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ONE:At sunset, when the glow fired the stones to a semblance of transparent, burning light, at the top of one of the flights of steps rising from the river to the town, and in front of a gate with large brass nails, glittering like sparks, the figure appeared of a holy beggar in yellow rags, with a copper jar blazing with reflected light; he was set in a halo of gold, and looked like the vision of some pagan god. He stood motionless for a[Pg 172] long time, and then, as the last sunbeam went out, he vanished beyond the fire-studded gate, while all the scene faded into rosy lilac, rapidly dying into blue night.

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THREE:
One morning, when Gregor Samsa woke from troubled dreams
THREE:One old man, indeed, bowed so low that he fell into the water, and all the worshippers shouted with laughter.Off next morning to the Khyber Pass. The road lay across the vast monotonous plain, richly productive all the way from Peshawur to the foot of the hills. At one end of a field some men had spread a net and were beating the field towards the corners with a heavy rope that broke down the tall oats; before long the birds were seen struggling under the meshes, but they were soon caught and carried away in cages.
One morning, when Gregor Samsa woke from troubled dreams

THREE:A very large temple, with its walls pierced in Persian patterns, contains fifty-two chapels behind pointed arches. In each chapel are four gods, all alike, of white plaster, all decked with the same jewels. In an angle of the vaulting a female figure, carved in the stone and wearing a tiara, holds an infant in her arms; this statue, with its long face and the rigid folds of the drapery, might have been transferred here from a gothic building.Then the procession, with music, makes its way back to the bridegroom's house. On the threshold the priest says one more short prayer over the bowed heads of the newly-married couple, and at last the whole party go into the room, where the guests take their places at the long tables.
One morning, when Gregor Samsa woke from troubled dreams
THREE:Then, under a portico in front of us, a man began to undress. He threw off his dhoti and his sarong, keeping on his loin-cloth only. With outstretched arms he placed a heavy copper pot full of water on the ground, took it up between[Pg 171] his teeth, and without using his hands tilted his head back till the water poured all over him in a shower, which splashed up from the pavement, sprinkling the spectators in the front row. Next he tied his dhoti round the jar, which he refilled, and fastened the end to his long hair. Then, simply by turning his head, he spun the heavy pot round him. It looked as if it must pull his head off, but he flung it faster and faster till he presently stopped."Yes. But how much is this?"
One morning, when Gregor Samsa woke from troubled dreams

THREE:Elephants, freshly painted, go past begging.Our boat stole slowly past the palaces, where there were no lights, through the haze rising from the river, and all things assumed a dissolving appearance as though they were about to vanish; all was shrouded and dim with mystery.
One morning, when Gregor Samsa woke from troubled dreams
THREE:On the stone ceiling of almost every temple four large women's faces and certain crouching[Pg 75] gnomes appear in fresh red paint. In the very dim twilight that comes in through the narrow windows hung with blue gauze, the idols are visible behind lattices: white Buddhas blazing with sparkling gems that hang on their wrists and ankles, or form a perfect breastplate; and every one, without exception, has an enormous glittering imitation diamond in his forehead.
One morning, when Gregor Samsa woke from troubled dreams

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ONE:At the back of the room the master of the house squatted on the floor, dressed in green richly embroidered with gold, and on his head was a vase-shaped cap or tiara of astrakhan. Near him, in an armchair, sat a perfectly naked fakir, his breast covered with jade necklaces. His face was of superhuman beauty, emaciated, with a look of suffering, his eyes glowing with rapt ecstasy. He seemed to be entranced, seeing nothing but a vision, and intoxicated by its splendour.Even more than the assembly of their relatives and friends, the prisoners at the bar maintained the impassive mien of men who attach no disgrace to a sentence pronounced by a conquering race; they would take the penalty without a murmur, as one of the inevitable incidents of this life, which to them is but a stage, a passage to a higher existence.

THREE:The fourteen hundred and fifty-two gods of the Ja?n paradise are represented on a sculptured pyramid under a pagoda: little tadpoles of white stone crowded together, two black dots showing for eyes in the middle of the round featureless faces; on one side a more important god, sitting alone, has a rather less elementary countenance.The throng outside had increased; Abibulla could scarcely make way for me to the end of the street, and for a long time I could still hear the cries that reached us at a distance.
He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections

THREE:
He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections

THREE:
He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections

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He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections

ONE:Bakaoli bewails her lover's departure, for which no one, not even her mother, can comfort her.Seen through the blue glass under the low, broad carapace that covered the carriage, the landscape circled past, the colour hardly subdued to that of Europe; even in the dusk, with the windows open, everything was still intolerably, crudely white, with reflections of fiery gold. Everything vibrated in the heat, and at the stations the walls after baking all day scorched you when you went near.

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ONE:One temple to Buddha only, on an elongated plan, ends in a vault forming a bulb-shaped cupola supported on massive columns, quite Byzantine in character and wholly unexpected. The dim light, coming in only through a low door and two small windows filled in with pierced carving, enhances the impression of being in some ancient European fane, and the Buddha on the high altar has a look of suffering and emaciation that suggests a work of the fourteenth century.