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THREE:Never, would Mme. Le Brun say in after years, could she forget or describe the feelings with which she drove across that bridge to find herself at the other side��safe, free, and out of France.
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THREE:At the beginning of August, Pauline, after making up the accounts, told her father-in-law that she had enough money left only to carry on the household for three months longer, but that if they returned to Brussels it would last twice as long, for they could live there much better at half the cost.
But this denouncing pleasure and praising

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THREE:��No, Sire.��
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THREE:At last, however, it was finished, and she stood in the presence of Louis XV. He was no longer young, but she thought him handsome and imposing. He had intensely blue eyes, a short but not brusque manner of speaking, and something royal and majestic about his whole bearing which distinguished him from other men. He talked a great deal to Mme. de Puisieux, and made complimentary remarks about F��licit��, after which they were presented to the Queen, who was lying in a reclining chair, already suffering from the languor of the fatal illness caused by the recent death of her son, the Dauphin. Then came the presentation to Mesdames, and to the ��Children of France,�� and in the evening they went to the ��jeu de Mesdames.��Mme. de Tess��, younger sister of the Duc d��Ayen, was well known for her opinions. La Fayette, de Noailles, and de S��gur had returned from America, and their ideas were shared by Rosalie��s husband, de Grammont, and to a certain extent, though with much more moderation, by M. de Montagu. All the remaining daughters of the Duc d��Ayen except Pauline shared the opinions of their husbands; M. de Th��san and M. de Beaune were opposed to them, as was also the Duchesse d��Ayen, whose affection for her sons-in-law did not make her share their blind enthusiasm and unfortunate credulity.

THREE:The great picture of Marie Antoinette and her three children, which under Napoleon had been hidden away in a corner at Versailles, was taken out and exhibited at the Salon, where every one crowded to look at it. Again she painted the portraits of the royal family, contrasting the simple, gracious politeness of the Duchesse de Berri, of whom she did two portraits, with the vulgar, pretentious airs of Caroline Murat.Her nephews, Alexis and Alfred de Noailles came to see her, and she went down to Lagrange where the La Fayettes were restoring the chateau, planting and repairing. She soon got her name taken off the proscribed list, then those of her husband, her aunt, her father, her father-in-law, and various other friends, who soon arrived in Paris.

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