ONE:Like Mme. Le Brun, Mme. de Genlis had no reason to fear poverty in exile, her writings would always be sufficient to provide for her; but she was just then short of money; and, unfortunately, in her haste, though she had brought with her a good many of her valuable possessions from Belle Chasse, she had left a great deal that she might have taken. Mme. de Valence went to Belle Chasse and saved her piano, some pictures, and various other things which her mother gave to her, the rest were mostly confiscated.
FORE:But what to Mme. Le Brun was of great importance during her stay at Antwerp was a portrait by Rubens, the famous Chapeau de Paille, then in a private collection, where she saw and was fascinated by it. The effect of light and shade caused by the arrangement of the two different lights, the ordinary [50] light and the sunlight, was what chiefly struck her, and having studied the picture with deep attention she proceeded, on returning to Brussels, to paint her own portrait with the same kind of effect: wearing a straw hat with a wreath of wild flowers, and holding a palette in her hand.How thankful I was to find myself alone in the room occupied first by my brother, then by Buonaparte, to which I came back after so long an absence: absolute solitude was a necessity to my mind. I prayed and groaned without interruption, which relieved me; then I resolved irrevocably to act in such a manner as never to expose France or my family to the Revolution which had just ended.... I lay down in the bed of Buonaparte, it had also been that of the martyr king, and at first I could not sleep ... like Richard III. I saw in a vision those I had lost, and in the distance enveloped in a sanguinary cloud I seemed to see menacing phantoms.
FORE:Je nai point les chemises;
