ONE:Catalani, then young and beautiful, was one of her new friends, and used to sing at her parties. She painted her portrait, and kept it as a pendant to the one she had done of Grassini in London.Her first care had been to release from the Carmes her fellow-prisoners, Josphine de Beauharnais and Mme. dAiguillon, who now formed an intimate part of her society and that of Barras. To them also came Mme. de Stael, wife of the Swedish Ambassador, the beautiful Mme. Regnault-de-Saint-Jean-dAngely, Mme. Cambys, and many others thankful to escape from the shadows of prison and death to the light of liberty and pleasure. The restraints of religion and morality were, of course, non-existent; liaisons and [338] licence were the order of the day, and Trzia was not likely to be an exception to the general custom. She had, besides her daughter by Tallien, other children, who, as no other name belonged to them, were called Cabarrus. And her being or calling herself Talliens wife was no reason why she should renounce her natural right to love any one else where, when, and as often as she pleased.
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