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ONE:Marie Antoinette was tall, well-formed, with perfectly shaped arms, hands and feet, a brilliant complexion, bluish-grey eyes, delicate though not regular features, a charming expression and a most imposing air, which very much intimidated Mme. Le Brun during the first sitting. But the kindness and gentleness with which the Queen talked to the young artist soon set her at ease, and when the portrait, which was to be presented to the Emperor Joseph II., was finished, she was desired to make two copies of it; one to be sent to the Empress Catherine of Russia, the other to be placed in the royal apartments, either at Versailles or Fontainebleau. After these she painted several portraits of the Queen, one of which, in a straw hat, was, when exhibited in the Salon, 1786, declared by one of those malicious slanders then becoming frequent, to be the Queen en chemise.

TWO:The last time Mme. Le Brun saw the Queen was at the last ball given at Versailles, which took place in the theatre, and at which she looked on from one of the boxes. She observed with indignation the rudeness of some of the young Radical nobles; they refused to dance when requested to do so by the Queen, whose agitation and uneasiness were only too apparent. The demeanour of the populace was becoming every day more ferocious and alarming; the drives and streets were scarcely safe for any but the lower classes. At a concert given by Mme. Le Brun, most of the guests came in with looks of consternation. They had been driving earlier in the day to Longchamps, and as they passed the barri��re de l��toile, a furious mob had surrounded and insulted everybody who passed in carriages. Villainous looking faces pressed close to them, horrible figures climbed on to the steps of the carriages, crying out, with infamous threats and brutal language, that next year they should be in the carriages and the owners behind them.

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THREE:The royalist sympathies and associations of Mme. Le Brun made her particularly obnoxious to the Radical party, to whom lies and calumnies were all welcome as weapons to be used against political opponents. She was therefore assailed by shoals of libels, accusing her of a liaison with M. de Calonne, by people who were absolutely unknown to her.

THREE:She embarked with Ad��la?de for Rotterdam, and on arriving at Paris found her daughter, who had neither lost her good looks nor her social attractions, but was otherwise as unsatisfactory as ever. For her husband she had long ceased to care at [152] all. They had come to Paris to engage some artists for Prince Narischkin, and when M. Nigris returned to Russia, his wife refused to accompany him.Mme. de Clermont had been married at fifteen to the Comte de Choisi, who was much older than herself, and of whom she was dreadfully afraid; but he was killed at the battle of Minden, and she had just married the Comte de Clermont, who was deeply in love with her. She was young, pretty, very capricious, and a friend of Mme. de Montesson, and with all her faults never dull or tiresome, but full of merry talk and amusing stories; the Comtesse de Polignac and the Marquise de Barbantour were also among the ladies of the household [387] with whom F��licit�� was now associated; two much older ones were the Comtesses de Rochambault and de Montauban.