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ONE:We now arrive at the "Irish Crisis," the famine of 1846 and 1847one of the greatest calamities that ever afflicted the human race. In order to understand fully the events connected with this visitation, it is necessary to notice the social condition of the country which rendered its effects so destructive. Ireland had long been in a chronic state of misery, which has been ascribed by the most competent judges to the peculiar state of the land tenure in that country. It had often been predicted by writers on the state of Ireland, that, owing to this rottenness at the foundation of the social fabric, it would come down with a crash some day. The facts reported by the Census Commissioners of 1841 showed that this consummation could not be far off. Out of a population of 8,000,000, there were 3,700,000 above the age of five years who could neither read nor write; while nearly three millions and a half lived in mud cabins, badly thatched with straw, having each but one room, and often without either a window or a chimney. These figures indicate a mass of ignorance and poverty which could not be contemplated without alarm, and the subject was, therefore, constantly pressed upon the attention of Parliament. As usual in cases of difficulty, the Government, feeling that something should be done, and not knowing what to do, appointed, in 1845, a commission to inquire into the relations between landlord and tenant, and the condition of the working classes. At the head of this commission was the Earl of Devon, a benevolent nobleman, whose sympathies were on the side of the people. Captain Kennedy, the secretary to the Commissioners, published a digest of the report of the evidence, which presented the facts in a readable form, and was the means of diffusing a large amount of authentic information on the state of Ireland. The Commissioners travelled through the country, held courts of inquiry, and examined witnesses of all classes. As the result of their extensive intercourse with the farming classes and their own observations, they were enabled to state that in almost every part of Ireland unequivocal symptoms of improvement, in spite of many embarrassing and counteracting circumstances, continually presented themselves to the view, and that there existed a very general and increasing spirit and desire for the promotion of such improvement, from which the most beneficial results might fairly be expected. Indeed, speaking of the country generally, they add: "With some exceptions, which are unfortunately too notorious, we believe that at no former period did so active a spirit of improvement prevail; nor could well-directed measures for the attainment of that object have been proposed with a better prospect of success than at the present moment."These points being all gained, the French were not left long in possession of Vittoria. They were pushed out of the town, and the whole united army joined in chasing them along the road towards Pampeluna. So complete was the rout that, according to Wellington's dispatch, they left behind them all their baggage, ammunition, every gun but one, and a howitzer.
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ONE:In the department of the Drama the fertility[180] was immense. Tragedy, comedy, and farce maintained a swelling stream during the whole reign. In the earlier portion of it the chief writers of this class were Goldsmith, Garrick, Foote, Macklin, Murphy, Cumberland, Colman the elder, Mrs. Cowley, and Sheridan. Several of these dramatistsas Garrick, Macklin, and Footewere, at the same time, actors. The most eminent of them as writers were Goldsmith, Sheridan, and Colman. Horace Walpole wrote the "Mysterious Mother," a tragedy, which, however, was never acted; Goldsmith his two comedies, "The Good-Natured Man" and "She Stoops to Conquer," which were extremely popular; Garrick, the farces of "The Lying Valet" and "Miss in her Teens." He was said also to have been a partner with Colman in writing "The Clandestine Marriage;" but Colman denied this, saying that Garrick wrote the first two acts, and brought them to him, desiring him to put them together, and that he did put them together, for he put them together into the fire, and re-wrote the whole. Another farce, "High Life below Stairs," attributed to Garrick, was, it seems, written by the Rev. James Townley, assisted by Dr. Hoadly, the author of "The Suspicious Husband." Garrick was the great actor of his time, but, as a dramatic writer, his merit is insignificant. Foote was the chief writer of the comic before Colman. His productions amount to upwards of twenty, the most of them farces; and amongst them are "The Minor," "The Liar," and "The Mayor of Garrat." Foote was the wit and punster of the age. His satiric keenness was the terror of his time, and he dared to think of trying it even on the great essayist, Dr. Johnson, by introducing him upon the stage; but Johnson sent him word that he would be in one of the stage-boxes with a good, knotty cudgel, and Foote thought it best to let him alone.
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