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ONE:

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ONE:

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ONE:Outside the fort which guards the opening of the pass there was confusion; a mad scurry of men, running, shouting, hustling. Quite a complicated mle of animals bolting, elephants and camels let loose and impossible to overtake, but caught at last.

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ONE:

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THREE:In another hut was a woman, brought hither yesterday with her husband, who had died that morning. She had an exquisite, long, pale face and blue-black hair. On her arms were many[Pg 35] bangles, and gold earrings glittered in her ears. For a moment she opened her large gazelle-like eyes, and then with a very sad little sigh turned to the wall, making her trinkets rattle. She was still dressed in her blue choli. A striped coverlet had been thrown over her; by her bed she had a whole set of burnished copper pans and canisters. Charmingly pretty, and not yet exhausted by the disease, which only declared itself yesterday, she was sleeping quietly, more like a being in a storybook than a plague-stricken creature, who must infallibly die on the morrow under the incapable treatment of the Hindoo "bone-setter."Spread before us in the iridescent atmosphere, the view extends over Palitana under its blue veil of light smoke, over the verdant plain chequered with plots of brown earth, and the winding ribbon of the Satrunji, a river as sacred to the Ja?ns as the Ganges is to the Brahmins. And far away, vague in the distance, a light shimmering more brightly where all is bright, lies the luminous breadth of the sea.

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THREE:All day long in front of the houses the women were busy clumsily pounding grain with wooden pestles in a hollow made in a log; stamping much too hard with violent energy, they scattered much of the grain, which the half-tamed birds seized as they flew, almost under the women's hands. And then the wind carried away quite half the meal. But they pounded on all day for the birds and the[Pg 263] wind, and were quite happy so long as they could make a noise.

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THREE:"A doctor? I cannot say," replied Abibulla, "but the sahib knows many things." The woman's eyes entreated me. Would I not come? it would comfort the sick man, and help him, perhaps, to die easily if the gods would not spare him.High on a hill, one with the rock, are built the temples, up to which is a flight of steps hewn in the stone itself. At every stage, or nearly, are little shrines with images of Ganesa, the elephant-headed god, or of Ananta, the sacred serpent, decked with flowers, the mindi flower, which has[Pg 108] a strong scent of pepper. In some places the whole temple, as vast as a cathedral, is hewn out of the hillside; the columns in elaborate and intricate patterns, the niches and altars wrought with inconceivable toil and patience, not a scrap added or stuck on. In the dim distance is a huge red statue of Siva, wreathed with flowers.

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THREE:A kind of grey snipe, as they rose to fly, spread white wings which made them look like storks or gulls, and then, dropping suddenly, became dull specks again, scarcely distinguishable on the margin of the tank. Ibis, on the watch, with pretty, deliberate, cautious movements, stood on one leg,[Pg 105] their bodies reflected in the mirror on which lay the lotus and the broad, frilled leaves of the water-lily, and a sort of bind-weed hanging from the edge in festoons of small, arrow-shaped leaves, with a crowd of tiny pink starry flowers that looked as if they were embroidered on the water.In the evening, on my way to dine with a friend by Malabar Hill, I could hardly recognize some parts of the town: houses, a camp of little huts and tents, a whole district had been swept away.

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TWO:After the giant a whole chain of lavender and rose-coloured peaks turning to blue came into sight in the marvellously clear atmosphere; then the sun rose below us, in the throbbing tide of heat the mountains seemed to come closer to us, but immediately the mist gathered about Gaurisankar. "The Apsaras wearing impenetrable veils, that mortals may not gaze too long on the throne of the gods,"[Pg 152] said my sa?s, who had fallen on his face since the first appearance of the snow-crowned colossus, with hands upraised towards the paradise of Indra.

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THREE:"You know it is pashmina?"

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THREE:All round the post-office there is invariably a crowd of natives scribbling in pencil on post-cards held in their left hands. Their correspondence is lengthy, minute, and interminable; in spite of their concentration and look of reflection I could never bring myself to take them seriously, or feel that they were fully responsible for their thoughts and actsmachines only, wound up by school teaching, some going out of order and relapsing into savages and brutes.

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TWO:In every house a tiny lamp allowed us to see the women, squatting while they pounded millet, or cooked in copper pots. Then night suddenly fell, and I could no longer find my way about the dark alleys, stumbling as I went over cows lying across the path, till I suddenly found myself opposite a very tall pagoda, three storeys high. On the threshold the bonzes were banging with all their might on gongs and drums, alternately with bells. And on the opposite side of the street, in a sort of shed enclosed on three sides, but wide open to the passers-by, people in gay robes were prostrate before two shapeless idols, Krishna and Vishnu, painted bright red, twinkling with ornaments of tinsel and lead-paper, and crudely lighted up by lamps with reflectors. And then at once I was between low houses again, and going down tortuous streets to the river-bed,[Pg 48] whither I was guided by the sound of castanets and tambourines.From the open loggia at the end of the vast reception-room, lined with white marble and hung with thick carpets, there was an extensive view over the green plain inundated with water and sunshine to the holy city of dazzling domes that looked as if they had just risen from the Ganges. The air was full of heady fragrance; the Rajah described the springtide festivals, barges carrying troupes of dancing bayadres on the Ganges sparkling with a myriad lights.

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TWO:In the centre of the modern fort, a belt of walls with gates that form palaces under the arches, is the ancient residence of the Moguls. Beyond the barracks full of native and English soldiers, we reached the cool silence of the throne-room. Colonnades of red stone surround a throne of white marble inlaid with lilies in carnelian on tall stems of jasper. All round this throne, to protect it from the tourists, but also as if to emphasize its vanity, is a railing.Towards noon the mass of Kinchinjunga again lifted its head above the clouds, now white with a dust of rosy gold or violet on the snow in the shadows; and again, as the clouds swept across, of every changing tint of steel and copper, pearl and sunshine, till, following on the ardent glory of sunset, a purple and living fire, like a flame within the very substance of the ice-fields, all died into[Pg 153] mysterious blueness under the broad pure light of the moon.$69/m
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TWO:

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Close to a village that has sprouted under the baobab-trees, in the midst of the plain that once was Khoutab, in the court of a mosque, is the marble sarcophagus of a princess. Grass is growing in the hollow of the stone that covers her, in fulfilment of the wishes of the maiden, who in her humility desired that when she was dead she should be laid to rest under the common earth whence the grass grows in the spring. And not far from the rajah's daughter, under a broad tamarind tree, in the blue shade, is the tomb of Kushru, the poet who immortalized Bagh-o-Bahar. On the sarcophagus, in the little kiosk, was a kerchief of silk and gold, with a wreath of fresh flowers renewed every day by the faithful.The fourteen hundred and fifty-two gods of the Ja?n paradise are represented on a sculptured pyramid under a pagoda: little tadpoles of white stone crowded together, two black dots showing for eyes in the middle of the round featureless faces; on one side a more important god, sitting alone, has a rather less elementary countenance.In the plain the sowars were performing an[Pg 280] Indian fantasia. Charging at a gallop, their wide sleeves flying behind them, they swept past like a whirlwind, aiming with their lances at a peg of wood stuck into the ground. Whenever it was speared there were frantic shouts and applause from a crowd of spectators, packed in the best places. In a cloud of dust, growing steadily thicker and hanging motionless over the riders, the performance went on, its centre always this same peg of wood, replaced again and again, exciting the enthusiasm of connoisseurs till the last ray of light died away.
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