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ONE:"Something Japanese?""Oh, if you were you wouldn't say so. You'd let on to be looking for good crossings on Pearl River, so that if Johnston should get chewed up we needn't be caught here in a hole, Ferry's scouts and all." TWO:Too busy over the catalogue, eh? she asked. Coming away before the sermon too. Naughty, as Mr Silverdale would say. Oh, I understand, my dear.But by-and-by they could distinguish the outline of a cone, white as a cloud and nearly as shadowy. It was the Holy Mountain of Japan, and they recognized the picture they had seen so many times upon Japanese fans and other objects. As they watched it, the form grew more and[Pg 76] more distinct, and after a time they no longer doubted that they looked at Fusiyama.
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ONE:DANGEROUS PLACE ON THE SUWO NADA. DANGEROUS PLACE ON THE SUWO NADA. TWO:"The display of manufactured articles is much like that in the Japanese section at Philadelphia, but is not nearly so large, the reason being that the merchants do not see as good chances for business as they did at the Centennial, and consequently they have not taken so much trouble to come in. Many of the articles shown were actually at Philadelphia, but did not find a market, and have been brought out again in the hope that they may have better luck. The bronzes are magnificent, and some of them surpass anything that was shown at the Centennial, or has ever been publicly exhibited outside of Japan. The Japanese seem determined to maintain their reputation of being the foremost workers of bronze in the world. They have also some beautiful work in lacquered ware, but their old lacquer is better than the new.Frank looked back as long as the station was in sight. Somebody continued to wave a delicate handkerchief until the train had disappeared; somebody's eyes were full of tears, and so were the eyes of somebody else. Somebody's good wishes followed the travellers, and the travellersFrank especiallywafted back good wishes for that somebody.
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ONE:"Ah! I know you; you want to ask am I taking that upper fork of the road. I am; 'tis for that I want you; so go you now to the stable, saddle our horses and bring them."Frank thought that he should not enjoy the jin-riki-sha, as he would be constantly thinking of the poor fellows who were pulling him, and of how much they were suffering on his account. He could not bear to see them tugging away and perspiring while he was reclining in a comfortable seat. TWO:TEA-MERCHANTS IN THE INTERIOR. TEA-MERCHANTS IN THE INTERIOR."Good-morning," we said. One of the men was a sergeant. He scanned my animal, and then me, with a dawning smile. "That's a fightin'-cock of a horse you've got, sonny."
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ONE:[Pg 112] TWO:He made no rejoinder except that his eyes were insistent. She wiped his temples. "I hate to refuse you.""They're all about the house, tending the wounded; Mrs. Sessions is with the Squire, of course,--dear, brave old gentleman! we thought he was killed, but Charlotte found the ball had glanced."
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ONE:Which are the bluebells? he asked."We were rather impatient for the last day, when we could do our shopping and buy the things for our friends at home. There are so many fine things for sale in Canton that it is hard to determine where to begin and where to leave off. A great many people keep on buying till their money is all gone, and some of them do not stop even then. TWO:The Japanese lacquer of the present time is not so highly prized as that of the last or the previous century. It is not so well made, partly for the reason that the workmen have lost their skill in the art, and partly because labor is much more expensive now than formerly. The prices obtained for some of the specimens of this kind of work have been very high, but they are not enough to meet the advance that has been made in wages in the past few years. The manufacturers are anxious to turn their money as rapidly as possible, and consequently they do not allow their productions to dry thoroughly. To be properly prepared, a piece of lacquer should dry very slowly; and it used to be said that the best lacquer was dried under water, so that the process should not be too rapid. The article, whatever it may be, is first shaped from wood or papier-mach, and then covered with successive coatings of varnish or lacquer; this is made from the gum of a tree, or, rather, from the juice, and it is said to have the peculiar property of turning black from exposure to the air, though it is of a milky whiteness when it exudes from the tree. It can be made to assume various colors by the addition of pigments; and while it is in a fresh condition coatings of gold-leaf are laid on in such a way as to form the figures that the artist has designed. Every coating must be dried before the next is laid on; and the more elaborate and costly the work, the more numerous are the coatings. Sometimes[Pg 251] there may be a dozen or more of them, and pieces are in existence that are said to have received no less than fifty applications of lacquer. A box may thus require several years for its completion, as the drying process should never be hastened, lest the lacquer crack and peel when exposed to the air, and especially to heat. Good lacquer can be put into hot water without the least injury; but this is not the case with the ordinary article. TEMPLE BELL AT KIOTO. TEMPLE BELL AT KIOTO.
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