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[Pg 211]A prodigious palace has left the skeleton of its walls pierced with large windows, and in the blackened stone, almost at the top of the building, a balcony with a canopy over it, resting on fragile columns, is still uninjured; of a pale yellow, like lemon-tree wood, it looks as if it had come into existence only yesterday, a flower risen from the death of the ruins.A large open niche, supported on massive columns and enclosed by a carved parapet, built by some king with a long, high-sounding name, looks as if it were made of gold; the stone is yellow and flooded with sunshine, which, where the hard material is not too thick, shines through and makes it seem transparent, with the peculiar vibrant glow of molten metal. The shadows, blue by contrast, are as soft as velvet; twinkling sparks are lighted up in the angles of the architrave, by the reflected rays, like stars in the stone itself.
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  • ONE:In the streets the people, all wrapped in long shawls of a neutral brown, were only distinguishable amid the all-pervading greyness by their white head-dress. Men and women alike wear the same costumea full robe of dirty woollen stuff with[Pg 258] long hanging sleeves, and under this they are perfectly naked. The rich put on several such garments one over another; the poor shiver under a cotton wrapper. And all, even the children, look as if they had the most extraordinary deformed angular stomachs, quite low downcharcoal warmers that they carry next their skin under their robe. TWO:Then all went out, died gently away; the tom-toms and pipe attending the god's progress alone were audible in the silence; till in the distance a great blaze of light flashed out, showing a crowd of bright turbans and the glittering splendour of the shrine going up the steps to the temple where, till next year, Rama would remainthe exiled god, worshipped for his wisdom which enabled him to discover the secrets, to find the true path, and win the forgiveness of his father.
  • ONE:At last the bridegroom goes up the steps. The mother-in-law repeats the circular wave of welcome over the young man's head with rice and sugar and an egg and a coco-nut; then she takes the garland, already somewhat faded, from his neck, and replaces it by another twined of gold thread and jasmine flowers, with roses at regular intervals. She also changes his bouquet, and receives the coco-nut her son-in-law has carried in his hand.Under the archway by which we entered a cow crossed our path, her head decked with a tiara of peacock's feathers, and went her way alone for a[Pg 200] walk at an easy pace. Within the palace is a maze of corridors, and pierced carving round every room fretting the daylight. An inner court is decorated with earthenware panels set in scroll-work of stone. A slender colonnade in white marble is relieved against the yellow walls, and below the roof, in the subdued light of the deeper angles, the stone, the marble, the porcelain, take hues of sapphire, topaz, and enamel, reflections as of gold and mother-of-pearl. In a pavilion is a little divan within three walls, all pierced and carved; it suggests a hollow pearl with its sides covered with embroidery that dimly shows against the sheeny smoothness of the marble. The effect is so exquisitely soft, so indescribably harmonious, that the idea of size is lost, and the very materials seem transfigured into unknown substances. One has a sense as of being in some fairy palace, enclosed in a gem excavated by gnomesa crystal of silk and frost, as it were, bright with its own light. TWO:And then we came away from this hospital, where no sister of charity, no woman even, had brought some little consolation or the kindliness of a smile to these dying creatures, whose wandering or frantic black eyes haunted me.LUCKNOW
  • ONE:And from every stone, and in the rifts in the rocks, hung stalactites, like glittering icicles, and these too were of salt. TWO:There are two towns of Peshawur: one a distracted, silly place, with no beginning nor end, straggling along something in the manner of Madras, with an embryonic bazaar and all the amusements demanded by soldiers; the other enclosed in walls of dried mud, which are preserved only "to protect the town from robbers."
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TWO:On our way back through the temple-quarter a sudden wild excitement possessed the worshippers and priests; out of a side street rushed a large troop of monkeys, grey, with black faces. They galloped past in a close pack and fled to the trees, shrieking shrilly. One, however, lagged behind, bent on stealing some rice that had been brought as an offering to a plaster image of Vishnu. A Brahmin stood watching the monkey, and tried to scare it away with a display of threatening arms, but he dared not hit the beast sacred to Hanuman, the god of the green face. The creature, never stirring from the spot, yelled aloud, bringing the rest of the pack back on to the roof of the neighbouring pagodas. Then the ringleader, with a subdued, sleepy, innocent gait, stole gently up to the tray of offerings. He was on the point of reaching it when the priest raised his arm. This was a signal for the whole tribe to scream and dance with terror, but without retreating. The performance seemed likely to last; the bazaar and the temples were in a hubbub of excitement; the doors of the shops and the sanctuaries were hastily shut, till, at the mere sight of a man who came out[Pg 299] with a long bamboo in his hand, the whole pack made off and appeared no more, and Hardwar relapsed into its somnolent sanctity.[Pg 73]
FORE:Four women and two men wearing masks stretched in a broad grimaceone of the men in a red satin robe edged with leopard-skin, while the other had a squalid white shirt, intentionally soiled, over all his clothesthen began to dance round the priest, stopping presently to spin very fast on one[Pg 149] spot, and the girls' skirts floated gracefully in heavy folds, showing their under-skirts of bright satin embroidered with silver and gold. One of these women, who were not satisfied with painting their faces, by way of adornment, on the nose and cheeks with blackened pig's blood, took off her mask, showing her whole face smeared with it. She and the man in the dirty shirt played a number of mountebank's tricks to the great delectation of the spectators, and she finished amid thunders of applause by seating herself on the Lama's knee and stroking his beard.
  • THREE:AGRAThere were people performing their devotional ablutions below stream from the place of burning, and one old man took a few drops of water in the hollow of his hand and drank it, quite close to a shapeless black mass at which a kite was pecking as it floated by.

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  • THREE:Behind a ponderous wall, dinted all over by shot, and showing broad, light patches once covered by earthenware tiles, is the palace of Runjeet Singh, inlaid with enamelled pictures in green, blue, and yellow of tiger-fights and horse-races, mingling with flowers and garlands of boughs. The durbar, the hall or presence chamber, opens by a verandah on a forecourt paved with marble; in its walls are mirrors and panels of coloured glass over a ground of dull gold, agate-like tints iridescent with a nacreous, silvery, luminous lustre.

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  • THREE:Colaba is the port; the docks, with tall houses between the enormous warehouses. The silence is appalling; windows, doorsall are closed. Only a few coolies hurry by in the white sunshine, with[Pg 13] handkerchiefs over their mouths to protect them against the infection in these streets, whence came the plague which stole at first through the suburbs, nearer and nearer to the heart of the city, driving the maddened populace before it.Near this tomb is a stele with the dish on the top of it in which the Koh-i-noor was found. In the crypt of the mosque, at the end of a passage, is a vaulted room lined with stucco and devoid of ornament, and here is the burial place of Akbar, a mound covered with lime. The sarcophagus above, at the foot of which the Koh-i-noor once blazed, is but the replica of this.

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FORE:The servant who came to tell me that dinner was served went barefoot, like all native servants, in spite of his liverya sash and a shoulder-belt arranged over the Indian costume, and bearing the arms of England, and a monogram placed in his turban.As we returned, vistas of unreal definiteness showed us endless valleys lost in the distance, and vast spaces cultivated in green and russet stripesthe tea plantations that spread below the now vanished splendour of the snows. At a turning in the road stands a cross, erected there in memory of an epidemic of suicide that broke out among the soldiers of the English forta small structure of stone with an iron roof that faces the heaven-scaling range.

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FORE:Beyond this point among the mountains the road seemed to vanish, to lead nowhere, lost in pale red among the red cliffs, as if it stopped at the foot of the rocky wall.
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FORE:Inside the mausoleum numberless lustres hang from the roof, and fine large standing lamps with crystal pendants burn round two tombs covered with antique hangings and wreathed with jasmine; beneath these lie the two last kings of Oudh. Small models of two famous mosques, one in gold and one in silver, are placed on the tombs, round which a whole regiment of obsequious moollahs and beggars mount guard. On the walls childish paintings, representing scenes of the Anglo-Indian conflict, alternate with mirrors in gilt frames, and silk standards exquisitely faded, embroidered with dim gold and silver, and surmounted by tridents.Suddenly there was a panic among the horses; they shied, reared, and bolted across the fields, and the road being cleared, the elephants belonging to the Ameer of Cabul went by, to march at the head of the caravan. Next came a thousand camels, also the Ameer's; like the elephants, they carried no baggage, but on the back of one female was a young one, tied into a basket, born only the day before, all white and woolly.
    FORE:To light the way, coolies carried long iron tridents tipped with balls of tow soaked in oil. The mass moved slowly forward through the people, suddenly soothed to silence. The procession paused at the wayside altars, and then, in the middle of a circle formed by the torch-bearers and coloured lights, the sacred bayadres appearedthree girls with bare heads, dressed in stiff new sarongs heavy with tinkling trinkets, and an old woman crowned with a sort of very tall cylindrical tiara of red velvet embroidered with gold. Very sweet-toned bagpipes and some darboukhas played a slow tune, and the dancers began to move; they spun slowly round, their arms held out, their bodies kept rigid, [Pg 137]excepting when they bowed to the shrine. The crude light of the red fire or the sulphurous flare of the torches fell on their glittering ornaments, alternately festive and mysterious, shedding over the performance an atmosphere at once dreamy and magically gorgeous.
THREE:My friend T, long a resident in India, and quite unmoved by the habitual turmoil of the native Hindoos, finally settled the difficulty between the cabbage of the priests and the soldiers' goat; the men would put on hemp-shoes, and we also, over our leather boots; as to the belt and gun-slings, as they only touched the soldiers themselves, they could defile nothing and might be allowed to pass. Sign Up
THREE:Immediately on entering we were in the maze of vaults, sanctuaries, great halls and arcades, where stall-keepers sell their goods, priests keep school, and flower-sellers wander. Statues, repeated in long rows, lead up to temples all alike, of a bewildering uniformity of architecture and identical decoration. Sign Up

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FORE:"Could you design another tomb as beautiful as this?" asked the emperor.
FORE:Tazulmulook on his way meets a blind man, whom he restores to sight by the help of the magical flower; the man relates the story of the cure to the four brothers, who quickly follow up Tazulmulook and presently overtake him. After a short conflict they rob him of the talisman and fly. The young prince is in despair, but as he wrings his hands he rubs Bakaoli's ring and the dragon instantly appears. Tazulmulook commands him forthwith to build a palace in front of that of King Zainulmulook.
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FORE:Then, in a blaze of coloured fire, a fortissimo of music, and a whirlwind of drapery, they stopped exhausted in front of the idol. The lights were put out, the tom-toms were the only sound, and the procession moved on, escorting the shrine which glittered for some time yet, till it disappeared at an angle, leaving the temple in darkness just tinted blue by the moon.
In another hut was a woman, brought hither yesterday with her husband, who had died that morning. She had an exquisite, long, pale face and blue-black hair. On her arms were many[Pg 35] bangles, and gold earrings glittered in her ears. For a moment she opened her large gazelle-like eyes, and then with a very sad little sigh turned to the wall, making her trinkets rattle. She was still dressed in her blue choli. A striped coverlet had been thrown over her; by her bed she had a whole set of burnished copper pans and canisters. Charmingly pretty, and not yet exhausted by the disease, which only declared itself yesterday, she was sleeping quietly, more like a being in a storybook than a plague-stricken creature, who must infallibly die on the morrow under the incapable treatment of the Hindoo "bone-setter."From the parapet of one of the bastions the Ganges may be seen in the distance, of a sickly turquoise-blue, shrouded in the haze of dust which hangs over everything and cuts off the horizon almost close in front of us, and the tributary Jumna, translucent and green. At the confluence of the rivers stands a native village of straw and bamboo huts, swept away every season by the rains. This is Triveni, containing 50,000 souls, which enjoys a great reputation for sanctity, and attracts almost as many pilgrims from every part of India as does Benares. The people come to wash away their sins in the Saravasti, the mystical river that comes down from heaven and mingles its waters at this spot with those of the sacred Ganges and the Jumna. The faithful who bathe at Triveni observe an additional ceremony and cut their hair; each hair, as it floats down stream in the sacred waters, effaces a sin, and obtains its forgiveness. In front of the barracks, a relic of past magnificence, there stands alone on a porphyry pedestal, in the middle of a broad plot[Pg 184] trampled by soldiers on parade, an Asoka column carved with inscriptions to the top, and decorated half-way up with a sort of capital.Shops of the same trade are found in rows; carpenters joining their blocks, and workmen carving ornaments with very simple toolsclumsy toolswhich they use with little, timid, persistent taps. Further on, coppersmiths are hammering the little pots which are to be seen in everybody's hands; under the shade of an awning stretched over the tiny booth, the finished vessels, piled up to the roof, shed a glory over the half-naked toilers who bend over their anvils, perpetually making jars of a traditional pattern, used for ablutions. There are two men at work in each shop, three at most, and sometimes an old man who sits smoking with half-closed eyes.
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