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Alice seemed inclined to prefer her pomegranates to muffins, and had to be personally conducted from her work, and told she was naughty by Mr Silverdale, who sat on the hearthrug with woollen stockings and very muddy boots protruding from{102} below his cassock, for he had had a game of football with his boys club before his afternoon preaching. He had only just had time to put on his cassock and snatch up his shepherds crook when the game was over, and ran to church, getting there in the nick of time. But he had kicked two goals at his football, and talked to twice that number of penitent souls afterwards in the vestry, so, as he delightedly exclaimed, he had had excellent sport. And he poked the fire with his shepherds crook.
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TWO:FATHER AND CHILDREN. FATHER AND CHILDREN.[Pg 24]

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FORE:She made no reservation on the subject: she told herself that it was because these things were done with Keeling or for him. With equal frankness, now that she had brought herself face to face with the question, she affirmed that she was not in love with him, and as far as she could know herself at all she knew that to be true. But it was equally true that she had never met any one who so satisfied her. Never for a moment had the least hint of sentimentality entered into their day-long intercourse. He could be, and sometimes was, gruff and grim, and she accepted his grimnesses and gruffnesses because they were his. At other times he showed a comprehending consideration for her, and she welcomed his{193} comprehension and his considerateness, for exactly the same reason. She knew she would not have cared the toss of a brass farthing if Mr Silverdale had comprehended her, or a railway porter had been considerate of her. All her life she had been independent and industrious, and that had sufficed for her. She had not wanted anything from anybody except employment and a decent recompense. Her emotional life had vented itself on those beloved creatures called books, and on that divine veiled figure called Art that stood behind them, and prompted, as from behind some theatre-wing, her deft imaginative work in designing and executing the wood blocks for book-plates. In every one there is a secret fountain which pours itself out broadcast, or quietly leaks and so saves itself from bursting. Books and the dreams she wove into her blocks had given her that leakage, and here had her fountain thrown up its feather of sparkling waters.

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"What year is it?" enquired the other suddenly, and without altering a muscle of his face."Then the real acting of the piece began, and I wished ever so much that it had been in English, so that I could understand it. The story was a supernatural one, and there were badgers and foxes in it, and they had a woman changed to a badger, and the badger to a woman again. Gentlemen who are familiar with Japanese theatres say there are many of these stories, like our Little Red Riding-hood, and other fairy tales, acted on the stage, and that the play we saw is one of the most popular, and is called 'Bumbuku Chagama,' or 'The Bubbling Teapot.' One gentleman has shown me a translation of it, and I will put it in here, just to show you what a Japanese fairy story is like.
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