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ONE:In the English quarter of Bombay the houses are European: Government House, the post office, the municipal buildings��perfect palaces surrounded by gardens; and close by, straw sheds sheltering buffaloes, or tents squatted down on common land; and beyond the paved walks are beaten earth and huge heaps of filth, over which hover the birds of prey and the crows.We met a native on horseback; a pink turban and a beard also pink, with a round patch of intensely black skin about his mouth��white hair dyed with henna to make it rose-colour; and a lock of hair that showed below his turban was a sort of light, dirty green in hue, like a wisp of hay. The rider, well mounted on his horse, was deeply contemptuous of us, sitting in an ekka��the vehicle of the vulgar; and he passed close to us[Pg 268] muttering an insult in his pink beard trimmed and combed into a fan.

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TWO:A few officers, a few clergy only, had organized some distribution of relief; the administration,[Pg 197] wholly indifferent, was drawing double pay in consideration of the increase of work in famine time. THREE:A native judge is sitting cross-legged on a little mat in his house. A petitioner appears of the lowest caste, a Sudra. The judge, quite motionless, watches the man unfasten his sandals, rush up to him, and with a profound bow touch his feet in sign of submission. For a man of higher caste, a Vaysiya, the ceremonial is the same, only instead of running forward the visitor walks up to the judge and merely pretends to touch his slippers. Then comes a kshatriya advancing very slowly; the judge rises to meet him half-way, and they both bow.In front of a statue of Kali with a hundred arms, surrounded by rough votive offerings carved in wood, most of them representing legs, a man was pouring out rice, and a whole flight of grey leilas��birds like magpies��almost settled on his hands: birds of the temple, so familiar that one even allowed me to catch it, and did not fly away at once when I set it at liberty. There are rows of black Buddhas, white Buddhas, Sivas painted red��terrible��straddling in fighting attitudes; pilgrims without end bow and pray in front of each idol.

• FORE:A little way off an old man was wrapping the naked body of a poor woman in a white cloth; then he fastened it to two poles to dip it in the river; finally, with the help of another Sudra, he laid the corpse on a meagre funeral pile, and went off to fetch some live charcoal from the sacred fire which the Brahmins perpetually keep alive on a stone terrace overlooking the Ganges. He carried the scrap of burning wood at the end of a bunch of reeds, and, praying aloud, walked five times round the pyre, which completely concealed the body. Then he gently waved the bunch of reeds, making them blaze up, and placed them beneath the wood, which slowly caught fire, sending up dense curling clouds of white vapour and slender tongues of flame, creeping along the damp logs that[Pg 167] seemed to go out again immediately. But suddenly the fire flared up to the top of the pile; the flesh hissed in the flame, and filled the air with a sickening smell.

  Curabitur vestibulum eget mauris quis laoreet. Phasellus in quam laoreet, viverra lacus ut, ultrices velit.

• FORE:By the side of the Manumenka stand two stel?, on which two carved figures, represented as surrounded by flames, preserve the memory of the time when the funeral pyre consumed the living wife with the dead husband.

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• FORE:

  Nulla sed nunc et tortor luctus faucibus. Morbi at aliquet turpis, et consequat felis. Quisque condimentum.

• FORE:Presently three beggar-women came up to sing from door to door. In their arms, like babies at the breast, they carried shapeless idols painted red, bedizened with spangles and gilt paper. They wailed out a ditty repeated again and again, knocked perseveringly at the doors, insisting on alms; and[Pg 96] then, when they had received it, they touched the threshold with their blood-coloured puppets and departed.

  Sed porttitor placerat rhoncus. In at nunc tellus. Maecenas blandit nunc ligula. Praesent elit leo.

• FORE:The fort of Allahabad, the fort of the mutiny of 1857, is a complete citadel where, in the thickness of the walls, behind screens of acacia trees, lurk doors into palaces. Among the gardens there are clearings full of guns and ambulance waggons, and enormous barracks and huts for native soldiers. Then on the ponderous stonework of the ramparts rise little kiosks in the light Hindoo-Mussulman style, elaborate and slender, built by Akbar the [Pg 183]conqueror, who took Prayag and razed it, to build on the site a city dedicated to Allah. And now modern architecture is slowly invading it, adding to the flat walls which hide under their monotony the gems of stonework with their elegant decoration.

  Vivamus vel quam lacinia, tincidunt dui non, vehicula nisi. Nulla a sem erat. Pellentesque egestas venenatis lorem .

• FORE:All the guests press forward, ceasing their conversation, which has sometimes drowned the voice of the dastour, to ask which of the two threw the rice first��a very important question it would seem.BUNNOO

  Quisque hendrerit purus dapibus, ornare nibh vitae, viverra nibh. Fusce vitae aliquam tellus.

TWO:Here are carvers of painted wooden toys��red[Pg 10] and green dolls, wooden balls, nests of little boxes in varied and vivid colours. THREE:As we returned the wind had fallen, and the men rowed. The moon rose pale gold, and in the distance, in the violet haze, the lights of Bombay mingled with the stars. The boatmen's[Pg 23] chant was very vague, a rocking measure on ascending intervals.

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TWO: THREE:The evening was exquisitely calm, shrouding everything in rose-colour, and shedding a light, opalescent golden haze on the pools and streams. And out of this floating gauze, in the doubtful light, white figures seemed to emerge gradually,[Pg 107] only to vanish again in the pure, transparent atmosphere of the blue night.

• FORE:At the back of the shops, which lie lower than the street, we could see men trampling in vats all[Pg 261] day long; they were stamping and treading on old woollen shawls, fulling them to take off the shiny traces of wear, to sell them again as new goods.

  Quisque luctus, quam eget molestie commodo, lacus purus cursus purus, nec rutrum tellus dolor id lorem.

• FORE:MADURAA marble balustrade, of flowing design and astounding delicacy, exquisitely harmonious and artistic, encloses the white sarcophagus, which is inlaid with mindi and basilic flowers in costly agate, linked by inscriptions looking like lacings of narrow black braid. This balustrade alone, in the Taj, under the marble pile which forms the tomb of the empress, and on which 20,000 craftsmen laboured for twenty years, would, in its indescribable beauty of workmanship, have amply fulfilled Shah Jehan's vow.

  Curabitur vestibulum eget mauris quis laoreet. Phasellus in quam laoreet, viverra lacus ut, ultrices velit.

• FORE:The muddy waters reflected the grey houses and the roofs of unbaked clay, on which the winter snows were melting in black trickling drops.

  Nulla sed nunc et tortor luctus faucibus. Morbi at aliquet turpis, et consequat felis. Quisque condimentum.

TWO:He came into ours as if he were at home, and amused himself by worrying me. At first he made believe to throw my rings out of window, substituting others, I know not how, which I saw fall on the line and roll into the grass on the bank. My watch got into his hands and vanished; I found it in my friend T����'s pocket, and afterwards in a basket of provender closed at Bhawnagar, and which I unpacked with my own hands. THREE:In a very quiet little alley, fragrant of sandal-wood, men may be seen in open stalls printing patterns with primitive wooden stamps, always the same, on very thin silk, which shrinks into a twisted cord reduced to nothing when it is stretched out to dry.

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