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Balls were not then the crushes they afterwards became. The company was not nearly so numerous; there was plenty of room for those who were not [54] dancing to see and hear what was going on. Mme. Le Brun, however, never cared for dancing, but preferred the houses where music, acting, or conversation were the amusements. One of her favourite salons was that of the charg daffaires of Saxony, M. de Rivire, whose daughter had married her brother Louis Vige. He and her sister-in-law were constantly at her house. Mme. Vige acted very well, was a good musician, and extremely pretty. Louis Vige was also a good amateur actor; no bad or indifferent acting would have been tolerated in the charades and private theatricals in which Talma, Larive, and Le Kain also took part.

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The First Consul had restored her fortune to her, and treated her with more deference than he showed to any other woman; she assumed royal prerogatives, never returning visits or rising to receive them, in fact she was considered and often called in society, the Duchess Dowager of Orlans.
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TWO:He was, in fact, a visionary, credulous enthusiast, with an overweening vanity and belief in his own importance; obstinate and self-confident to a degree that prevented his ever seeing the fallacy of his views. His own conceit, and the flattery and adulation of his family and friends, made him think that he, and no other, was the man to save and direct France. His very virtues and attractions [210] were mischievous in converting others to his unpractical and dangerous views.Fragonard, the Proven?al, had more depth and dramatic feeling, the passion of the south and the love of nature in his work gave a stronger, truer, more impressive tone to his pictures; but Boucher, the favourite painter of Louis XV., the Marquise de Pompadour, and the court would seem from his pictures to have looked upon everything in life as if it were a scene in a carnival or fte. His goddesses and saints, even the holy Virgin herself, were painted from models from the theatre, and looked as if they were; his gardens, roses, silks, satins, nymphs, fountains, and garlands were the supreme fashion; every one wanted him to paint their portrait; he had more commissions than he could execute, and his head was turned by the flattery lavished upon him. More info
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THREE:He rang the bell, and sent for Leclerc.

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THREE:Calling one day upon Mme. de Montesson, Mme. de Valence was told by a new servant who did not know her, that Mme. de Montesson could not be seen; she never received any one when M. de Valence was there.

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THREE:Mme. Le Brun generally spent the evening alone with Mme. Du Barry by the fireside. The latter would sometimes talk of Louis XV. and his court, always with respect and caution. But she avoided many details and did not seem to wish to talk about that phase of her life. Mme. Le Brun painted three portraits of her in 1786, 1787, and in September, 1789. The first was three-quarters length, in a peignoir with a straw hat; in the second, painted for the Duc de Brissac, she was represented in a white satin dress, leaning one arm on a pedestal and holding a crown in the other hand. This picture was afterwards bought by an old general, and when Mme. Le Brun saw it many years later, the head had been so injured and re-painted that she did not recognise it, though the rest of the picture was intact.

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THREE:The Comte de Sgur was made Master of the Ceremonies by Napoleon when he became Emperor, after which his brother used to put on his cards, Sgur sans crmonies.A fashionable promenade was the boulevard du Temple, where every day, especially Thursdays, hundreds of carriages were to be seen driving up and down or standing under the shade of trees now replaced by houses, shops, and cafs. Young men rode in and out amongst them, notorious members of the demi-monde tried to surpass every one in the splendour of their dress and carriages. A certain Mlle. Renard had her carriage drawn by four horses, their harness studded with imitation jewels. It was not an age of imitation. In those days as a rule lace was real lace, jewels were real jewels, and if tawdry imitations and finery were worn it was by women of this class. Respectable people would never have dreamed of bedizening themselves with the sort of cheap rubbish with which the modern women of the lower classes delight to disfigure their houses and their dress.

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TWO:But here, in this half-barbarous country, at an immense distance from everywhere she had ever been before, with a different church, a language incomprehensible to her and a sovereign mysterious, powerful, autocratic, whose reputation was sinister, and to whose private character were attached the darkest suspicions, an additional uneasiness was [124] added to her reflections owing entirely to her habitual careless absence of mind in not having provided herself with a proper toilette for the occasion.By their affectionate and devoted love the rest of her life was made happy, even after the far greater loss in 1820 of the brother to whom she had always been deeply attached.

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THREE:The writer of these fascinating memoirs of the time proceeds, after speaking of various noble names and regretting many that were extinct, such as Lusignan, Coucy, Xaintrailles, Chatillon, Montgommery, &c., to say, One thing that has always given me the best opinion of the Noailles, is the protection they have never ceased to grant to all gentlemen who can prove that they have the honour [174] to belong to them, no matter what their position nor how distant the relationship. He (or she) [67] goes on to relate that a family of much less consideration, the Montmorin, being envious of the Noailles, asserted that they were not of the ancient noblesse, and pretended that they possessed a piece of tapestry on which a Noailles was depicted serving a Montmorin as a ma?tre dh?tel, with the date 1593.

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THREE:Many cases there were of romantic devotion and loyalty, by which the property of a family had been partly saved for the owners by their faithful servants. Such was the story of the Marquis de , whose castle was burnt, and who with his wife perished in the flames. Their two boys managed to escape, but not together. One took refuge in England; the other in Germany, neither of them knowing of the existence of the other.

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TWO:[302]

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The Duchesse dAyen was the only daughter of M. dAguesseau de Fresne, Conseiller dtat, and grand-daughter of the great Chancellor dAguesseau. From her mother, daughter of M. Dupr, conseiller du parlement, she inherited a fortune of 200,000 livres de rente, in consequence of which her family were able to arrange her marriage with the young heir of the Noailles, then Comte dAyen.For her name also was Catherine.But what to Mme. Le Brun was of great importance during her stay at Antwerp was a portrait by Rubens, the famous Chapeau de Paille, then in a private collection, where she saw and was fascinated by it. The effect of light and shade caused by the arrangement of the two different lights, the ordinary [50] light and the sunlight, was what chiefly struck her, and having studied the picture with deep attention she proceeded, on returning to Brussels, to paint her own portrait with the same kind of effect: wearing a straw hat with a wreath of wild flowers, and holding a palette in her hand.I envy my successors!If she is guilty she belongs to justice. But you are too magnanimous to strike an unarmed enemy, above all, a woman.Really, she said, this question seems to me very difficult to solve. A Queen go to see the sun rise! I do not know whether in the days of Louis XIV. it would not have been thoughtWhat have you been doing during the Revolution? Have you served?
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