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The last at which Mme. Le Brun was present was the Mariage de Figaro, played by the actors of the Comdie Fran?aise; but, as she observes in one of her letters, Beaumarchais [26] must have intolerably tormented M. de Vaudreuil to induce him to allow the production of a piece so improper in every respect. Dialogue, couplets, all were directed against the court, many belonging to which were present, besides the Comte dArtois himself. Everybody was uncomfortable and embarrassed except Beaumarchais [27] himself, who had no manners and [63] was beside himself with vanity and conceit, running and fussing to and fro, giving himself absurd airs, and when some one complained of the heat, breaking the windows with his stick instead of opening them.
ONE:Mme. Le Brun saw Mme. de Narischkin and her sister before she left Russia, for though she only intended to be there for a short time, she remained for six years, making an immense number of friends, and apparently no enemy but Zuboff, the last favourite of the Empress Catherine, an arrogant, conceited young man of two-and-twenty, whom she supposed she had offended by not paying court to him; and therefore he tried all he could to injure her with the Empress. TWO:Others there were who showed the basest ingratitude. The Marquise de had been saved by Mme. Tallien, and hidden for three weeks in her boudoir. Not even her maid knew of her presence there. Trzia herself not only brought her food and waited upon her, but obtained her pardon and got part of her fortune restored to her. For some time she appeared very grateful, and as long as Tallien was powerful she came constantly to see Trzia, often asking for fresh favours.

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ONE:But she was left to live in the convent without [357] ever leaving it, and her lot would have been deplorable indeed but for the affection and sympathy she met with from every one, above all, from the good abbess, Mme. de Rossgnol, who had taken care of her education, and with whom she dined and spent the whole day.No sooner had he gone than his father arrived unexpectedly from the Rhine, where he had commanded the Auvergne contingent in the army of Cond, composed almost entirely of gentlemen of that province.

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THREE:In the fearful tragedy of the French Revolution, as in many earlier dramas in the history of that nation, one can hardly fail to be struck by the extreme youth of many, perhaps most, of the leading characters, good or bad. And the hero and heroine of this act in the revolutionary drama were young, and both remarkable for their beauty.For six months she worked with enthusiasm, perfectly happy and engrossed with her painting, never noticing that her landlord, who was a good-looking, pleasant, but exceedingly dissipated man, was paying her great attention, having fallen violently in love with her.

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THREE:

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THREE:Mme. Le Brun painted the portrait first of Madame Adla?de, then of Madame Victoire.

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THREE:But his enemy stood before him with a smile of triumph.Through all this time it is not clear exactly where Trzia was, probably at Paris and at Fontenay, but the relations between herself and her husband did not improve, and without any violent enmity between them, she had several times thought of getting a divorce from him.

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THREE:[229]It was not altogether easy in those days for two women of their age and class to go out unattended and unseen, and if they had been discovered it would have caused gossip and scandal. So one dark night they disguised themselves as grisettes, put on large cloaks with hoods and let themselves out through a side door in the garden of the h?tel. After a long walk they arrived, very tired and rather frightened, at a dirty house in a bad quarter, on the fifth floor of which the wizard lived. They rang a dirty-looking bell, a dingy servant appeared with a smoky lamp, and led them into a dimly-lighted room adorned with deaths heads and other weird-looking symbols. As they looked round them with misgiving a concealed door suddenly opened and the wizard stood before them dressed in a long flame-coloured robe, with a black mask, and began to make passes in the air with an ivory wand, using strange words they could not understand, while blue sulphur flames played around him.

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THREE:By the King and royal family Mme. Le Brun was received with especial favour and kindness, most of the returned emigrs were her friends, and Paris was now again all that she wished.

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ONE:The Marquis de Boissy, a devoted Royalist with a long pedigree, went to one of the court balls in the dress of a Marquis of the court of Louis XV. On one of the princes of the blood observing to himThe wedding took place in the spring of 1783, before her seventeenth birthday. The presents and corbeille were magnificent, and every day, between the signing of the contract and the marriage, Pauline, in a splendid and always a different dress, received the visits of ceremony usual on these occasions. As her family and her husbands were related to or connected with every one of the highest rank in France, all the society of Paris passed through the h?tel de Noailles on those interminable evenings, which began at six oclock and ended with a great supper, while Pauline sat by her mother, and was presented to every one who came.

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Mme. de Montivilliers ordered the gates of the prison to be thrown open, which no one but herself would have dared to do against the orders of the Prioress. She gave shelter and a cordial to the brave farmer, and ordered her surgeon to examine the wounded robber, who was a young man dressed in womans clothes, and it was then learned from the farmer that the other criminal was that infernal beggar who had been sheltered beneath the porch of the abbey, before which he now lay on a litter waiting to be put in the dungeon. He had the torso of a giant, but no legs or arms, only a kind of stump of one arm. His head was enormous....The writer of these fascinating memoirs of the time proceeds, after speaking of various noble names and regretting many that were extinct, such as Lusignan, Coucy, Xaintrailles, Chatillon, Montgommery, &c., to say, One thing that has always given me the best opinion of the Noailles, is the protection they have never ceased to grant to all gentlemen who can prove that they have the honour [174] to belong to them, no matter what their position nor how distant the relationship. He (or she) [67] goes on to relate that a family of much less consideration, the Montmorin, being envious of the Noailles, asserted that they were not of the ancient noblesse, and pretended that they possessed a piece of tapestry on which a Noailles was depicted serving a Montmorin as a ma?tre dh?tel, with the date 1593.Sire, when are these two pictures to be exhibited?Shortly afterwards, passing his father in the great gallery at Versailles, the Duc de Richelieu said to him
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