ONE:Marie Antoinette was tall, well-formed, with perfectly shaped arms, hands and feet, a brilliant complexion, bluish-grey eyes, delicate though not regular features, a charming expression and a most imposing air, which very much intimidated Mme. Le Brun during the first sitting. But the kindness and gentleness with which the Queen talked to the young artist soon set her at ease, and when the portrait, which was to be presented to the Emperor Joseph II., was finished, she was desired to make two copies of it; one to be sent to the Empress Catherine of Russia, the other to be placed in the royal apartments, either at Versailles or Fontainebleau. After these she painted several portraits of the Queen, one of which, in a straw hat, was, when exhibited in the Salon, 1786, declared by one of those malicious slanders then becoming frequent, to be the Queen en chemise.Those of the Grand Monarque were brought up in almost royal state, magnificently dowered, raised to a rank next to the princes of the blood, amongst whom they were generally married, and with whom they kept up constant quarrels and rivalry.
FORE:She was therefore very badly off, though her [456] writings were always quite successful enough to provide for her, but she could not be happy without perpetually adopting children: even now she had not only Casimir, who was always like a son to her, but an adopted daughter called Stphanie Alyon, and another whom she sent back to Germany.There had, in fact, been a strong reaction against the restraint and dullness of the last few years of the reign of Louis XIV., when the magnificent, pleasure-loving King, whose victorious armies had devastated Europe, who had made princes of his illegitimate children, lavished the riches of the country upon his mistresses, and yet in his stately beauty and fascination been the idol of France; had changed into a melancholy old man, depressed and disillusioned, looking with uneasiness upon the past, with fear upon the future; while the brilliant beauties and splendid festivities of bygone days had given place to virtue, strict propriety, and Mme. de Maintenon.
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FORE:His was the leading salon of Paris at that time, and Mme. Tallien was the presiding genius there. Music, dancing, and gambling were again the rage, the women called themselves by mythological names and wore costumes so scanty and transparent that they were scarcely any use either for warmth or decency; marriages, celebrated by a civic functionary, were not considered binding, and were frequently and quickly followed by divorce. Society, if such it could be called, was a wild revel of disorder, licence, debauchery, and corruption; while over all hung, like a cloud, the gloomy figures of Billaud-Varennes, Collot dHerbois, Barre, and their Jacobin followers, ready at any moment to bring back the Terror.Avait-il des chemises,
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FORE:Yes, sir.
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FORE:The writer of these fascinating memoirs of the time proceeds, after speaking of various noble names and regretting many that were extinct, such as Lusignan, Coucy, Xaintrailles, Chatillon, Montgommery, &c., to say, One thing that has always given me the best opinion of the Noailles, is the protection they have never ceased to grant to all gentlemen who can prove that they have the honour [174] to belong to them, no matter what their position nor how distant the relationship. He (or she) [67] goes on to relate that a family of much less consideration, the Montmorin, being envious of the Noailles, asserted that they were not of the ancient noblesse, and pretended that they possessed a piece of tapestry on which a Noailles was depicted serving a Montmorin as a ma?tre dh?tel, with the date 1593.
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