ONE:Mesdames Ad¨¦la?de and Victoire set off early in 1791. Their whole journey was a perpetual danger. After getting their passports signed with difficulty by the Commune, they were denounced at S¨¨vres by a maid-servant, stopped by the Jacobins and accused of being concerned in plots and of taking money out of the country, and detained for a fortnight, when they managed to get permission to go on, and left at 10 o¡¯clock on a Saturday night, arriving on Sunday morning at Fontainebleau, where they were again stopped and threatened by the mob, who were just going to be joined by the gardes nationaux when a hundred Chasseurs de Lorraine, luckily quartered there, charged the mob, opened the gates, and passed the carriages on. At Arnay-le-Duc they were detained for eleven days, and only allowed to proceed when the Comte de Narbonne appeared with a permission extorted by [108] Mirabeau from the revolutionary government at Paris.The abbey was very beautiful, and there were more than a hundred nuns besides the lay sisters and the pensionnaires (children and young girls being educated there). TWO:[364]That T¨¦r¨¨zia was infinitely superior to her lover was not only shown by the progress of years and events, but was obvious in the early days of her liaison with Tallien. For her speeches in public and private were not merely empty bombastic talk. She really did everything in her power to rescue from danger and help in trouble the unfortunate people with whom she was surrounded. For she hated cruelty and bloodshed, and saw no reason or excuse for it; in spite of the sophisms and theories of her republican friends. It made no difference to her to what party or class they belonged; she would help any one who was in trouble and appealed to her. And her power was immense, for Tallien, who held life and death in his hands, was her slave, and [310] even the savage Lacomb and Ysabeau, his colleagues, bowed before the charm of her influence. THREE:The acquaintance thus begun was a fortunate one for Isabey. In despair at the disappearance of the court and apparently of his own chance of getting on with his profession, he was thinking of giving it up. Mirabeau advised him to stick to it and gave him the commission to paint his own portrait.

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