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A naked fakir, his brown skin plastered with flour, and his long black hair all matted, bent over the bodies muttering holy words; then flourishing two yellow rags that he took out of a wallet hanging from his shoulder, he exorcised the station, driving away the spectre of the pestilence; going very fast, running along the line by which the evil had come, and vanishing where the rails ended behind the trees.In the silence of a moonless night nine o'clock struck from the great tower of the Law Courtsa pretty set of chimes, reminding me of Bruges or Antwerp; and when the peal had died away a bugle in the sepoys' quarters took up the strain of the chimes, only infinitely softer, saddened to a minor key and to a slower measure; while in the distance[Pg 32] an English trumpet, loud and clear, sounded the recall in counterpart.Behind this mosque, by narrow alleys hung with airy green silk that had just been dyed and spread to dry in the sun, we made our way to the mausoleum of Badorgi Shah: a cloister, an arcade of octagonal columns carved with flowers, and in the court, the tombs of white stone, covered with [Pg 64]inscriptions, that look like arabesques. There are some children's tombs, too, quite small, in finer and even whiter stone, and two tiny stones under which lie Badorgi's parrot and cat.
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THREE:In the plain, beyond shady avenues of tamarind and terminalia trees, Hardwar begins again, a second town of large buildings, buried in the greenery of banyans and bamboos. Here again was the ghost of a bazaar, where all seemed dead under the bleaching suna bazaar bereft of sellers, no one in the booths, and no buyers in the deserted streets.In the distance we heard a sound of pipes, and the merchant hastened out to call the nautch-girls, who began to dance in the street just below us, among the vehicles and foot-passengers. There were two of them; one in a black skirt spangled with silver trinkets, the other in orange and red with a head-dress and necklace of jasmine. They danced with a gliding step, and then drew themselves up with a sudden jerk that made all their frippery tinkle. Then the girl in black, laying her right hand on her breast, stood still, with only a measured swaying movement of her whole body, while the dancer in yellow circled round, spinning as she went. Next the black one performed a sort of goose-step with her feet on one spot, yelling a so-called tune, and clacking her anklets one against the other. Then, after a few high leaps that set her saree flying, the dance was ended; she drew a black veil over her head, and turned with her face to the wall. The other boldly asked for backsheesh, held up her hands, and after getting her money, begged for cakes and sugar.
THREE:A native judge is sitting cross-legged on a little mat in his house. A petitioner appears of the lowest caste, a Sudra. The judge, quite motionless, watches the man unfasten his sandals, rush up to him, and with a profound bow touch his feet in sign of submission. For a man of higher caste, a Vaysiya, the ceremonial is the same, only instead of running forward the visitor walks up to the judge and merely pretends to touch his slippers. Then comes a kshatriya advancing very slowly; the judge rises to meet him half-way, and they both bow.Then there were races of baggage-mules, and competitions of speed in harnessing horses and in striking the tents. Finally the English officers rode a race, and then the prizes were distributedmoney to the men and blue pugarees with gold thread to the native officers.
ONE:
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BY: ADMIN | 05.01.2013

TWO:The old king is at once cured; he embraces his sons again and again. After this emotion the first thing he remarks is the new palace that has sprung from the ground exactly opposite his own.

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BY: ADMIN | 05.01.2013

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THREE:Below one of the palaces is a huge statue of Vishnu Bhin in a reclining attitude, daubed with ochre, the face flesh-colour and white; a statue which is carried away every year by the floods and restored every year in its pristine grossness.

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THREE:Beyond these ruins, at the end of a long avenue bordered with tamarind trees, beyond an artificial lake, is the tomb of Shah Alam. A wide marble court; to the right a mosque with three ranks of columns; above, a massive roof crowned with a[Pg 56] bulbous dome, flanked by fragile minarets. The fountain for ablutions in the midst of the court is surmounted by a marble slab supported on slender columns. To the left, under the shade of a large tree, is the mausoleum of marble, yellow with age, looking like amber, the panels pierced with patterns of freer design than goldsmith's work.

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THREE:Two days after, the people would burn in great state, on an enormous wood pile, an image of Time, to ensure the return next year of the festival of colours.

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THREE:Last year he and his brother had gone into the mausoleum of a Moslem saint with their shoes on; both had gone mad. The other brother died in a madhouse, where he was cared for; this one, incurable but harmless, went about the highways, followed by the dogs.

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"Nautch-girls for tourists, like Europeans," said my Indian servant Abibulla. "Can-can dancing-girls," he added, with an air of triumph at having shown me a wonder.After her another woman repeated the ceremony, and then they went away, still singing. This went on for part of the evening. When it was all over they went to eat rice at the bridegroom's house, and meanwhile the same ceremony had been performed with the bride, whom her neighbours had taken it by turns to anoint and perfume, in a house closed against prying eyes.And once more in a barge on the Ganges. The atmosphere seemed faintly iridescent, like mother-of-pearl, the silence serenely lulled by the distant sound of a flute. The palaces and temples, reflected in the still water, looked in the distance like forts crowned with turrets of gold, and their little windows like loopholes. The broad stairs of the quays, where the priests' umbrellas glitter, assumed a spacious, unfamiliar dignity, the red colour shading paler towards the bottom, where it was washed off by the lapping Ganges, looking as though a fairy hanging of gauze were spread under the wavelets in honour of the Apsaras and the divinities of the river.
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