THREE:"How do you know which way to turn?" Frank asked; "it seems to me you are just as likely to run to the centre of the storm as to the circumference.""To the men you call so, yes. Yet I pledge you, General, to deal as tenderly with every man in blue who comes within range of my care as I did with Captain Jewett."

THREE:"Around the shores of Po-yang Lake is where they make a great deal of the porcelain, and what we call 'China ware,' that they send to America. The captain says he has frequently taken large quantities of it down the river to Shanghai, and that it was sent from there to our country. They dig the clay that they want for making the porcelain on the shores of the lake, and they get their fuel for burning it from the forests, not far away. The entrance to the lake is very picturesque; there is a town in a fortress on a hill that overlooks the river, and then there is a fort close down by the water. Probably the fort wouldn't be of much use against a fleet of foreign ships; but it looks well, and that is what pleases the Chinese." "There have been several men around the hotel trying to sell things to us, and we have been looking at them. One thing I am going to[Pg 90] get and send in this letter is a box of Japanese pictures. They are not photographs, but real drawings by Japanese artists, and printed on Japanese paper. You will see how soft and nice the paper is; and though the pictures look rough, they are very good, and, above all things, they are truthful. I am going to get as many different ones as I can, and so I think you will be able to get a good idea of the country as the natives see it themselves. They have these pictures showing all their ways of life��how they cook their food, how they eat it, how they work, how they play��in fact, how everything is done in this very curious country. The Japanese make their drawings with very few lines, and it will astonish you to see how much they can express with a few strokes of a pencil. Here is a[Pg 91] picture of a horse drawn with seven strokes of the artist's finger-nail dipped in ink, and with a few touches of a wide brush for the mane and tail. Do you think my old drawing-master at home could do the same thing?