ONE:The man came while I was there, Larry told Dick. He is named Deane, and hes a nice-looking, quiet chap. It seems that when he landed with his chute, he came down and struck some driftwood or an old log, and it knocked the wind out of him. When he got back strength to cut himself loose, he tried to get to the seaplane but his landing, as I explained the locationwell, you saw it when you flew overhis landing was made a couple of hundred yards away. I got the gardener to take me to the place, yesterday, in the hydroplane. There was a big, sunken log close to the torn chute.
THREE:It did not in the least matter to Brewster, but he was one of those trying people whom Nature has deprived of the instinct for knowing when to stop. A very perceptible sneer twitched his lips. "You seem to be English," he said.Henry Purcell (b. 1658; d. 1695) produced the bulk of his works in William's reign. He composed the music to "The Tempest," "Dioclesian," "King Arthur," "Don Quixote," "Bonduca," and "Orpheus Britannicus." Many parts of these, and his sonatas, anthems, catches, rounds, glees, etc., are as much enjoyed now as in his own day. The music to Davenant's "Circe," by Banister, of Shadwell's "Psyche," by Lock, and of Dryden's "Albion and Albanius," by Grabut, had increased in England the liking for the lyrical drama; but Purcell's compositions wonderfully strengthened it, and from "King Arthur" may properly be dated the introduction of the English opera. Gay's "Beggar's Opera," six-and-thirty years after, however, was the first complete and avowed opera, and this did not establish that kind of entertainment in England. The wonderful success of this production, which was performed for sixty-two nights (not consecutive), was chiefly derived from the wit and satire of the composition itself, the abundance of popular airs introduced, and the party feeling which it gratified. The airs were selected and adapted by Dr. Pepusch, a German, who settled in London, and became celebrated there. He also furnished the overture, and wrote accompaniments to the airs. Eleven years after, Milton's "Comus" was adapted to the stage by the Rev. Dr. Dalton, with music by Dr. Arne, who afterwards composed the music for "Artaxerxes," and thence derived a high reputation.
THREE:The commandant's wife took Mrs. Landor in, and would have put her to bed with hot drinks and blankets, but that Felipa would have nothing more than some dry clothes and a wrapper in place of her wet habit. The clothes were her own, brought by one of the men, safe in a rubber poncho, but the wrapper belonged to her hostess, who was portly, whereas Felipa was slender. But to Cairness, who had stopped for luncheon, she seemed, in the voluminous dull red draperies, more splendid than ever before.Theyre gliding!
THREE:
