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Outside the fortifications is a peaceful township of large gardens with row on row of tombstones and mausoleums; some of enormous size, palaces of the dead, and others smaller, but wrought like lacework of stone. For a league or more the necropolis lies on both sides of the road. Across the door of each mausoleum hangs a chain by the middle and the two ends.Wide strands of golden sand; here and there among the rice-fields the palms and bamboos are less crowded. In the moist air, that grows hotter and hotter, the daylight is blinding, hardly tolerable through the blue glass of the windows. Scorched, russet rocks stand up from the short grass, tremulous in the noontide heat. The cattle, the very birds, silent and motionless, have sought shelter in the shade; all the people have gone within doors. And then, towards evening, in an oasis of gigantic trees, amid bamboos and feathery reeds, behold the huge temples of Madura, in sharp outline against a rosy sky.このページの先頭です
ONE:Before us the road lay pink in colour, with purple lines where the pebbles were as yet un-crushed; it was hedged with blossoming thorn-bushes, and among the yellow and violet flowers parrots were flitting, and screaming minahs, large black birds with russet-brown wings, gleaming in the sun like burnished metal.
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ONE:There was a sort of murmur behind the door, like reciting a prayer, then louder tones, indeed a very loud shout, repeated three times by several voices at once; and then the one alone continued in a dull chant. The door was half opened and I was beckoned, but to enter alone.But at Byculla, in Grant Road, the street of gambling-houses, there was a glare of lights; gaudy lanterns were displayed at the windows where spangles and tinsel trinkets glittered. And then, between two brightly illuminated houses where every window was wide open, there was the dark gap of a closed house, in front of it a pan of sulphur burning. The green and purple flame flickered grimly on the faces of the passers-by, making their dhotis look like shrouds wrapping spectres.
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TWO:

当社は昭和13年の設立以来、つねに時代のニーズに即した製品をめざし、新技術?新製品の開発を重ねてきました。 中でもアルコール蒸留技術は、国内業界のパイオニアとして目覚ましい成長発展を遂げ、80年にわたる実績を築きあげました。そして今、その歴史によって培われた経験と技術力は化学?食品?薬品?産業機械など、幅広い分野で生かされています。今後はさらに新時代に向けた技術革新を積極的に進めると同時に、新分野の開拓にも意欲的に取組み、一層の発展を図っていきます。

社名 日本化学機械製造株式会社
（英文名称 Japan Chemical Engineering & Machinery Co., Ltd.）
代表者 取締役会長　高橋 正一
取締役社長　髙橋 一雅
所在地

〈本社?工場〉

〒532-0031　
大阪市淀川区加島4丁目6番23号

営業部
TEL.06-6308-3885FAX.06-6306-2627
技術部?設計部?工事部
TEL.06-6308-3891FAX.06-6306-0136
総務部
TEL.06-6308-3881 (代表)FAX.06-6306-2384
調達部
TEL.06-6308-3910FAX.06-6306-2384
海外事業部
TEL.06-6308-3887FAX.06-6306-2384
低温機器事業部
TEL.06-6308-3889FAX.06-6308-3890
製造部
TEL.06-6308-3894FAX.06-6308-3767
品質保証室
TEL.06-6308-3880FAX.06-6308-3896
開発技術室
TEL.06-6308-3895FAX.06-6838-3092
〈東京支店〉

〒104-0031　
東京都中央区京橋1丁目6番12号(京橋イーサスビル5階)

TEL.03-3567-8101FAX.03-3567-8104

〈滋賀工場〉

〒520-3213　
滋賀県湖南市大池町7番地1

TEL.0748-75-2131FAX.0748-75-2134

〈南山田工場〉

〒520-3252　
滋賀県湖南市岩根字南山田1662番5

TEL.0748-72-3007FAX.0748-72-3008
設立 昭和13年10月31日
資本金 2億7千5百万円
事業内容 化学機械?化学装置、燃焼装置、超低温液化ガス機器の設計、製作、販売
当社の特色
■ 小回りのきく化学工場のプラント?エンジニアリングメーカー
化学装置の設計?機器の調達?製作?建設工事、試運転迄一貫して責任施工
■ 各種耐食材料の加工
ステンレス?銅?チタニウム?ニッケル?モネル?ハステロイなど
■ 高圧機器の製作
汽罐ならびに特殊汽罐認可工場（圧力10MPa迄）ボイラーならびに第一種圧力容器認可工場（圧力10MPa迄）
高圧ガス保安法（特定設備検査規則）に基づく各種圧力容器
■ 高真空?超低温機器の製作
1.3×10-3Pa、－268℃機器
■ 製缶加工?検査設備完備
製缶加工に必要な諸機械?自動溶接機をはじめ検査諸設備を完備しており、全作業を一貫して能率的に加工可能
従業員数 160人（2019年4月現在）
年間売上高 6,119百万円（2019年4月決算）
取引銀行 りそな銀行堂島支店 　三井住友銀行十三支店 　池田泉州銀行庄内支店　
関西みらい銀行十三支店 　滋賀銀行新大阪支店 　三菱UFJ銀行梅田中央支店
許可登録 特定建設業許可　国土交通大臣許可（特27）第5208号
一級建築士事務所　大阪府知事登録(ロ)第24084号
その他の認可?承認?認定の詳細はこちら
取得
マネジメント
システム
〈品質マネジメントシステム〉
認証規格
ISO 9001：2015　/　JIS　Q9001:2015
登録番号
99QR?154
〈環境マネジメントシステム〉
認証規格
エコアクション21：2017
登録番号
0002822
TWO:

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All alike were fevered from the deafening music of harmoniums and tom-toms performing at the back of each gambling-bootha din that drowned shouts of glee and quarrelling.On the great banyan trees in the garden, and on every palm, torpid vultures sit in the sun, awaiting the meal that will come with the next funeral procession.The walls are covered with bas-reliefs carved in the rock, the roof adorned with architraves of stone in infinite repetition of the same designs. The stone is grey, varied here and there with broad, black stains, and in other spots yellowish, with pale gold lights. Some of the sculpture remains still intact. The marriage of Siva and Parvati; the bride very timid, very fragile, leaning on the arm of the gigantic god, whose great height is crowned with a monumental tiara. Trimurti, a divinity with three faces, calm, smiling, and fiercethe symbol of Siva, the creator, the god of mercy, and of wrath. In a shadowed corner an elephant's head stands outGanesa, the god of wisdom, in the midst of a circle of graceful, slender, life-like figures of women. Quite at the end of the hall, two caryatides, tall and elegant, suggest lilies turned to women. In the inner sanctuary, a small edifice, with thick stone walls pierced with tiny windows that admit but a dim light, stands the lingam, a cylinder of stone crowned with scarlet flowers that look like flames in the doubtful light; and in deeper darkness,[Pg 22] under a stone canopy, another such idol, hardly visible. The Brahman priests are constantly engaged in daubing all the statues of these divinities with fresh crimson paint, and the votaries of Siva have a spot of the same colour in the middle of the forehead. Two lions, rigid in a hieratic attitude, keep guard over the entrance to a second temple, a good deal smaller and open to the air, beyond a courtyard, and screened with an awning of creepers."Could you design another tomb as beautiful as this?" asked the emperor.So, after waiting for the reply of the gentleman whose business it was to give me this free pass, seeing that he could not make up his mind, I left the town without it.
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