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ONE:"Where?"And the real truth was that he had no desire to interest himself in the matter. It disturbed his mental equilibrium, and threatened the validity of that carefully considered world of assumptions which enabled him to make light, easy jests at its inconsistencies and incongruities. TWO:
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ONE:"Did you think I was at the rear?"No clocks, no pictures on the walls, no mirrors; in fact, the room was quite bare of ornament. TWO:"When; where is he?" eagerly asked Quinn, seeing Ferry was not going to ask.
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ONE:Despite his fifty years, and the hard dry business atmosphere of his life, there was something amazingly boyish in the inward agitation{156} in which Keeling, arriving ten minutes before his time at his office next morning, awaited Norahs coming. His midnight excursion, dictated by some imperative necessity from within had, even if it was not a new stage in his emotional history, revealed a chapter already written but not yet read by him. He expected too, quite irrationally, that some corresponding illumination must have come to the girl, that she, like himself, must have progressed along a similar stage. He pictured himself telling her how he had left his house in order to have the satisfaction of seeing her lit window; he had a humorous word to say about the state of his dress shoes (in place of which he must not forget to order a pair from the boot and shoe department this morning). He could see her smile with eyes and mouth in answer to his youthful confession, as she always smiled when, as often happened now, some small mutual understanding flitted to and fro between them, and could easily imagine the tone of her reply, Oh, but how dreadfully foolish of you, Mr Keeling. You want to be laid up too, like Charles. She would not say more than that, but there would be that glimmer of comprehension, of acceptance, that showed she had some share in the adventure, that she allowed it, looked on it with the kind eye of a friend.You told me about Pan, he said. I had never heard of him before. TWO:Not so well.
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ONE: TWO:"You're a masterpiece," he remarked,[Pg 66] "that's what you are." This was his usual term for anything out the way. "You ain't a going to get me to believe that, not at my age.
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ONE:"Ah!"--he gave a Creole shrug--"that you must decide, on the honor of a good soldier. She has taken you into her confidence?" TWO:Keeling tapped the table impatiently with his fingers. This was business, and in his opinion rotten business.
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