TWO:It was nearly four o'clock before Prout raised the trail. On the previous day but one a cashier at the National Credit Bank had changed 400 in gold into notes for a stranger who answered to the description of the murdered man. Prout dashed down to Leadenhall Street in a fast hansom. The cashier was a little nervous, but quite willing to speak freely.And want of that would be a want of all.16
TWO:Disjunction is, in truth, the primordial form of all reasoning, out of which the other forms are successively evolved; and, as such, it is common to man with the lower animals. You are taking a walk in the country with your dog. You come to a stream and jump over it. On measuring the distance with his eye, the animal is afraid to follow you. After waiting a little, he first runs up stream in search of a crossing, and, finding none, returns to look for one in the opposite direction. Failing there also, he comes back once more, and either ventures on the leap or makes his way home by some other route. Now, on considering the matter a little more382 closely, we shall find that hypothetical reasoning takes its rise from the examination of each separate alternative presented by a disjunctive premise. A plurality of courses being open to us, we consider what will ensue on the acceptance or rejection of each. The dog in our illustration thinks (after a canine fashion) that if he jumps he may fall in; if he does not, he will be left behind. Hector will not take refuge within the walls, because, if he does, Polydamas will triumph over him; nor will he offer terms of peace, because, if he does, Achilles will refuse them. Once more, categorical reasoning is developed out of hypothetical reasoning by the necessity of deducing consequences from a general rule. Hector must have argued from the known characters of Polydamas and Achilles, that in certain circumstances they would act after a certain manner. We may add, that this progress of conscious reasoning is a reproduction of the unconscious logic according to which life itself is evolved. All sorts of combinations are spontaneously produced, which, in consequence of the struggle for existence, cannot all survive. Those adapted to the conditions of life are selected, on trial, at the expense of the rest; and their adaptation or non-adaptation is determined in accordance with categorical laws. Furthermore, the framing of a disjunctive proposition necessitates the systematic distribution of possibilities under mutually exclusive heads, thus involving the logical processes of definition, division, and classification. Dialectic, as Plato understood it, consisted almost entirely in the joint performance of these operations;a process which Aristotle regards as the immediate but very imperfect precursor of his own syllogistic method.276 You cannot, he says, prove anything by dividing, for instance, all living things into the two classes, mortal and immortal; unless, indeed, you assume the very point under discussionto which class a particular species belongs. Yet this is how he constantly reasons himself; and even demonstrative reason383ing, as he interprets it, implies the possession of a ready-made classification. For, according to him, it consists exclusively of propositions which predicate some essential attribute of a thingin other words, some attribute already included in the definition of the subject; and a continuous series of such definitions can only be given by a fixed classification of things.
TWO:3. The saving from condensation, to which steam is exposed, avoidance of heat, and the consequent contraction and expansion of long conducting pipes.A similar vein of thought runs through the moral and religious philosophy of Lucretius. If we look on him as a reformer, we shall say that his object was to free life from the delusions with which it had been disfigured by ignorance and passion. If we look on him as an artist, we shall say that he instinctively sought to represent life in the pure and perfect beauty of its naked form. If we look on him as a poet, we shall say that he exhibits all the objects of false belief no longer in the independence of their fancied reality, but in their place among other vital phenomena, and in due subordination112 to the human consciousness whose power, even when it is bound by them, they reveal. But while the first alternative leaves him in the position of a mere imitator or expositor who brings home no lessons that Epicurus had not already enforced with far greater success, the other two, and above all the last, restore him to the position of an original genius, who, instead of deriving his intuitions from the Epicurean system, adopts just so much of that system as is necessary to give them coherence and shape. It may, no doubt, be urged, that were life reduced to the simple expression, the state of almost vegetative repose, demanded by Lucretius, denuded of love, of ambition, of artistic luxury, of that aspiration towards belief in and union with some central soul of things, which all religions, more or less distinctly embody, its value for imaginative purposes would be destroyed; and that the deepest lesson taught by his poem would not be how to enjoy existence with the greatest intensity, but how to abandon it with the least regret. Now it is just here that the wonderful power of poetry comes in, and does for once, under the form of a general exposition, what it has to do again and again under the easier conditions of individual presentation. For poetry is essentially tragic, and almost always excites the activity of our imagination, not by giving it the assured possession of realities, but by the strain resulting from their actual or their expected eclipse. If Homer and the Attic tragedians show us what is life, and what are the goods of life, it is not through experience of the things themselves, but through the form of the void and the outline of the shadow which their removal or obscuration has produced. So also in the universal tragedy of the Roman poet, where the actors are not persons, but ideas. Every belief is felt with more poignant intensity at the moment of its overthrow, and the world of illusion is compensated for intellectual extinction by imaginative persistence as a conscious creation, a memory, or a dream. There is no mythological picture so splendidly painted as those in which Lucretius has shown us Mavors113 pillowed on the lap of Venus, or led before us the Idaean mother in her triumphal car. No redeemer, credited with supernatural powers, has ever enjoyed such an apotheosis as that bestowed by his worshipper on the apostle of unbelief. Nowhere have the terrible and mysterious suggestions of mortality been marshalled with such effect as in the argument showing that death no more admits of experience than of escape. What love-inspired poet has ever followed the storm and stress of passion with such tenderness of sympathy or such audacity of disclosure, as he to whom its objects were disrobed of their divinity, for whom its fancied satisfaction was but the kindling to insaner effort of a fatally unquenchable desire? Instead of being compelled to teach a truth he would not learn, Lucretius was enabled by the spirit of his own incomparable art to seize and fix for ever, in bold reversal of light and shade, those visions on which the killing light of truth had long before him already dawned.
TWO:"What! A Netherlander? I suppose you come to see how many troops are here, don't you? And then...."
