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Very far, sir.Against the saintly Marquise de Montagu no breath of scandal could ever be spoken. Such calumnies as were spread against Mme. Le Brun, the work of the revolutionists, who hated her only for her religion and loyalty, never believed by those whose opinion would be worthy of consideration, soon vanished and were forgotten.
TWO:Alexis de Noailles, who had left France during the reign of Napoleon, entered Paris with the Comte dArtois; the King and the Duchesse dAngoulme received with distinguished favour those who had suffered so much in their cause; the Duc de Noailles came from Switzerland and took possession of the h?tel de Noailles, just vacated by the Arch-treasurer of the Empire.Lisette frequented chiefly the society of the Spanish Ambassadress, with whom she went to the Opera at the far-famed Fenice, and finally left Venice and went by Padova, Vicenza, and Verona to Turin, where she had letters of introduction from Mesdames to the Queen, whose portrait they wished her to paint for them.
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THREE:They let him in, and he saw musicians with desks and instruments, practising for the infernal scene in Robert le Diable, which Meyerbeer was going to bring out, and which sufficiently accounted for the chains, groans, and cries of that celebrated chorus.The Ambassador gave her his arm, told her to be sure to kiss the hand of the Empress, and they walked across the park to the palace, where, through a window on the ground floor, they saw a girl of about seventeen watering a pot of pinks. Slight and delicate, with an oval face, regular features, [125] pale complexion, and fair hair curling round her forehead and neck, she wore a loose white tunic tied with a sash round her waist, and against the background of marble columns and hangings of pink and silver, looked like a fairy.
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Marie Antoinette was tall, well-formed, with perfectly shaped arms, hands and feet, a brilliant complexion, bluish-grey eyes, delicate though not regular features, a charming expression and a most imposing air, which very much intimidated Mme. Le Brun during the first sitting. But the kindness and gentleness with which the Queen talked to the young artist soon set her at ease, and when the portrait, which was to be presented to the Emperor Joseph II., was finished, she was desired to make two copies of it; one to be sent to the Empress Catherine of Russia, the other to be placed in the royal apartments, either at Versailles or Fontainebleau. After these she painted several portraits of the Queen, one of which, in a straw hat, was, when exhibited in the Salon, 1786, declared by one of those malicious slanders then becoming frequent, to be the Queen en chemise.[58]One Gorsas, a violent Radical whom she had never seen or heard of, was especially violent in the atrocities he poured forth against her for no reason whatever. He was a political writer and afterwards a Jacobin, but met with his due reward, for he was [67] arrested by the Revolutionists he admired so greatly, and guillotined.The following Thursday morning the Empress did not ring as usual at nine oclock. They waited till after ten, and then the first femme de chambre went in and found her lying on the floor struck by apoplexy.Ah, Madame! Comme vous tes belle!
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