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So far Aristotle gives us a purely superficial and sensational view of the drama. Yet he could not help seeing that there was a moral element in tragedy, and he was anxious to show, as against Plato, that it exercised an improving effect on the audience. The result is his famous theory of the Catharsis, so long misunderstood, and not certainly understood even now. The object of Tragedy, he tells us, is to purify (or purge away) pity and terror by means of those emotions themselves. The Poetics seems originally to have contained an explanation of this mysterious utterance, now lost, and critics have endeavoured to supply the gap by writing eighty treatises on the subject. The result has been at least to show what Aristotle did not mean. The popular version of his dictum, which is that tragedy purges the passions by pity and terror, is clearly inconsistent with the wording of the original text. Pity and terror are both the object and the instrument of purification. Nor yet does he mean, as was once supposed,306 that each of these emotions is to counterbalance and moderate the other; for this would imply that they are opposed to one another, whereas in the Rhetoric he speaks of them as being akin; while a parallel passage in the Politics188 shows him to have believed that the passions are susceptible of homoeopathic treatment. Violent enthusiasm, he tells us, is to be soothed and carried off by a strain of exciting, impassioned music. But whence come the pity and terror which are to be dealt with by tragic poetry? Not, apparently, from the piece itself, for to inoculate the patient with a new disease, merely for the sake of curing it, could do him no imaginable good. To judge from the passage in the Politics already referred to, he believes that pity and terror are always present in the minds of all, to a certain extent; and the theory apparently is, that tragedy brings them to the surface, and enables them to be thrown off with an accompaniment of pleasurable feeling. Now, of course, we have a constant capacity for experiencing every passion to which human nature is liable; but to say that in the absence of its appropriate external stimulus we are ever perceptibly and painfully affected by any passion, is to assert what is not true of any sane mind. And, even were it so, were we constantly haunted by vague presentiments of evil to ourselves or others, it is anything but clear that fictitious representations of calamity would be the appropriate means for enabling us to get rid of them. Zeller explains that it is the insight into universal laws controlling our destiny, the association of misfortune with a divine justice, which, according to Aristotle, produces the purifying effect;189 but this would be the purgation of pity and terror, not by themselves, but by the intellectual framework in which they are set, the concatenation of events, the workings of character, or the reference of everything to an eternal cause. The truth is that Aristotles explanation of the moral effect produced by tragedy is307 irrational, because his whole conception of tragedy is mistaken. The emotions excited by its highest forms are not terror and pity, but admiration and love, which, in their ideal exercise, are too holy for purification, too high for restriction, and too delightful for relief."I would for one," Bruce laughed. "I am not fond of your tempestuous woman. Have there been any other signs and manifestations?"103
ONE:Prout grudgingly admitted that it was. He was also severe on the indiscretion of certain people. Mr. Isidore ought to know better. The Countess was charmed. Evidently she was going to do exactly as she pleased with this man. Every question that she asked him he contrived to answer in some way that betrayed his knowledge.But neither when he left the darkling womb,

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TWO:Lawrence dropped "The Star" and gazed at the speaker with absolute amazement.
THREE:The grounds were large and secluded; there were plenty of spots there for lovers. They might have been far away in the country.

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THREE:Gordon bowed again; evidently a lunatic of the harmless type.

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THREE:The woman's eyes gave a flash of triumph.We waited in the street for two of the soldiers who went to fetch the old man. After waiting a good while the poor wretch appeared between them. He wept profusely, and between his loud sobs affirmed repeatedly that he was innocent, that he did not know me, that I told him I was a Netherland journalist, and so on, and so on: "Oh, gentlemen!oh, gentlemen!" he exclaimed, "I must not leave my little boy ... my laddie; ... he is quite alone.... Oh, let me go!" ...

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THREE:The activities of the soul are thought, sensation, reasoning, desire, attention, and so forth: the activities of body are heat, cold, impact, and gravitation; if to these we add the characteristics of mind, the latter will have no special properties by296 which it can be known. And even in body we distinguish between quantity and quality; the former, at most, being corporeal, and the latter not corporeal at all. Here Plotinus just touches the idealistic method of modern spiritualism, but fails to follow it any further. He seems to have adopted Aristotles natural realism as a sufficient theory of external perception, and to have remained uninfluenced by Platos distrust of sensible appearances.

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TWO:From Ostend I went a few days later to Thourout, a townlet to the north of the centre of the Yser-line. I was accompanied by two Netherland colleagues whom I had met at Bruges. Everything was quiet there; the commander of the naval region, Admiral von Schroeder, had made himself slightly ridiculous, by informing the population in a proclamation that he had ordered the British citizens in the coastal region to leave the country, in order to protect them from their fellow-countrymen of the British fleet, who, by bombarding Ostend, had endangered their lives.

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Bouvigne, a hamlet near Dinant, had suffered fearfully from the bombardment of that town. Trees were splintered by the shells, the church was nearly a total wreck from the same cause, and two houses by the road had been riddled by bullets into a sieve, and also damaged by shells. On the whole scene of war I have not seen one house carrying so many bullets in it; their holes made the doors look like wire-netting. In these houses the French had barricaded themselves, brought mitrailleuses to them, and defended them until the last. None of those heroes left them alive. My colleague took many snapshots of this remarkable spot, while I collected bullets, fragments of shell, and similar mementos of this warfield.23"From Louvain!"
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