of violet ink, which, on the face and hands of a little black boy, shone with metallic lustre. One boy, in a clean garment, fled from a man who was a constant beggar from me, and who was pursuing him with some yellow fluid; and the fugitive was quite seriously blamed for disregarding the will of the gods and goddesses, whose festival it was.
Nulla facilisi. Aean nec eros.…
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THREE:The ugliest of these palaces is that of the Maharajah, with galleries of varnished wood, of which the windows overlooking the river are filled with gaudy stained glass. In the garden is a pagoda painted in crude colours crowned with a gilt cupola; the zenana has bright red walls striped with green, and in the grounds there is a cottage exactly copied from a villa in the suburbs of London.
by Daniel Nyari View on Dribbble

FORE:"Pan��, sahib!"��"Water, sir!"At the bottom of the steps, almost in the street, was another school at the entrance to a temple. The children, in piercing tones, were all spelling together under the echoing vault, a terrible noise which seemed to trouble nobody.
Nulla facilisi. Aenn nec eros.…
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THREE:As we approached Jhansi we passed a village whence all the inhabitants had fled. The houses, the little temples, the gods on their pedestals by the dried-up tanks��everything was thickly coated with white dust.
by Daniel Nyari View on Dribbble

FORE:King Zainulmulook has lost his sight, and can recover it only if someone will bring to him a miraculous flower from the garden of Bakaoli. His four sons set out in search of it. Zainulmulook has a fifth son, named Tazulmulook. At the birth of this child the king has had his horoscope cast by the astrologers of the palace, who declared that the king would become blind if he should see his son before his twelfth year; but hunting one day the king has met Tazulmulook, who was walking in the forest, and has lost his sight.Beyond Siliguri, where we left the main line, a little toy railway, going very slowly, jostles the travellers across rice plantations and woods of giant trees, under whose shade tree-ferns expand on the banks of the streams. By the side of the water springs are hung prayers written on strips of rice-paper that flutter in the wind from the shrubs and bamboos, mingling with the blossoms of rhododendron and funkia, spots of bright colour showing against the forest of mighty cedars and sycamores and gloomy palms. Clinging to the highest branches, orchids like birds are to be seen, and from bush to bush hang bright green threads covered with white stars, tangled into hanks and hooked on to every thorn. The vegetation of banyans, ph?nix, and other tropical plants gradually becomes mixed with oak, box, and plane trees, and then disappears altogether as we get higher; and presently, as we pass through a belt of great dark firs, the shrubs, the mosses, and even the flowers are those of Europe. Higher up, the mountain side is mapped out into lines and squares, green and russet, looking from a distance[Pg 146] like ribbed velvet; these are the tea plantations. The horizon grows broader, spreading away and out of sight towards the vision-like mountains forming the outposts of the Himalayas; up to the very verge of the eternal snows they are cultivated in the same rib-like strips, all tea plantations; and amid the shrubs are the little factories where the precious leaves are dried, and villages of little homesteads lost among the greenery, or peeping through the opalescent haze, intensely blue under the pure, cold sky and crude sunshine. The natives here wear skins with the fur inside; the leather outside is patterned with red or blue cloth. Men and women alike go about in felt boots, which give them an unsteady and straddling gait.
Nulla facilisi. Aenn nec eros.…
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THREE:In the town is the tomb of the Ranee Sipri: walls of lace, balconies of brocade carved in stone. Opposite this mausoleum are an open mosque and two minarets as slim as sapling pines, wrought with arabesques as fine as carved ivory. There are lamps carved in relief on the walls, each hung by chains under-cut in stone with Chinese elaboration; and this lamp is everywhere repeated��on the mosque, on the tomb, and on the base of the minarets. The building, which has the faintly russet tone of old parchment, when seen in the glow of sunset takes a hue of ruby gold that is almost diaphanous, as filmy as embroidered gauze.Last year he and his brother had gone into the mausoleum of a Moslem saint with their shoes on; both had gone mad. The other brother died in a madhouse, where he was cared for; this one, incurable but harmless, went about the highways, followed by the dogs.

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