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With a King of five years old, and such a Regent as the Duke of Orlans, they were tolerably sure of both. The reign of pleasure, luxury, and licence began with enthusiasm. Never, during the life of Louis le Grand, had the atmosphere of the Court been what it became under the regency, and under his great-grandson.Besides all these portraits of the Queen, Mme. Le Brun painted the King, all the rest of the royal family except the Comte dArtois; the Duke and Duchess of Orlans, the Princesse de Lamballe, the Duchesse de Polignac, and, in fact, almost everybody.CHAPTER III
TWO:A crowd began to gather, and he went on in a loud voice
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THREE:On the nights when there was an opera, the Palais Royal was open to any one who had been presented there. The first invitation to supper meant a standing one for those days, therefore the Palais Royal was then crowded with guests; and on other evenings the petits soupers, generally consisting of eighteen or twenty guests, were composed of those of the intimate society of the Duke and Duchess, who also had a general invitation.
THREE:Another time she made a charcoal sketch of two heads on the door of a summer-house by the sea, lent to her by Sir William Hamilton. Years afterwards to her astonishment she saw them in England. He had cut them out of the door and sold them to Lord Warwick!Married when a mere child to the Duc de Fleury, great-nephew of the Cardinal, there was no sort of affection between her husband and herself, each went their own way, and they were scarcely ever in each others society. He had also emigrated, but he was not in Rome, and Mme. Le Brun, who was very fond of her, foresaw with anxiety and [100] misgiving the dangers and difficulties which were certain to beset one so young, so lovely, so attractive, and so unprotected, with no one to guide or influence her. Full of romance and passion, surrounded with admiration and temptation, she was already carrying on a correspondence, which could not be anything but dangerous, with the Duc de Lauzun, a handsome, fascinating rou, who had not quitted France, and was afterwards guillotined.
FORE:For nothing was safe from her pencil: her books, her copy-books, even those of her schoolfellows, the walls of the dormitory, every available space was covered with heads, figures, and landscapes in crayon or charcoal, and when out in the playground she drew with a stick upon the sand. FORE:But as long as Pauline remained on the list of emigres the affairs could not be wound up.
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Madame Vige Le BrunIt appeared after a time that the post in the household of the Comtesse de Provence was not attainable, and in the first disappointment of this refusal, Mme. de Montesson told her niece that she had only to ask and she would receive an appointment at the Palais Royal.The Ambassador gave her his arm, told her to be sure to kiss the hand of the Empress, and they walked across the park to the palace, where, through a window on the ground floor, they saw a girl of about seventeen watering a pot of pinks. Slight and delicate, with an oval face, regular features, [125] pale complexion, and fair hair curling round her forehead and neck, she wore a loose white tunic tied with a sash round her waist, and against the background of marble columns and hangings of pink and silver, looked like a fairy.Neither had she the anxiety and care for others which made heroes and heroines of so many in those awful times. She had no children, and the only person belonging to herher fatherhad emigrated. She was simply a girl of eighteen suddenly snatched from a life of luxury and enjoyment, and shrinking with terror from the horrors around and the fate before her. Amongst her fellow-prisoners was Andr Chnier, the republican poet, who was soon to suffer death at the hands of those in whom his fantastic dreams had seen the regenerators of mankind. He expressed his love and admiration for her in a poem called La jeune Captive, of which the following are the first lines:
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