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Two more murders; one a squalid business with no motivea man killed as he was on his way to gather his rice-harvest. Sixteen hill-men attacked him at once, riddling the body with bullets.

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They were all flying from the plague, which was spreading, and emptying the bazaars and workshops. The Exchange being closed, trade was at a standstill, and the poor creatures who were spared by the pestilence were in danger of dying of hunger.In the hotel compoundmore absurd than all the rest, lost in a waste of open land beyond the seething native townthere was a swarm of coolie servants, their wives and their children, who played all day at climbing about the coaches put up under the trees. And, without ceasing, a maddening hubbub of laughter and crying came up from this litter of brats, more weariful than the silence of vacancy all around.
TWO:The central square, formerly the Sultan Akbar's garden, is now a parade-ground for soldiers, and barracks occupy the site of ruined palaces. Still[Pg 207] some remains of ancient splendour are to be seen that have escaped the vandals.The want of foresight in the people here is amazing. A servant earning five rupees a month got his son married, a child of fifteen, and for this event he bought fireworks on credit, and at enormous interest, which would cost him three years' wages.

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THREE:He appeared without a sound, visible only as a white figure, his brown face lost, effaced in the gloom of the dimly-lighted room. For a moment I had a really uncanny sensation at this headless apparition, but in an instant there was the gleam of a row of brilliant teeth, the light in the eyes, and the eternally smiling face of the household coolie.

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THREE:The palace of the Rajah of Nagpoor, with its two towers, overlooks the river from above a broad stairway. A balcony quite at the top is supported on a massive cornice lightly carved into acanthus leaves. The damp has subdued the red colour of the building, fading it especially at the base, and from a distance it might be fancied that a veil of thin gauze had been hung over the palace, and fastened beneath the carved parapet.

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FORE:A wide avenue paved with marble, rising in broad steps, crosses the hilltop between temples on either side, intersecting narrower alleys, likewise bordered with pagodas crowded together in the inextricable mazes of a labyrinth, whence our guides were frequently required to lead us outtemples crowned with a cupola or a cone, a bristling throng of little extinguishers all covered with carving. The same subjects and patterns are repeated to infinity, even in the darkest nooks: figures of gods, of gigantic beasts rearing or galloping, of monstrous horses and elephants, of tiny birds sheltering the slumbers of the gods under their outspread wings.

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FORE:

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FORE:At Mazagoon, one of the suburbs of Bombay, behold a Parsee wedding.

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THREE:A different scene indeed next day, with none of the magnificence of yesterday, was the temple of magical lights. There was a dense crowd of shouting and begging pilgrims. Along the pyramidal roofs, as at Srirangam, there were rows of painted gods, but in softer and more harmonious hues. Over the tank for ablutions was a balcony decorated in fresco, representing in very artless imagery the marriage of Siva and Parvati. The couple are seen holding hands under a tree; he a martial figure, very upright, she looking silly, her lips pursed, an ingnue. In another place Siva sits with his[Pg 120] wife on his knees, she has still the same school-girl expression. Finally, on the ceiling, is their apotheosis: they are enthroned with all the gods of Ramayana around them, and she looks just the same. The red and green, subdued by the reflected light from the water, were almost endurable.One of these towers, smaller than the others, and standing apart at the end of the garden, is used for those who have committed suicide. The bearers of the dead dwell in a large yellow house roofed with zinc. There they live, apart from the world, never going down to Bombay but to fetch a corpse and bring it up to the vultures, nor daring to mingle with the living till after nine days of purification.

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THREE:The central square, formerly the Sultan Akbar's garden, is now a parade-ground for soldiers, and barracks occupy the site of ruined palaces. Still[Pg 207] some remains of ancient splendour are to be seen that have escaped the vandals.
FORE:A kshatriya, a very old man, had seen me yesterday returning from Ramnagar with my necklet of silver threads. Convinced by this that I must be "a Europe Rajah," he tormented me to grant him a title. He wanted to be Raj Bahadur; this was the height of his ambition. After following me about the bazaar all the morning, he sat for a long time in my room. So, to get rid of him, seeing[Pg 180] that he persisted in hoping that I should call him Raj Bahadur, I did so; this, however, did not satisfy him: I must write it down on paper. At last I consented. Quite delighted now, he went off to shout the words to his friends, who had been waiting for him in the garden, and then, very solemn, and conscious of his new dignity, he disappeared down the road.

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FORE:Tazulmulook, again an outcast in the jungle, rescues a lady related to Bakaoli from the embrace of a demon, and she in gratitude takes the prince to Bakaoli's court. So at last the lovers are united and married.

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TWO:On the outside, all round the lower part of the monument, carved borders frame flowers of pale mosaic in the walls; the ornament is in such faint relief that at a short distance it is invisible, and the Taj is seen only in the perfect elegance of its[Pg 206] proportions. The mausoleum is built on a broad terrace of white marble at a height of 270 feet, overhanging the Jumna; and the impressive, harmonious outline commands the plain from afar.The sun had just set, a violet haze was rising and enwrapping every object. Fires were being lighted in the villages on the road to the holy place. Tom-toms were rattling in the distance,[Pg 115] and nearer at hand a vina, gently touched by an invisible player, murmured a tune on three notes. THREE: FORE:
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i = 0;

while (!deck.isInOrder()) {
    print 'Iteration ' + i;
    deck.shuffle();
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}

print 'It took ' + i + ' iterations to sort the deck.';
FORE:Two days after, the people would burn in great state, on an enormous wood pile, an image of Time, to ensure the return next year of the festival of colours.The poorhouse is about two miles from the city; it consists of a courtyard enclosed by walls, from which awnings are stretched supported on poles. And here from twelve to fifteen hundred wretched skeletons had found shelter, spectres with shoulder-blades almost cutting through the skin, arms shrunk to the bone, with the elbow-joint like a knot in the middle, and at the end hands which looked enormous and flat and limp, as if every knuckle were dislocated. Their gnarled knees projected from the fearful leanness of their legs, and the tightened skin between the starting ribs showed the hollow pit of the stomach. Men and women[Pg 192] alike were for the most part naked, but for a ragged cotton loin-cloth. And all had the same scared look in their eyes, the same grin of bare teeth between those hollow cheeks. Almost all had bleeding wounds where the bones had come through the skin.
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FORE:Before daybreak, in the doubtful light of waning night, dim masses are visiblegrey and purple mountainsmountains shaped like temples, of which two indeed seem to be crowned with low squat towers as if unfinished.
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FORE:Just within the enclosure to our right is a tomb. A Mohammedan who came forth to take the sacred[Pg 74] hill, the brother of an emperor of Delhi, fell dead at the foot of a Ja?n idol, which he had dared to touch with his staff. How the legend developed it is impossible to say; but this warrior, buried on the spot where he was stricken down by the divinity, has the miraculous power of curing barrenness in the women who invoke him. Votive offerings, little cradles daubed with yellow and red, are heaped on the pavement and hang to the railing.In the heart of an extensive park, where wide lawns are planted with gigantic baobabs and clumps of bamboo and tamarind, stands an important-looking building, hideously modern in a mixture of heterogeneous styles and materials, of a crude yellow colour, and much too new. There is no attempt at unity of effect. A central dome crowns the edifice and a square tower rises by the side of it. Some portions, like pavilions, low and small, carry ornaments disproportioned to their size; while others, containing vast halls, have minute windows pierced[Pg 52] in their walls, hardly larger than loopholes, but framed in elaborate sculpture and lost in the great mass of stone. Arcades of light and slender columns, connected by lace-like pierced work of alarming fragility, enclose little courts full of tree-ferns and waving palms spreading over large pools of water. The walls are covered with niches, balconies, pilasters, and balustrades carved in the Indian style, the same subjects constantly repeated.
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At the end of the court, over which enormous bread-fruit trees cast a cool shade, above some steps and a marble terrace where some musicians were performing, stands the holy spot which we dared not go near. In the dim light we could see a square object, red embroidered in goldthe couch of Ram-Royand hanging to the wall a silver curtain. All this, though perhaps it is but tinsel, looked at a distance and in the shadow like brocade and magnificent jewels. Round the main building there are four kiosks dedicated to the Guru's four wives.The ancient palace of the kings of Lahore. Amid the ruins there is a mosque of red stone flowered[Pg 236] with white marble, the cupola of a material so milky that it might be jade; and the structure is mirrored in a pool of clear water, dappled with sun-sparks over the rose-coloured stones at the bottom.By the side of the road, in the town, the walls are still standing, all that remains of a great hall in the palace of Secundra Bagh, in which, after the suppression of the Mutiny in 1857, two thousand sepoys who refused to surrender were put to death.The train, now travelling northwards again, ran for a long way across the scorched plain through groves of dead trees and sandhills covered with lichen, till, in the golden sunset close to Gwalior, suddenly, at the foot of a hill, we came upon the greenery of fine parks with palaces rising above cool marble tanks.
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