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The sun cast broad satin lights on its bay coat, already dry; the light hoofs, the pretty head with dilated nostrils gave the creature dignityit looked like a thoroughbred, really noble in its last rest; while the vultures and kites hovered round, waiting for us to be gone.I turned back into Grant Road, where bands of tom-toms and harmoniums were hard at it, where the gamblers were stifling each other round the roulette-boards in a frenzy of amusement and high spirits, eager for enjoyment before hovering death should swoop down on them.On the very edge of the Jumna, where russet fields break the monotony of its white sandy banks, is the private state-room, the residence of the sovereigns of Delhi, built of translucent milky[Pg 217] marble, warmed by the reflection of gold inlaid on the columns and merged with the stone that is turned to amber.
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TWO:"You know it is pashmina?" THREE:The sultan's bath is lined with panels of lapis lazuli framed in gold, and inlaid with [Pg 210]mother-of-pearl, or looking-glass, and the walls have little hollow niches for lamps, over which the water fell in a shower into a bath with a decoration of scroll-work. And in front of Jehangir's room, again a series of basins hollowed in the steps of a broad marble stair, where a stream of water fell from one to another.
TWO:On the very summit of the hill, all over the ravine which divided it from another, and which has been filled up at an enormous cost, and then on the top of that other hill beyond, temples are piled up, shining against the too-blue sky, with pointed roofs of stone, scorched by the sun or stained by the rain, and patterned with pale-hued lichens. Above each a spear stands up, impaling a metal ball. In infinite variety, differing in materials, style, and proportions, some quite small, as if they had sprouted round the base of others that are gigantic, there are here five thousand temples built by the faithful, who are incessantly erecting more, devoting great fortunes to the vanity of leaving a chapel that bears their name.At our feet lay old Gwalior, sacked again and again, and as often rebuilt out of its own ruins;[Pg 202] and now the princely residences, all of marble wrought in almost transparent lacework, serve to shelter wandering cattle. THREE:Suddenly there was a panic among the horses; they shied, reared, and bolted across the fields, and the road being cleared, the elephants belonging to the Ameer of Cabul went by, to march at the head of the caravan. Next came a thousand camels, also the Ameer's; like the elephants, they carried no baggage, but on the back of one female was a young one, tied into a basket, born only the day before, all white and woolly.
TWO: THREE:The subterranean passage leading from the empress's rooms to the mosque, has in the roof a thick flagstone that admits a subdued glimmer as through amber or honey, lighting up all one end of the dark corridor.
TWO:A company of the Khyber Rifles are quartered there in the old buildings and the officers' deserted bungalows; over all hangs an atmosphere of icy desolation and overpowering melancholy. Above our heads a flight of eagles wheeled against the sky. THREE:The fort of Allahabad, the fort of the mutiny of 1857, is a complete citadel where, in the thickness of the walls, behind screens of acacia trees, lurk doors into palaces. Among the gardens there are clearings full of guns and ambulance waggons, and enormous barracks and huts for native soldiers. Then on the ponderous stonework of the ramparts rise little kiosks in the light Hindoo-Mussulman style, elaborate and slender, built by Akbar the [Pg 183]conqueror, who took Prayag and razed it, to build on the site a city dedicated to Allah. And now modern architecture is slowly invading it, adding to the flat walls which hide under their monotony the gems of stonework with their elegant decoration.
Top On the outside, all round the lower part of the monument, carved borders frame flowers of pale mosaic in the walls; the ornament is in such faint relief that at a short distance it is invisible, and the Taj is seen only in the perfect elegance of its[Pg 206] proportions. The mausoleum is built on a broad terrace of white marble at a height of 270 feet, overhanging the Jumna; and the impressive, harmonious outline commands the plain from afar.
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