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While these matters were going on in Ireland, Mr. Peel was applying his mind, in the most earnest manner, to the removal of the difficulties that stood in the way of Emancipation.The Chambers were opened by the king on the 2nd of March, 1830, with a speech which conveyed a threat to the French nation. "If culpable man?uvres," he said, "should raise up against my Government obstacles which I do not wish to foresee, I shall find the power of surmounting them in my resolution to maintain the public peace, in my just confidence in Frenchmen, and in the love which they have always borne to their kings." The Chambers did not hesitate to express their want of confidence in the Government. The king having declared that his intentions were immutable, no alternative remained but a dissolution, as he was resolved to try once more whether a majority could be obtained by fair means or foul. In this last appeal to public opinion he was bitterly disappointed. It scarcely required a prophet to foresee the near approach of some great change; nor could the result of the impending struggle appear doubtful. Nine-tenths of the community were favourable to a constitutional system. Not only the working classes, but the mercantile and trading classes, as well as the professional classes, and all the most intelligent part of the nation, were decidedly hostile to the Government. In Paris the majority against the Ministerial candidates was seven or eight to one. The press, with scarcely an exception, was vehement in its condemnation of the policy of the Government, which came to the conclusion that it was not enough to abolish the Constitution, but[316] that, in order to insure the success of a purely despotic rgime, it was absolutely necessary to destroy the liberty of the press, and to put down journalism by force. Accordingly, a report on this subject was addressed to the king, recommending its suppression. It was drawn up by M. Chantelauze, and signed by De Polignac and five other Ministers.
ONE:WASHINGTON AND HIS MEN AT VALLEY FORGE. (See p. 239.)

筛选：人气最高最新萌宠语言涂鸦
Austria gets ready for WarNapoleon's PreparationsInvasion of Bavaria by AustriaThe Archduke Charles driven from BavariaOccupation of ViennaBattle of AspernThe Spirit of Revolt in Germany; Schill and BrunswickBattle of WagramPeace of ViennaVictories of the TyroleseDeath of HoferThe Betrayal of Poland and ItalyDeposition of the PopeMinisterial DissensionsDeath of Portland, and Reconstruction of the MinistryInquiry into the Walcheren ExpeditionImprisonment of Gale JonesBurdett committed to the TowerThe Piccadilly RiotsArrest of BurdettDebates in the House of CommonsAgitation for Parliamentary ReformLiberation of BurdettRemaining Events of the SessionCondition of SpainSoult's victorious ProgressHe fails at CadizThe Guerilla WarMassena sent against WellingtonCapture of Ciudad RodrigoCapitulation of AlmeidaBattle of BusacoThe Lines of Torres VedrasMassena baffledCondition of the rival ArmiesVictories in the East and West IndiesThe War in Sicily.Other English artists of this period were John Riley, an excellent and original painter, who died in 1691; Murray, a Scotsman; Charles Jervas, the friend of Pope, a man much overrated by his acquaintance; and Jonathan Richardson, a much superior artist to Jervas, and author of the valuable "Essay on the Art of Criticism, as it relates to Painting." Thomas Hudson, a pupil of Richardson, and his son-in-law, was an admirable painter of heads, and had the honour of being the instructor of Sir Joshua Reynolds. Henry Cook, like Thornhill, was a decorator, and painted the choir of New College Chapel, at Oxford, and the ceiling of a large room at the New River head. Among other artists of repute there may be named Luke Cradock, a flower and fruit painter; John Wootton, an animal painter; Francis Hayman, an historical painter and designer for book-platesthose for "Don Quixote" being his best; and George Lambert, one of the first English landscape painters of any mark.
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