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Under the archway by which we entered a cow crossed our path, her head decked with a tiara of peacock's feathers, and went her way alone for a[Pg 200] walk at an easy pace. Within the palace is a maze of corridors, and pierced carving round every room fretting the daylight. An inner court is decorated with earthenware panels set in scroll-work of stone. A slender colonnade in white marble is relieved against the yellow walls, and below the roof, in the subdued light of the deeper angles, the stone, the marble, the porcelain, take hues of sapphire, topaz, and enamel, reflections as of gold and mother-of-pearl. In a pavilion is a little divan within three walls, all pierced and carved; it suggests a hollow pearl with its sides covered with embroidery that dimly shows against the sheeny smoothness of the marble. The effect is so exquisitely soft, so indescribably harmonious, that the idea of size is lost, and the very materials seem transfigured into unknown substances. One has a sense as of being in some fairy palace, enclosed in a gem excavated by gnomesa crystal of silk and frost, as it were, bright with its own light.And so on, in an endless file, come the bodies of the faithful dead, some from long distances, so that their souls may rise at once to paradise from their ashes burnt on the Manumenka.
 
ONE:

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TWO:"No; the Virgin Mary."

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TWO:In the afternoon the Minister came to take us to the palace. The Rajah, with his cousins, met us at the[Pg 66] foot of the grand staircase; a detachment of sowars were on guard. With great ceremony, preceded and followed by an army of officials and attendants, we went up to a room where a silver throne, inlaid with gold, of exquisite workmanship, between two armchairs of massive silver, looked quite out of keeping with gilt wood chairs with tapestry seats, and the everlasting Brussels carpet of poor and glaring design. On the various tables was the latest trumpery from Oxford Streetplush frames and varnished wooden screens; a shower of glass lustres hung from the ceiling.
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FORE:The bridegroom sits awaiting his guests, in his garden all decorated with arches and arbours, and[Pg 14] starred with white lanterns. An orchestra is playing, hidden in a shrubbery.

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FORE:In the harbour, where there was a light breeze blowing, the little outrigged canoes had hoisted large sails, white edged with black, and vanished into the distance, skimming like winged things over the intensely blue water.

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FORE:Abibulla saw them off with great deference and a contrite air, and watched their retreat; then, as[Pg 260] I was about to send him to despatch the message, he was indignant. The police! What could they do to a sahib like me? It was all very well to frighten poor folksit was a sin to waste money in asking for a reply which I should never be called upon to showand so he went on, till I made up my mind to think no more of the matter. And whenever I met the chief at the bazaar or by the Jellum, he only asked after my health and my amusements.

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FORE:

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FORE:The view spread to the horizon of mauve-pink sky, very faintly streaked with green. We could see the white mass of Secunderabad, a town of English barracks, at the foot of chaotic red-brown rocks, looking like the heaped-up ruins of some city of the Titans; and among trees shrouded in blue smoke, Hyderabad, conspicuous for its two mosquesthe tomb of the Empress and the Jumna Musjid, the mausoleum of the Nizams.

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FORE:At a stopping-place a flock of sheep huddled together in terror, hens scuttered about clucking anxiously, the stable dogs crouched and slunk; high overhead a large eagle was slowly wheeling in the air.

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TWO:Above the road lie dark cliffs; a rose-coloured waterfall of melted snow tumbled mixing with the claypink with lilac depths, and the foam iridescent in the sunbeams. The ruins of a large temple of green stone carved with myriads of fine lines stood in solitude at the edge of a wood, and the background was the mountain-range, the Himalayas, lost in the sky and bathed in blue light. Only a portico remains standinga massive, enduring frame for the infinite distance of snow-capped giants. The stones have lost their hue; they are darkly streaked by the rains and a growth of grey and purple mosses, and russet or white lichens have eaten into the surface.
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THREE:
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THREE:Tazulmulook arrives in the same town, and is on the point of ringing at Dilbar's door when he is hindered by his father's vizier, who tells him how many times this dangerous woman has been the ruin of kings' sons. But Tazulmulook, in a discourse on valour addressed to the audience, who stamped applause, rejects the counsels of prudence and rings at the dancer's door. Tazulmulook wins the game with Dilbar, and compels her to release his brothers, but only after branding each on the back of his neck.
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THREE:Evening fell, purple and orange tinging the princes' muslins to delicate hues; then very quickly all was dark. Deep melancholy came over us; we all sat without speaking a word, while from afar came the clatter of tom-toms from the temple, sometimes drowning the music, which droned on in a minor key, a maundering strain without a close but constantly repeating itself.
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TWO:A dome of smoke hangs like a vault over the fires, motionless, veiling the sun. The relations of the dead, sitting on their heels, gaze at the flames with an expression almost of indifference; no one weeps, and they converse calmly in no subdued tones.
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TWO:He, with his four sons, goes to pay a call on Tazulmulook, whom he does not recognize in his palace, when suddenly Dilbar arrives to claim her prisoners. The fifth son then relates to the king the deeds of his elder brothers, and in proof of his words points to the mark each of them bears on his neck. The king anathematizes the princes, and sends them to prison, but loads Tazulmulook with honours and affection.
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TWO:Here, even more than at Lucknow, are the memories of 1857columns and tombs; and on the spot where the last victims who had trusted him were murdered by the orders of the Indian prince, stands the "Memorial," an arcade [Pg 190]surrounding the figure of an angel, which in its Christmas-card sentimentality suggests the apotheosis of a fairy drama, and has the arid lack of feeling that characterizes a monochrome figure in vulgar decoration, almost counteracting the pity we experience in the presence of the simpler tombsall bearing the same date, June, 1857.
THREE:Under an arcade, lightly tinted with faded colours, and supporting a heavy stone roof elaborately carved, a marble bull stands facing the well which Vishnu touched when he came down from heaven. This is the Court or Well of Wisdom.
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From the summit we looked down over a panorama of the town, set out in square blocks sunk in the verdure of palms, bamboos, and banyans. At our feet was the cupola of the temple of Siva, all gold, and covered with bosses, the edges of the mouldings catching the sun. Besides this a number of coloured domes, painted in pale shades faded by the sunshine, descended the almost perpendicular incline down to the bazaar, where the throng was beginning to stir like white ants, of slow gait and deliberate gestures, their light-hued dhoutis flitting about the stalls for drink and fruit. Far away, beyond the bright green rice-fields, and against the horizon of intensely blue hills, the rocks stand outFrench rocks and Golden rockswhere the treasure of the conquered natives was distributed to English soldiers. It might almost be fancied that a glow of metal still shines on the smooth stone, a warm, yellow stone bathed in sunshine.And there, under the open sky, stands the crowning marvel of Ellora, the temple or Kailas, enclosed within a wall thirty metres high, pierced with panels, balconies, and covered arcades, and resting on lions and elephants of titanic proportions. This temple is hewn out of a single rock, isolated from the hill, and is divided into halls ornamented in high relief. Covered verandahs run all round the irregular mass in two storeys, reminding us, in their elaborate design, of the Chinese balls of carved ivory with other balls inside them. Nothing has been added or built on. The complicated architectureall in one piece, without cement or the smallest applied ornamentmakes one dizzy at the thought of such a miracle of perseverance and patience.In the train to Delhi the windows were screened with cuscus mats constantly sprinkled with water, and so long as the train was in motion the air came in cool, fragrant, and breathable. But whenever we stopped in the desert which this country becomes just before the monsoon, melted lead seemed to scorch up the atmosphere and shut the train in between walls of fire.The moon at night shed an intense light, warm and golden. There was scarcely any shadow, and in the quivering atmosphere the flowers poured out their perfume on the cooler air. Frogs croaked a basso continuo to cries of night birds, and a sort of roar, very loud but very distant, almost drowned the concert in the fort close by.I rode to Tiger Hill. Overhead hung a dense mist, like a roof of shadow, perfectly still, wrapping us in damp and frightfully cold vapour. After two hours' ride in the darkness we reached our [Pg 151]destination. Suddenly the cloud fell like a curtain pulled down, the sky appeared, and then the earth at our feet became visible in the starlight. Some vestiges of a temple could be discerned among the grassthe foundations of enormous halls, and still standing in solitude, the brick chimneys in which the devout were wont to burn their prayers, written on rice-paper. Far away, in the transparent air, above a wall of grey cloudthe dull, dingy grey of dirty cotton-woola speck showed as a beacon of lilac light, of the hue and form of a cyclamen flower; this turned to rose, to brick-red, to warm gold colour, fading into silver; and then, against the blue sky, showed immaculately white. This was GaurisankarMount Everestthe top of the world, appallingly high, inconceivably vast, though lost in the distance, and seen from a hillock three thousand metres above the sea.
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