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Just within the enclosure to our right is a tomb. A Mohammedan who came forth to take the sacred[Pg 74] hill, the brother of an emperor of Delhi, fell dead at the foot of a Ja?n idol, which he had dared to touch with his staff. How the legend developed it is impossible to say; but this warrior, buried on the spot where he was stricken down by the divinity, has the miraculous power of curing barrenness in the women who invoke him. Votive offerings, little cradles daubed with yellow and red, are heaped on the pavement and hang to the railing.A crowd of servants in red came down the flight of steps to the landing-place, and stood on each side, while at the top the Maharajah stood to receive me, in a tunic of yellow brocaded with silver, and silk trousers of various shades of violet and gold tissue; his turban was quite small, with an aigrette and a spray of diamonds.
ONE: THREE:In the distance, across the plain, herds of deer were feeding, and hardly looked up as the train went by.Dilbar dances and sings before the brothers, and[Pg 230] then proposes to play cards. The stake is the liberty of the loser. The four princes play against the dancing-girl, who wins and has them imprisoned on the spot.

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ONE:We saw the Jasmine tower from a corner of the garden in the glow of sunset. With its gilt cupola blazing in the low beams, its amber-hued walls as transparent as melting wax, and its pierced screen-work, it looked so diaphanous, so fragile, that it might be carried away by the evening breeze. And beyond the pavilion, above the ramparts carved with huge elephants, lies the old Hindoo palace, deserted by Jehangir for his house of pale marblesan endless palace, a labyrinth of red buildings loaded to the top with an agglomeration of ornament supporting flat roofs. And pagodas that have lost their doors, a work of destruction begun by Aurungzeeb. One court is still intact, overhung by seventy-two balconies, where the zenana could look on at the dancing of bayadres. Perfect, too, is the queen's private apartment, with two walls between which an army kept guard by day and by night.
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ONE:
THREE:

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THREE:Men were carrying mud in enormous turtle-shells that they used for baskets.All round the Royal Hill ancient buildings are piled in stages, the remains of still majestic magnificence. The thorn-brakes cover supporting walls as broad as crenellated terraces; fragments of light and fantastic architecture stand up from amid golden blossoms; tottering colonnades overhang tanks, all green at the bottom with a pool of brackish water.

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FORE:On the very edge of the Jumna, where russet fields break the monotony of its white sandy banks, is the private state-room, the residence of the sovereigns of Delhi, built of translucent milky[Pg 217] marble, warmed by the reflection of gold inlaid on the columns and merged with the stone that is turned to amber.

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FORE:

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FORE:[Pg 25]

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FORE:I proposed to go in without the soldiers. Impossible, it was not etiquette! I was the Rajah's guest. The Prince of Morvi and I could not mingle with the crowd, our escort was necessary to isolate us. Well, then, the soldiers must take off their shoes, and leave their belts and guns at the door! Again impossible. Where would the prestige of the uniform be?

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FORE:"Nautch-girls for tourists, like Europeans," said my Indian servant Abibulla. "Can-can dancing-girls," he added, with an air of triumph at having shown me a wonder.

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FORE:

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Just within the enclosure to our right is a tomb. A Mohammedan who came forth to take the sacred[Pg 74] hill, the brother of an emperor of Delhi, fell dead at the foot of a Ja?n idol, which he had dared to touch with his staff. How the legend developed it is impossible to say; but this warrior, buried on the spot where he was stricken down by the divinity, has the miraculous power of curing barrenness in the women who invoke him. Votive offerings, little cradles daubed with yellow and red, are heaped on the pavement and hang to the railing.A crowd of servants in red came down the flight of steps to the landing-place, and stood on each side, while at the top the Maharajah stood to receive me, in a tunic of yellow brocaded with silver, and silk trousers of various shades of violet and gold tissue; his turban was quite small, with an aigrette and a spray of diamonds.
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A different scene indeed next day, with none of the magnificence of yesterday, was the temple of magical lights. There was a dense crowd of shouting and begging pilgrims. Along the pyramidal roofs, as at Srirangam, there were rows of painted gods, but in softer and more harmonious hues. Over the tank for ablutions was a balcony decorated in fresco, representing in very artless imagery the marriage of Siva and Parvati. The couple are seen holding hands under a tree; he a martial figure, very upright, she looking silly, her lips pursed, an ingnue. In another place Siva sits with his[Pg 120] wife on his knees, she has still the same school-girl expression. Finally, on the ceiling, is their apotheosis: they are enthroned with all the gods of Ramayana around them, and she looks just the same. The red and green, subdued by the reflected light from the water, were almost endurable.He interrupted me:From a quite small garden close to the palace a bronze gate with three medallions of lilies in high relief, of marvellous workmanship, opens on the Pearl Mosque, exquisitely white, at the end of its forecourt of immaculate pavement enclosed by a marble balustrade. Three polished and shining domes are supported by columns of snow made of a hard white marble, scarcely broken by [Pg 218]ornament, and carrying a roof hollowed into three vaults. The rings are still to be seen on the marble walls outside, to which, when the great Mogul came to prayer, curtains were attached made of gold net and spangled with diamonds and pearls.And there, under the open sky, stands the crowning marvel of Ellora, the temple or Kailas, enclosed within a wall thirty metres high, pierced with panels, balconies, and covered arcades, and resting on lions and elephants of titanic proportions. This temple is hewn out of a single rock, isolated from the hill, and is divided into halls ornamented in high relief. Covered verandahs run all round the irregular mass in two storeys, reminding us, in their elaborate design, of the Chinese balls of carved ivory with other balls inside them. Nothing has been added or built on. The complicated architectureall in one piece, without cement or the smallest applied ornamentmakes one dizzy at the thought of such a miracle of perseverance and patience.

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