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THREE:If now, abandoning all technicalities, we endeavour to estimate the significance and value of the most general ideas contributed by Stoicism to ethical speculation, we shall find that they may be most conveniently considered under the following heads. First of all, the Stoics made morality completely inward. They declared that the intention was equivalent to the deed, and that the wish was equivalent to the32 intention��a view which has been made familiar to all by the teaching of the Gospel, but the origin of which in Greek philosophy has been strangely ignored even by rationalistic writers.74 From the inaccessibility of motives and feelings to direct external observation, it follows that each man must be, in the last resort, his own judge. Hence the notion of conscience is equally a Stoic creation. That we have a mystical intuition informing us, prior to experience, of the difference between right and wrong is, indeed, a theory quite alien to their empirical derivation of knowledge. But that the educated wrong-doer carries in his bosom a perpetual witness and avenger of his guilt, they most distinctly asserted.75 The difference between ancient and modern tragedy is alone sufficient to prove the novelty and power of this idea; for that the Eumenides do not represent even the germ of a conscience is as certain as anything in mythology can be.7633 On the other hand, the fallibility of conscience and the extent to which it may be sophisticated were topics not embraced within the limits of Stoicism, and perhaps never adequately illustrated by any writer, even in modern times, except the great English novelist whose loss we still deplore.

THREE:"The acting burgomaster, A. Nerincx.

THREE:A Hellene, and an aristocrat as well. Or, using the word in its most comprehensive sense, we may say that he was an aristocrat all round, a believer in inherent superiorities of race, sex, birth, breeding, and age. Everywhere we find him restlessly searching after the wisest, purest, best, until at last, passing beyond the limits of existence itself, words fail him to describe the absolute ineffable only good, not being and not knowledge, but creating and inspiring both. Thus it came to pass that his hopes of effecting a thorough reform did not lie in an appeal to the masses, but in the selection and198 seclusion from evil influences of a few intelligent youths. Here we may detect a remarkable divergence between him and his master. Socrates, himself a man of the people, did not like to hear the Athenians abused. If they went wrong, it was, he said, the fault of their leaders.126 But according to Plato, it was from the people themselves that corruption originally proceeded, it was they who instilled false lessons into the most intelligent minds, teaching them from their very infancy to prefer show to substance, success to merit, and pleasure to virtue; making the study of popular caprice the sure road to power, and poisoning the very sources of morality by circulating blasphemous stories about the gods��stories which represented them as weak, sensual, capricious beings, setting an example of iniquity themselves, and quite willing to pardon it in men on condition of going shares in the spoil. The poets had a great deal to do with the manufacture of these discreditable myths; and towards poets as a class Plato entertained feelings of mingled admiration and contempt. As an artist, he was powerfully attracted by the beauty of their works; as a theologian, he believed them to be the channels of divine inspiration, and sometimes also the guardians of a sacred tradition; but as a critic, he was shocked at their incapacity to explain the meaning of their own works, especially when it was coupled with ridiculous pretensions to omniscience; and he regarded the imitative character of their productions as illustrating, in a particularly flagrant manner, that substitution of appearance for reality which, according to his philosophy, was the deepest source of error and evil.