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THREE:When the power and value of these primitive speculations can no longer be denied, their originality is sometimes questioned by the systematic detractors of everything Hellenic. Thales and the rest, we are told, simply borrowed their theories without acknowledgment from a storehouse of Oriental wisdom on which the Greeks are supposed to have drawn as freely as Coleridge drew on German philosophy. Sometimes each system is affiliated to one of the great Asiatic religions; sometimes they are all traced back to the schools of Hindostan. It is natural that no two critics should agree, when the rival explanations are based on nothing stronger than superficial analogies and accidental coincidences. Dr. Zeller in his wonderfully learned, clear, and sagacious work on Greek philosophy, has carefully sifted some of the hypotheses referred to, and shown how destitute they are of internal or external evidence, and how utterly they fail to account for the facts. The oldest and best authorities, Plato and Aristotle, knew nothing about such a derivation of Greek thought from Eastern sources. Isocrates does, indeed, mention that Pythagoras borrowed his philosophy7 from Egypt, but Isocrates did not even pretend to be a truthful narrator. No Greek of the early period except those regularly domiciled in Susa seems to have been acquainted with any language but his own. Few travelled very far into Asia, and of those few, only one or two were philosophers. Democritus, who visited more foreign countries than any man of his time, speaks only of having discussed mathematical problems with the wise men whom he encountered; and even in mathematics he was at least their equal.9 It was precisely at the greatest distance from Asia, in Italy and Sicily, that the systems arose which seem to have most analogy with Asiatic modes of thought. Can we suppose that the traders of those times were in any way qualified to transport the speculations of Confucius and the Vedas to such a distance from their native homes? With far better reason might one expect a German merchant to carry a knowledge of Kant��s philosophy from K?nigsberg to Canton. But a more convincing argument than any is to show that Greek philosophy in its historical evolution exhibits a perfectly natural and spontaneous progress from simpler to more complex forms, and that system grew out of system by a strictly logical process of extension, analysis, and combination. This is what, chiefly under the guidance of Zeller, we shall now attempt to do.

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THREE:Among the scientific and literary men who were not pledged to any particular school, we find the elder Pliny rejecting the belief in immortality, not only as irrational but235 as the reverse of consolatory. It robs us, he declares, of Nature��s most especial boon, which is death, and doubles the pangs of dissolution by the prospect of continued existence elsewhere.361 Quintilian leaves the question undecided;362 Tacitus expresses himself doubtfully;363 and Galen, whose great physiological knowledge enabled him to see how fallacious were Plato��s arguments, while his philosophical training equally separated him from the materialists, also refuses to pronounce in favour of either side.364 What Juvenal thought is uncertain; but, from his general tone, we may conjecture that he leant to the negative side.365

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THREE:It was natural that one who united a great intellect to a glowing temperament should turn his thoughts to poetry. Plato wrote a quantity of verses��verse-making had become fashionable just then��but wisely committed them to the flames on making the acquaintance of Socrates. It may well be doubted whether the author of the Phaedrus and the Symposium would ever have attained eminence in metrical composition, even had he lived in an age far more favourable to poetic inspiration than that which came after the flowering time of Attic art. It seems as if Plato, with all his fervour, fancy, and dramatic skill, lacked the most essential quality of a singer; his finest passages are on a level with the highest poetry, and yet they are separated from it by a chasm more easily felt than described. Aristotle, whom we think of as hard and dry and cold, sometimes comes much nearer to the true lyric cry. And, as if to mark out Plato��s style still more distinctly from every other, it is also deficient in oratorical power. The philosopher evidently thought that he could beat the rhetoricians on their own ground; if the Menexenus be genuine, he tried to do so and failed; and even without its191 testimony we are entitled to say as much on the strength of shorter attempts. We must even take leave to doubt whether dialogue, properly so called, was Plato��s forte. Where one speaker is placed at such a height above the others as Socrates, or the Eleatic Stranger, or the Athenian in the Laws, there cannot be any real conversation. The other interlocutors are good listeners, and serve to break the monotony of a continuous exposition by their expressions of assent or even by their occasional inability to follow the argument, but give no real help or stimulus. And when allowed to offer an opinion of their own, they, too, lapse into a monologue, addressed, as our silent trains of thought habitually are, to an imaginary auditor whose sympathy and support are necessary but are also secure. Yet if Plato��s style is neither exactly poetical, nor oratorical, nor conversational, it has affinities with each of these three varieties; it represents the common root from which they spring, and brings us, better than any other species of composition, into immediate contact with the mind of the writer. The Platonic Socrates has eyes like those of a portrait which follow us wherever we turn, and through which we can read his inmost soul, which is no other than the universal reason of humanity in the delighted surprise of its first awakening to self-conscious activity. The poet thinks and feels for us; the orator makes our thoughts and feelings his own, and then restores them to us in a concentrated form, ��receiving in vapour what he gives back in a flood.�� Plato removes every obstacle to the free development of our faculties; he teaches us by his own example how to think and to feel for ourselves. If Socrates personified philosophy, Plato has reproduced the personification in artistic form with such masterly effect that its influence has been extended through all ages and over the whole civilised world. This portrait stands as an intermediary between its original and the far-reaching effects indirectly due to his dialectic inspiration, like that universal soul which Plato himself has placed between192 the supreme artificer and the material world, that it might bring the fleeting contents of space and time into harmony with uncreated and everlasting ideas.

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THREE:��You can��t trap us!�� challenged Sandy.

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