THREE:"What?"

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THREE:"Are there more horrors to come, dearest?"The doctor slipped off his dress-coat and turned up his sleeves. In a prim sort of way his fair attendant took the coat away and hung it up carefully in the dim recesses of a big cupboard at the far side of the room. With great care and patience Bruce contrived to coax a quantity of the hideous mixture of mustard and water down the unconscious man's throat.

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THREE:Plato had begun by condemning poetry only in so far as it was inconsistent with true religion and morality. At last, with his usual propensity to generalise, he condemned it and, by implication, every imitative art qua art, as a delusion and a sham, twice removed from the truth of things, because a copy of the phenomena which are themselves unreal representations of an archetypal idea. His iconoclasm may remind us of other ethical theologians both before and after, whether Hebrew, Moslem, or Puritan. If he does not share their fanatical hatred for plastic and pictorial representations, it is only because works of that class, besides being of a chaster character, exercised far less power over the Greek imagination than epic and dramatic poetry. Moreover, the tales of the poets were, according to Plato, the worst lies of any, since they were believed to be true; whereas statues and pictures differed too obviously from their originals for any such illusion to be produced in their case. Like the Puritans, again, Plato sanctioned the use of religious hymns, with the accompaniment of music in its simplest and most elevated forms. Like them, also, he would have approved of literary fiction when it was employed for edifying purposes. Works like the Faery Queen, Paradise Lost, and the Pilgrim��s Progress, would have been his favourites in English literature; and he might have242 extended the same indulgence to fictions of the Edgeworthian type, where the virtuous characters always come off best in the end.

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THREE:

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THREE:A search was being made for the fugitives in every place but the right one. The railings of the square were high, so that it never occurred to any one that the culprits might have escaped that way. They had got off somehow. In the opinion of most of the people there they had stopped the motor and started it again on its headlong course, after which they had mingled with the crowd.[93]

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