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THREE:"Ah!"--Ferry guardedly pointed to the ground at the corner of the house nearest Charlotte's room; there were both the dogs, dim as phantoms and as silent, standing and peering not toward us but around to the wing side in a way to make one's blood stop. We drew deeper into the grove and made a short circuit that brought us in line with Charlotte's two windows, and there, at the farther one, with her back to us, sat Charlotte, looking toward Hazlehurst. The bloodthirsty beasts at the corner of the house were so intently waiting to spring upon something, somebody, between them and the nearer window, that we were secure from their notice. We had hardly more than become aware of these things when, in the line of planted trees, out of the depths of the one nearest the nearer window, sounded a note that brought Charlotte instantly to her feet; the same feeble, smothered cry she had heard the night she was wounded. She crossed to the front window and listened, first standing erect, and then stooping and leaning out. When we saw her do that we knew how little she cared for her life; Ferry beckoned me up from behind him; neither of us needed to say he feared the signal was from Oliver. "Watch here," he whispered, and keeping the deepest shade, started eagerly, with drawn revolver, toward the particular tree. I saw the dogs discover and recognize him and welcome his aid, yet I kept my closest watch on that tree's boughs and on Charlotte. She was wondering, I guessed, whether the call was from some messenger of Ferry, or was only a bird's cry. As if she decided it was the latter, she moved away, and had nearly re-crossed the room, when the same sad tremolo came searching the air again. Nevertheless she went on to the farther window and stood gazing out for the better part of a minute, while in my heart I besought her not to look behind. For Ferry and the dogs had vanished in shadow, and outside her nearer window, wavering now above and now below the sill, I could just descry a small pale object that reminded me of that missive Coralie Rothvelt had passed up to me outside the window-sill at old Lucius Oliver's house exactly a month before. From the upper depths of the nearest tree this small thing was being proffered on the end of a fishing-rod. Presently the rod must have tapped the sill, with such a start did she face about. Silently she ran, snatched the dumb messenger, and drew down the window-shade. A moment later the room glowed with a candle, while her shadow, falling upon the shade, revealed her scanning a letter, lifting her arms with emotion, and so passing out of the line of view.And then, with a sharp jar, his thoughts reverted to the consideration of another irritating circumstance, this ridiculous Clockwork man, in whom Gregg believed even to the extent of thinking it worth while stating the case for the incredible before a man years his senior in experience and rational thought.

THREE:"I'm so glad you have come at last," he began, in a strong whisper, "I was beginning to be afraid you were going to disappoint us."I failed to catch her reply. She spoke in a tone of pain and sunk her face in her hand. "Head ache?" I asked. "No." She straightened, and from under her coquettish hat bent upon me such a look as I had never seen. In her eyes, in her tightened lips, and in the lift of her head, was a whole history of hope, pride, pain, resolve, strife, bafflement and defiance. She could not have chosen to betray so much; she must have counted too fully on the shade of her hat-brim. The beautiful frown relaxed into a smile. "No," she repeated, "only an aching conscience. Ever have one?"

THREE:The day, as Miss Propert had already discovered in her little stuffy den, was exceedingly hot and airless, and Keeling, when he had passed through the reverberating square and under the arch leading into the Cathedral Close, found it pleasant to sit down on one of the benches below the elm-trees, which soared loftily among the tombs of the disused graveyard facing the west front of the Cathedral. Owing to Miss Propert��s rapidity in typewriting he had left the Stores half an hour earlier than usual, and here, thanks to her, was half an hour of leisure gained, for which he had no imperative employment. The quiet gray graves with head-stones standing out from the smooth mown grass formed his foreground: behind them sprang the flying buttresses of the nave. They were intensely different from the decorations of the town-hall; they had, as he for all his ignorance in architecture could see, an obvious purpose to serve. Like the arm of a strong man akimbo, they gave the sense of strength, like the legs of{84} a strong man they propped that glorious trunk. They were decorated, it is true, and the decoration served no useful purpose, but somehow the carved stone-work appeared a work of love, a fantasy done for the pleasure of its performance, an ecstasy of the hammer and chisel and of him who wielded them. They were like flames on the edge of a smouldering log of wood. He felt sure that the man who had executed them had enjoyed the work, or at the least the man who had planned them had planned them, you might say, ��for fun.�� Elsewhere on the battlemented angles of the nave were grotesque gargoyles of devils and bats and nameless winged things with lead spouts in their mouths to carry off the rain-water from the roof. Commercially they might perhaps have been omitted, and a more economical device of piping have served the same purpose, but they had about them a certain joy of execution. There was imagination in them, something that justified them for all their nightmare hideousness. The people who made them laughed in their hearts, they executed some strange dream, and put it up there to glorify God. But the man who perpetrated the little pink granite pilasters on the town-hall, and the man who painted the lilies on the looking-glass above Mrs Keeling��s drawing-room chimney-piece had nothing to justify them. The lilies and the pilasters were no manner of good: there was a difference between them{85} the flying buttresses and the gargoyles. But the latter gave pleasure: they paid their dividends to any one who looked at them. So did the verses in Omar Khayyam to those who cared to read them. They were justified, too, in a way that No. 1 drawing-room suite was not justified for the ��117 that, with extras, it cost the purchaser.XX CHARLOTTE OLIVER

THREE:"I see," said Allingham, slowly, "it is because you are, so to speak, temporarily incapacitated, that you are able to come down to the level of our world."

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