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A little way off, in the burning sandy plain, is a pagoda sacred to the pigeons. Lying as close as tiles, in the sun, they hide the roof under their snowy plumage. Round pots are hung all about the building, swaying in the wind, for the birds to nest in, a red decoration against the russet stone; each one contains an amorous and cooing pair.

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ONE: FORE:One of the largest buildings once slid into the river during an earthquake, and stands there complete and unbroken, its magnificence surviving under water. Some minarets only rise above the surface like kiosks, and form a landing-stage, invaded by[Pg 159] the bathers, who wash themselves with much gesticulation, flourishing their long sarongs and white loin-cloths, which they spread out to dry on the steps. FORE:From the open loggia at the end of the vast reception-room, lined with white marble and hung with thick carpets, there was an extensive view over the green plain inundated with water and sunshine to the holy city of dazzling domes that looked as if they had just risen from the Ganges. The air was full of heady fragrance; the Rajah described the springtide festivals, barges carrying troupes of dancing bayadres on the Ganges sparkling with a myriad lights.At the end of the garden are the bird sellers, their little cages packed full of parrots, minahs, and bulbuls; and tiny finches, scarcely larger than butterflies, hang on the boughs of ebony trees and daturas in bloom.
THREE:Evening fell, purple and orange tinging the princes' muslins to delicate hues; then very quickly all was dark. Deep melancholy came over us; we all sat without speaking a word, while from afar came the clatter of tom-toms from the temple, sometimes drowning the music, which droned on in a minor key, a maundering strain without a close but constantly repeating itself.
THREE:In the heart of Agra towards evening people were busy in the square of the Jumna Musjid stretching pieces of stuff over rather low poles to form a tent. Then in long file came the labourers from a famine-camp, with their sleep-walking gait, their glassy eyes, their teeth showing like those of a grinning skull. Rags in a thousand holes scarcely covered the horrors of their fleshless bodies.

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THREE:After sunset, in every garden, on every hedge, wherever there had been a scrap of shade during the afternoon, there was a perfect burst of flowers, opening in the cooler air and scenting the night. Round one bungalow the rose trees, overloaded with flowers, hardly had a leaf, and in the grass, violet and lavender larkspurs grew as tall as maize plants. Yellow stars gleamed in the tangle of creepers over the verandahs, and on a tree that looked as if it were dead blossoms glistened in the moonlight like polished steel.

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THREE:All round the Royal Hill ancient buildings are piled in stages, the remains of still majestic magnificence. The thorn-brakes cover supporting walls as broad as crenellated terraces; fragments of light and fantastic architecture stand up from amid golden blossoms; tottering colonnades overhang tanks, all green at the bottom with a pool of brackish water.In this Peshawur the houses are crowded along narrow, crooked alleys, and there is but one rather wider street of shops, which here already have a quite[Pg 242] Persian character, having for sale only the products of Cabul or Bokhara. The balconies, the shutters, the verandahs and galleries are of wood inlaid in patterns like spider-net. The timbers are so slight that they would seem quite useless and too fragile to last; and yet they are amazingly strong, and alone remain in place, amid heaps of stones, in houses that have fallen into ruin. In the streets, the contrast is strange, of tiny houses with the Afghans, all over six feet high, superb men wearing heavy dhotis of light colours faded to white, still showing in the shadow of the folds a greenish-blue tinge of dead turquoise. Solemn and slow, or motionless in statuesque attitudes while they converse in few words, and never gesticulate, they are very fine, with a fierce beauty; their large, open eyes are too black, and their smile quite distressingly white in faces where the muscles look stiff-set. Even the children, in pale-hued silk shirts, are melancholy, languid, spiritless, but very droll, too, in their little pointed caps covered with gold braid, and the finery of endless metal necklaces, and bangles on their ankles and arms.

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    THREE:From a quite small garden close to the palace a bronze gate with three medallions of lilies in high relief, of marvellous workmanship, opens on the Pearl Mosque, exquisitely white, at the end of its forecourt of immaculate pavement enclosed by a marble balustrade. Three polished and shining domes are supported by columns of snow made of a hard white marble, scarcely broken by [Pg 218]ornament, and carrying a roof hollowed into three vaults. The rings are still to be seen on the marble walls outside, to which, when the great Mogul came to prayer, curtains were attached made of gold net and spangled with diamonds and pearls.A spell seemed to linger over this little bazaar, to slacken every movement and give the people an indolent grace. They spoke languidly in the shade of the awnings spread by the flower-sellers and the jewellers, who, with little ringing taps, were [Pg 95]hammering out minute patterns on silver anklets and necklaces.

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    THREE:In the prince's stables were a long row of brood mares and superb stallions; and then a hundred or so of colts were turned out into the yardmischievous, frisking things, romping against each other, suddenly stopping short, and wrapped ere long in white dust, which fell on us, too.

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FORE: FORE: FORE:The little princess had made her way between the seats, close up to us; she was wrapped in dark-coloured gauze, with woven gold borders, so light! scarcely less light than the diaphanous material of the dress. And as I admired this wonderful silk, the Rajah had some bayadres' dresses brought out for me to see: twelve or fifteen skirts, one above another, pleated and spangled with gold, yet, hanging to one finger, scarcely the weight of a straw.
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[Pg 60]At the back of the shops, which lie lower than the street, we could see men trampling in vats all[Pg 261] day long; they were stamping and treading on old woollen shawls, fulling them to take off the shiny traces of wear, to sell them again as new goods.This cell is as dark as a cellar, barbarously squalid. But to all our questions the moollah who was our guide only replied:[Pg 196]
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