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It was no wonder that Napoleon was anxious to get his court and society civilised, and the person to whom he chiefly turned for help and counsel in this matter was Mme. de Montesson, who knew all about the usages of great society and court etiquette.So little did the idea of love enter into her life that until after her marriage she had never read a single novel. Then she read Clarissa Harlowe, by way of a beginning, and found it intensely interesting. Before, she only read Lives of the Saints, and various religious or instructive books.A fte was given to celebrate the recovery of the King from an illness; at which the little princess, although very unwell, insisted on being present. The nuns gave way, though the child was very feverish and persisted in sitting up very late. The next day she was violently ill with small-pox, and died.
 
JIKAL
ONE:CHAPTER IX
ONE:
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TWO:Que puisse faire aux arts la colre cleste!

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TWO:Unscrupulous, heartless, remorseless, yet he was a saint and angel compared to the frantic, raving, blood-stained miscreants whom he had displaced, and whose work he was now occupied in undoing as fast as he could.
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FORE:Capital letter TSil bannit les gens drgls

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FORE:It had great success at the Salon, was engraved by Müller, and was one of those amongst her works which decided Joseph Vernet, shortly after her return, to propose her as a member of the Royal Academy of Painting. She was duly elected, in spite of the opposition of M. Pierre, who was painter to the King, and a very bad painter too.

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FORE:It was all so terribly changed, she could hardly believe that this was indeed the Paris of her youth, the ancient capital of a great monarchy, the centre of magnificence, elegance, and refinement. The churches were mostly closed, if not in ruins; the statues of the saints were replaced by those of infidel philosophers; the names of the streets were changed into others, often commemorating some odious individual or theory or deed of the Revolution; as to the convents the very names of Jacobin, Cordeliers, and others were associated with horror and bloodshed. The words palais and h?tel having been forbidden by the Terrorists, maison ci-devant Conti, maison ci-devant Bourbon, &c., were written upon the once splendid dwellings of those who were now murdered, wandering in exile or, like herself, just returning to their ruined homes, with shattered fortunes and sorrowful hearts. Everywhere, on walls and buildings were inscribed [453] the mocking words libert, galit, fraternit, sometimes with the significant addition, ou la mort.

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FORE:MARIE ANTOINETTEIn this remote and delightful home they decided to stay for the present, and Pauline as usual spent much of her time looking after and helping the peasants, who followed her with their blessings as she went about.

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FORE:

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FORE:No, said the Marchal, if she must go I will tell her myself.

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TWO:Yes, yes! I know the way to the restaurant! and as he dragged him along in an iron grasp some guards, who had discovered the escape of the prisoner, recognised and seized him.Louis XIV., to whom the idea of the people allowing the King to do anything he chose must have appeared ludicrous, replied that their love for their King would, indeed, be excessive if they would not bear him out of their sight, and ended by saying
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THREE:In the family of Noailles there had been six Marshals of France, and at the time of the marriage, the old Marchal de Noailles, grandfather of the Count, was still living. [55] At his death, his son, also Marchal, became of course Duc de Noailles, and his son, the husband of Mlle. dAguesseau, Duc dAyen, by which name it will be most convenient to call him to avoid confusion, from the beginning of this biography.
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TWO:She had painted 662 portraits, 15 pictures, 200 landscapes, many of them in Switzerland, and many pastels.
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The one she liked best was Marly-le-Roi, a royal palace entirely destroyed in the Revolution. It was then an abode of enchantment, and she always spoke with rapture of the chateau with its six pavilions, its trellised walks covered with jasmin and honeysuckle, its fountains, cascades, canal, and pools upon which floated tame swans, its lawns shaded by enormous trees, its terraces and statues, everything recalling Louis XIV. Here for the first time she saw Marie Antoinette, then Dauphine, walking in the gardens with several of her ladies, all dressed in white.And small wonder! Was the Duchess of Orlansa woman of saintly character and the great grand-daughter [121] of Louis XIV.to tolerate the governess of her children being seen in a den of blasphemy and low, unspeakable vice and degradation like the Cordeliers Club, or their being themselves shown with rejoicing a scene of horror and murder, and join in the triumph of ruffians who were attacking their religion, and the King and Queen, who were also their own cousins? Was it possible that anybody in their senses would tolerate such a governess? Added to which the Duchess was now aware of the terms on which Mme. de Genlis and the Duke stood to each other. It could no longer be said of herThere were spies everywhere; people never dared mention him, and began to be afraid to receive their friends at all, or if they did, carefully closed the shutters; if a ball took place, the carriages were sent away for fear of attracting attention.Casimir was already seventeen, a great comfort, and very popular. He had been on a visit to London, when, as he returned with Prince Esterhazy, who had a boat of his own, he had a message at Dover from Pamela begging him to go to her. Since the arrest and death of Lord Edward Fitzgerald, she had married Mr. Pitcairn, American Consul at Hamburg, but was overwhelmed with debts, and for some reason insisted on coming to Paris. She was hiding from her creditors, and appealed to Casimir, who gave her fifty louis and hid her on board the boat. She had with her her daughter by Lord Edward Fitzgerald, and stayed some time at Paris, in spite of the representations of Mme. de Genlis that she ought to go back to her husband at Hamburg.
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