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La substance du peuple et la honte du Roi.

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There had, in fact, been a strong reaction against the restraint and dullness of the last few years of the reign of Louis XIV., when the magnificent, pleasure-loving King, whose victorious armies had devastated Europe, who had made princes of his illegitimate children, lavished the riches of the country upon his mistresses, and yet in his stately beauty and fascination been the idol of France; had changed into a melancholy old man, depressed and disillusioned, looking with uneasiness upon the past, with fear upon the future; while the brilliant beauties and splendid festivities of bygone days had given place to virtue, strict propriety, and Mme. de Maintenon.Hurrying away, the concierge soon re-appeared with the police and two soldiers. They proceeded to the pavilion; the door was locked, and just then a strange cry arrested their attention. They beat at the door ordering it to be opened, which it immediately was by a man, who said
Slider 1 ONE:Vous vous tutoyez. [92]
Slider 2 ONE:Every one betrays the Republic. The citoyen Tallien is granting pardon to aristocrats.
Slider 3 ONE:CHAPTER VI
ONE:Two or three years before the marriage of the [170] young M. and Mme. dAyen, his father the Duke, who was captain in the gardes-du-corps, [62] was consulted by one of the guards of his regiment, who in much perplexity showed him a costly snuff-box which had been mysteriously sent him, and in which was a note as follows: Ceci vous sera prcieux; on vous avertira bient?t de quelle main il vient. [63]Besides all these portraits of the Queen, Mme. Le Brun painted the King, all the rest of the royal family except the Comte dArtois; the Duke and Duchess of Orlans, the Princesse de Lamballe, the Duchesse de Polignac, and, in fact, almost everybody.

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THREE:[444]

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ONE:In Mme. de Genlis we have a fourth and more complex type, a character in which good and evil were so mingled that it was often hard to say which predominated. With less beauty than the other three but singularly attractive, with extraordinary gifts and talents, with noble blood and scarcely any fortune, she spent a childhood of comparative poverty at her fathers chateau, where she was only half educated, and at seventeen married the young Comte de Genlis, who had no money but was related to most of the great families of the kingdom.

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THREE:He always adored her, saying she was the good genius of his house. They passed their lives happily together until her death, which took place at Chimay in January, 1835, surrounded by her children, whom she adored. They had several besides her former ones, whom she neither concealed nor separated from.

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THREE:The young Marquis, her cousin, was starting for St. Domingo, and the day before his departure a fte de famille took place, exceedingly characteristic of the France of the eighteenth century.The two families therefore moved to Richmond, where they found themselves surrounded by old friends.

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THREE:

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THREE:Then Trzia knew that she was safe, and that Tallien, for her sake, had overthrown the monster and broken the neck of the Terror. Soon he appeared in triumph to throw open the gates of La Force, and the following day Trzia, accompanied by Frron and Melun de Thionville, went herself to the club of the Jacobins and closed it without any one venturing to take the keys from her.Then why say it?

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ONE:To which she replied, Comment donc! I have a horror of ingratitude. Of course I intend to go and see her. I owe her a great deal, and I will prove it by doing so. But you understand that I am obliged to consider appearances for the sake of my [346] family, and her reputation forces me to show a reserve which I regret. If you will ask her when I shall find her alone I shall go and see her at once.

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THREE:

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THREE:But the pictures and churches filled Lisette with delight, especially the masterpieces of Correggio, the glory of Parma.

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THREE:Flight and dangerMonsZurichZugThe Convent of BremgartenDeath of M. de SilleryOf galitMademoiselle dOrlans and the Princesse de Conti.

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THREE:AN abyss of separation lies between the two women whose life-histories have just been related, and the one of whose stormy career a sketch is now to be given.

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ONE:They stood in astonishment looking after the soldiers, and then turning, walked sorrowfully back to the ruins, where a decently dressed working man who had been observing them, came up and again asked them the same question.

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TWO:Because every one is in prison at Paris; even the revolutionists. And I am a revolutionist.

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TWO:But it is confidently affirmed that Robespierre pursued Trzia, with even more than his usual vindictiveness. He begged the Marquis de la Valette, a ci-devant noble and yet a friend of his, to prevent the escape of this young woman whom they both knew, for the safety of the Republic. But M. de la Valette, although he was not ashamed so far to degrade himself as to be the friend of Robespierre, shrank from being the instrument of this infamy; and not only warned Trzia but offered her the shelter of his roof, which, for some reason or other, she declined. She was arrested and sent to La Force, one of the worst prisons of the Revolution, with the additional horror of being au secret. She had too many and too powerful friends to be sacrificed without difficulty and risk, and it was, in fact, his attack upon her that gave [321] the finishing blow to the tottering tyranny of Robespierre.

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TWO:They went on to Clermont, the capital of the province, where M. de Beaune had a house in the town and a chateau and estate named Le Croc just outside it. They had passed into the hands of strangers, but all the furniture and contents of the chateau had been saved by the faithful concierges, the Monet, who, with the help of their relations and friends, had during the night carried it all away, taking beds to pieces, pulling down curtains and hangings, removing all the wine from the cellars, and hiding safely away the whole of it, which they now restored to its owners.

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ONE:On the other hand, any one who had been faithful and loyal to her parents, now met with their reward.

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With much confusion she replied that she had not had time to have a proper dress made, but she was aware of the impossibility of explaining why, coming straight from Vienna, she had not brought one with her; and the dissatisfied looks of the Ambassadress increased her alarm when it was time to go to the Empress.Catalani, then young and beautiful, was one of her new friends, and used to sing at her parties. She painted her portrait, and kept it as a pendant to the one she had done of Grassini in London.Balls were not then the crushes they afterwards became. The company was not nearly so numerous; there was plenty of room for those who were not [54] dancing to see and hear what was going on. Mme. Le Brun, however, never cared for dancing, but preferred the houses where music, acting, or conversation were the amusements. One of her favourite salons was that of the charg daffaires of Saxony, M. de Rivire, whose daughter had married her brother Louis Vige. He and her sister-in-law were constantly at her house. Mme. Vige acted very well, was a good musician, and extremely pretty. Louis Vige was also a good amateur actor; no bad or indifferent acting would have been tolerated in the charades and private theatricals in which Talma, Larive, and Le Kain also took part.Still, there was at first much to attract her. The friends who had survived were delighted to have her again amongst them. Many of her foreign friends arrived in Paris; she began again to give suppers which were as popular as ever. She even gave a ball at which the celebrated dancers, M. de Trnis, Mme. Hamelin, and Mme. Demidoff, excited general admiration. She also gave private theatricals in her large gallery.
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