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THREE:The wanderings and perils of Pauline were now at an end. From henceforth her home was with her husband and four children in the old chateau of Fontenay, which they repaired and put in order. It was a fortress built in the reign of Charles VI., and afterwards inhabited and decorated by the Duc d��Epernon. The great tower of the castle still bore his name, and the blue and gold ceiling of his bedroom still remained. It had an immense park and lakes, and a great avenue of chestnut-trees led up to the chateau. The Abb�� Cartier, cur�� of Fontenay, was a man after her own heart. He had known her mother, for he came very young to the parish, which he loved with all his heart, and which he had only once left, on the approach of a revolutionary mob. Leaving the presbyt��re with all his own things at their mercy, he hid the cross and all the [263] properties of the church, and as to the statues of the saints which he could not remove, he painted them all over, turning them into National Guards with swords by their sides. He was only persuaded by his people to escape when already the drums of the approaching ruffians were heard in the village, in which they quickly appeared, and rushed into the church. But they found it empty, except for the statues, with which, in their republican garb, they dared not meddle, so they turned their fury upon the presbyt��re, and when the good Abb�� returned he found the church uninjured, but all the contents of his house stolen or destroyed. As far as possible, M. and Mme. de Montagu led the simple patriarchal life they preferred at Fontenay, where they were adored by the people, to whom they devoted their time, money, and attention. Under the trees before the castle stone benches were placed for the peasants who came on Sunday evenings to sit about and dance, and the young people with whom the old chateau was always filled joined eagerly in their festivities.��(Air: ��Rendez-moi mon ��cuelle de bois.��)

Complimenten, bewonderend gefluit en lonkende blikken zijn enkele risico’s die The Garment Club met zichlaim meebrengt. Onze enige missiede

THREE:From her earliest childhood F��licit�� had shown a remarkable talent for music and acting, of which her mother was so proud that she did her best to spoil the child by bringing her forward on every occasion to display her talents. She learned to sing, to play the harp, to recite verses; she was dressed up as an Amour or a Hebe, she acted Iphigenia and Hector and Zaire, and the constant flattery and notice she received evidently and naturally turned her head and laid the foundation of that vanity and self-satisfaction which appears so conspicuously in the records of her life.��You are all bad judges��

Complimenten, bewonderend gefluit en lonkende blikken zijn enkele risico’s die The Garment Club met zichlaim meebrengt. Onze enige missiede

THREE:Twice a week at a certain hour she went on pretence of taking the air to a place from whence she could see her three children, whom their tutor, devoted to her and her family, brought into the garden below. Now and then she received and sent notes to and from him, by one of which they [246] learnt that Adrienne was in the prison called Plessis, one of the worst.

Complimenten, bewonderend gefluit en lonkende blikken zijn enkele risico’s die The Garment Club met zichlaim meebrengt. Onze enige missiede

THREE:[303]

Complimenten, bewonderend gefluit en lonkende blikken zijn enkele risico’s die The Garment Club met zichlaim meebrengt. Onze enige missiede

THREE:When Mme. de Bouzolz had a baby, she nursed her devotedly, and took the deepest interest in the child. But the height of bliss seemed to be attained when soon after she had a daughter herself, with which she was so enraptured and about which she made such a fuss, that one can well imagine how tiresome it must have been for the rest of the family. She thought of nothing else, would go nowhere, except to the wedding of her sister, Mme. du Roure, with M. de Th��san; and when in the following spring the poor little thing died after a short illness, she fell into a state of grief and despair which alarmed the whole family, who found it impossible to comfort her. She would sit by the empty cradle, crying, and making drawings in pastel of the child from memory after its portrait had been put away out of her sight. But her unceasing depression and lamentation so worried M. de Beaune that, seeing this, she left off talking about it, and he, hoping she was becoming [198] more resigned to the loss, proposed that she should begin again to go into society after more than a year of retirement. She consented, to please him, for as he would not leave her his life was, of course, very dull. But the effort and strain of it made her so ill that the next year she was obliged to go to Bagn��res de Luchon. M. de Beaune, who was certainly a devoted father-in-law, went with her. Her mother and eldest sister came to visit her there; her husband travelled three hundred leagues, although he was ill at the time, to see how she was getting on, and in the autumn she was much better, and able to go to the wedding of her favourite sister, Rosalie, with the Marquis de Grammont.

Complimenten, bewonderend gefluit en lonkende blikken zijn enkele risico’s die The Garment Club met zichlaim meebrengt. Onze enige missiede

THREE:CHAPTER III

Complimenten, bewonderend gefluit en lonkende blikken zijn enkele risico’s die The Garment Club met zichlaim meebrengt. Onze enige missiede