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THREE:"And whose portrait appeared in one of the smart papers," said Prout. "I wonder if you can remember the name of the paper. It may be alive or it may be dead, but the ornamental heading had a woman playing a trumpet on it. This is in your line, sir, far more than in mine."

THREE:"I know--I mean, what do I mean?" the Countess said hoarsely. "Really I don't know why I should be so interested."The third plan of boring with bars resting in bearings is more extensively practised, and has the largest range of adaptation. A feature of this plan of boring is that the form of the boring-bar, or any imperfection in its bearings, is communicated to the work; a want of straightness in the bar makes tapering holes. This, of course, applies to cases where a bar is fed through fixed bearings placed at one or both ends of a hole to be bored. If a boring-bar is bent, or out of truth between its bearings, the diameter of the hole being governed by the extreme sweep of the cutters is untrue to the same extent, because as the cutters move along and come nearer to the bearings, the bar runs with more truth, forming a tapering hole diminishing toward the rests or bearings. The same rule applies to some extent in chuck-boring, the form of the lathe spindle being communicated to holes bored; but lathe spindles are presumed to be quite perfect compared with boring bars.

THREE:First. The main object of mechanical engineering is commercial gain��the profits derived from planning and constructing machinery.There is, perhaps, no more fitting conclusion to these suggestions for apprentices than a word about health and strength. It was remarked in connection with the subject of drawing, that the powers of a mechanical engineer were to be measured by his education and mental abilities, no more than by his vitality and physical strength, a proposition which it will be well for an apprentice to keep in mind.

THREE:In England, the most generally accepted method seems to be that followed by Grote. This consists in taking the Platonic Apologia as a sufficiently faithful report of the defence actually made by Socrates on his trial, and piecing it on to the details supplied by Xenophon, or at least to as many of them as can be made to fit, without too obvious an accommodation of their meaning. If, however, we ask on what grounds a greater historical credibility is attributed to the Apologia than to the Republic or the Phaedo, none can be offered except the seemingly transparent truthfulness of the narrative itself, an argument which will not weigh much with those who remember how brilliant was Plato��s talent for fiction, and how unscrupulously it could be employed for purposes of edification. The Phaedo puts an autobiographical statement into the mouth of Socrates which we only know to be imaginary because it involves the acceptance of a theory unknown to the real Socrates. Why, then, may not Plato have thought proper to introduce equally fictitious details into the speech delivered by his master before the dicastery, if, indeed, the speech, as we have it, be not a fancy composition from beginning to end?

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