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Through this active scene of refreshment and recreation, our party strolled along, and at length came to the gateway of the temple, an enormous structure of wood like a house with triple eaves, and raised on pillars resembling the piers of a bridge. This is similar to the gateway that is found in front of nearly every Japanese temple, and is an imposing ornament. On either hand, as we pass through, we find two statues of demons, who guard the entrance, and are gotten up in the superlative degree of hideousness. When the Japanese give their attention to the preparation of an image of surpassing ugliness, they generally succeed, and the same is the case when they search after the beautiful. Nothing can be more ugly[Pg 127] in feature than the giants at Asakusa, and what is there more gracefully beautiful than the Japanese bronzes that were shown in the great exhibitions at Philadelphia and Paris? Les extrmes se touchent.Frank was eighteen years old and his sister was fifteen. They were very fond of each other, and the thought that her brother was to be separated from her for a while was painful to the girl. Frank kissed her again, and said,It is good-bye she said, and quite simply like a child she raised her face to his. このページの先頭です
ONE:I envy you your munificence, said Lord Inverbroom.
ここから本文です
TWO:Two very auspicious pieces of news awaited him when he got home, and found his wife and Alice just about to go upstairs to dress. Alices slippers had come back from the shoe-makers, and could be presented to Mr Silverdale to-night, while, as by a miracle, a bit of salmon had been procured also. Lady Keeling had been driving by that little fishmongers in Drury Place, and there on the marble slab was quite a nice bit of salmon. She had brought it home herself on the box of the victoria, for fear of there being any mischance as to its delivery. Alice was even more excited, for nobody else had ever been permitted to work Master a pair of slippers, and Julia Fyson was coming to dinner, who, with eyes green{307} with jealousy, would see the presentation made. They were to be brought into the dining-room at the end of dinner, when Lady Keeling gave two short pressures to the electric bell that stood by her on the table, by the boy covered with buttons, wrapped round with endless swathings of paper. He was to present this bale to Mr Silverdale, saying that it was immediate and asking if there was any answer. Would it not be fun to see the astonished Master take off all those wrappings, and find the Maltese crosses within?

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TWO:Mrs Keelings powers of intuition could make nothing of this. Starting with the firm conviction that Mr Silverdale had proposed to her daughter, there seemed no place where it would fit in.He lighted up with happy relief. "No, you need not make it. And you need not turn so pale." Whereat I turned red. "She saw the despatch was a trap for the Yankees, and used it so, you think? Ah, yes, Smith, I see it all, now; she pumped you dry."

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TWO:Will you see to that for me? he asked.

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TWO:JAPANESE CLOISONN ON METAL. JAPANESE CLOISONN ON METAL.

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TWO:He fixed his fine eyes on the fire, and became so like the figure of Jonah in the stained-glass window that Alice almost felt herself in Nineveh.INTERIOR OF A TEA-GARDEN. INTERIOR OF A TEA-GARDEN.
THREE:"No, no! I know all and you know only half; I have seen the absolute--"The best thing we can do is to leave Alice alone for the present, he said. Ill go up to her after dinner.
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THREE:"While we were looking at the audience there came half a dozen raps behind the curtain, as if two pieces of wood had been knocked together; and a moment after the rapping had stopped, the curtain was drawn aside. It was a common sort of curtain, and did not open in the middle like some of ours, or roll up like others; it was pulled aside as if it ran on a wire, and when it was out of sight we saw the stage set to represent a garden with lots of flower-pots and bushes. The stage was very small compared with an American one, and not more than ten or twelve feet deep; but it was set quite well, though not so elaborately as we would arrange it. The orchestra was in a couple of little boxes over the stage, one on each side, and each box contained six persons, three singers and three guitar-players. This is the regulation orchestra and chorus, so they say, in all the Japanese theatres, but it is sometimes differently made up. If a theatre is small and poor, it may have only two performers in each box, and sometimes one box may be empty, but this is not often.