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ONE:Well, nothing could possibly matter less to him, so it seemed at that moment, than what his typewriter thought about him. All that mattered was what he thought about his typewriter, whom he considered a very efficient young woman, who got through her work with extraordinary accuracy and speed. He did not care two straws whether she considered him a cad, for what signified the opinion of a girl whose sole connection with you was the nimbleness of her fingers, employed at twenty-five shillings a week? As long as she did her work well, she might take any view she chose about her employer who, for his part, had no views about her except those concerned with the speed and accuracy of her transcriptions.... And then, even as he assured himself that he was as indifferent to her opinion as the moon, he found himself hating the fact that she thought him a cad. Why had she thought that, he asked himself. He had been perfectly polite to her with the icy aloofness of the employer; he had even melted a little from that, for he had opened the door for her to go into her typewriting den, because her hands were full of the papers that composed her work. Why a cad then?{88}"The fine threads of brass that run through the surface give a very pretty appearance to the work, as they look like gold, and are perfectly even with the rest of what has been laid on to the original bowl. In some of the most expensive of the enamel-work the threads are of fine gold instead of brass; but there is no particular advantage in having them of gold, as the brass answers all purposes and the gold serves as a temptation to robbers. There is an endless variety of designs in cloisonn�� work, and you see so many pretty things in porcelain that you are at a loss what to choose.

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