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THREE:What a totally different species of composition was the "Vicar" to the tale of "Rasselas," published by his friend Dr. Samuel Johnson (b. 1709; d. 1784), the great lexicographer, seven years before! This was conceived in the romantic and allegoric spirit of the time"The Ten Days of Seged," "The Vision of Mirza," and the like. It was laid in the south, but amid Eastern manners, and didactic in spirit and ornate in style. It was measured, and graceful, and dulltoo scholastic to seize on the heart and the imagination. On a nature like Goldsmith's it could make no impression, and therefore leave no trace. The one was like a scene amid palm trees, and fountains, and sporting gazelles; the other like a genuine English common, on which robust children were tumbling and shouting, amid blooming gorse, near the sunny brook, with the lark carolling above them. There is no country in Europe, scarcely in the world, where letters are known, which has not its translation of the "Vicar of Wakefield." Even in England, "Rasselas" is almost forgotten.
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TWO:Lord Londonderry, wearied with the labours of the Session, had retired to his country seat at North Cray Farm, near Bexley, in Kent, to recruit his strength, and prepare to take his part as the representative of England at the forthcoming Congress of Verona, which was to be held in October. There, on the 12th of August, he committed suicide by cutting the carotid artery with a penknife. Lord Eldon, in a letter on the subject, says:"I learn, upon the best authority, that for two or three days he was perfectly insane; and the medical men attribute that fact to the operation upon his head of the unceasing attention to business which the last harassing Session (to him) called for." The disease would appear to have been coming on some time before; he had got the idea that he was beset by secret enemiesthat he was the object of conspiracies. He was full of apprehension of being waylaid in the Park, and he felt that his life was every hour in danger. His mind gave way under the pressure of these morbid fears, and he put an end to his existence in the fifty-third year of his age. Impartial history, we think, will come to the conclusion that, with intellectual abilities not much above mediocrity, he owed his success as a statesman, in a great measure, to his fixity of purpose, and to his audacity, courage, and perseverance in adhering to his line of action in the midst of the most formidable difficulties; while the strength of his will was aided by a commanding person, an imperturbable temper, extreme affability, and winning frankness of manner. Of the policy of the Government in which he bore so long a leading part, it must be said that it was narrow, exclusive, jealous of popular rights, favourable to despotism abroad and at home, devoted to the interests of the Throne and the aristocracy, at the expense of social order and national progress. Such, at all events, was the impression of the majority of the nation, and the detestation in which the London populace held his character as a statesman was painfully evinced by the shouts of exultation which followed his coffin into Westminster Abbey, where it was deposited between the remains of Fox and Pitt. This conduct greatly shocked Lord Eldon. "This morning," he writes, "I have been much affected by attending Lord Londonderry to his grave. The concourse of people between St. James's Square and the Abbey was very great; the great bulk of them behaving decorously, some behaving otherwise; but I protest I am almost sorry to have lived till I have seen in England a collection of persons so brutalised as, upon the taking the coffin at the Abbey door out of the hearse, to have received it with cheering for joy that L. was no more. Cobbett and the paper called the[227] Statesman have, by the diabolical publications he and that paper have issued, thus demoralised these wretches."
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TWO:He first published an engraving of "The Small Masquerade Ticket, or Burlington Gate," in ridicule of Lord Burlington's architecture, and of Pope's eulogiums on Burlington and satire of the Duke of Chandos. He illustrated "Hudibras," and produced a satirical plate, "The Taste of the Times," in 1724; and, some years after, "The Midnight Conversation" and "Southwark Fair." Not content with the fame which this vein, so peculiarly his own, was bringing him, he had the ambition to attempt the historical style, but this was a decided failure. In 1734, however, he came out in his full and peculiar strength in "The Harlot's Progress." The melancholy truth of this startling drama, mingled with touches of genuine humour, seized at once on the minds of all classes. It became at once immensely popular; it was put on the stage, and twelve hundred subscriptions for the engravings produced a rich harvest of profit. In the following year he produced "The Rake's Progress," which, though equally clever, had not the same recommendation of novelty. In 1744 he offered for sale the original paintings of these subjects, as well as "The Four Times of the Day," and "The Strolling Actresses Dressing in a Barn;" but here he felt the effects of the sturdy English expression of his sentiments on art, and his distributing of an engraving of "The Battle of the Pictures," as a ticket of admission, gave great offence to painters and their patrons. The whole sum received was only four hundred and twenty-seven pounds. Undaunted by his self-injuring avowal of his opinions, he offered in 1750 the pictures of "Marriage la Mode" for sale, but put forth an advertisement in such caustic terms, as he reflected on the result of his former auction, that he effectually kept away purchasers, and obtained only a hundred and twenty pounds for what Mr. Angerstein afterwards gave a thousand pounds for. His "March to Finchley" being sent for the royal inspection, so impressed George II. with the idea that it was a caricature of his Guards, that, though the engraving of it was dedicated to him, he ordered the picture out of his sight, with expressions of great indignation. Hogarth quietly substituted the name of the King of Prussia in the dedication, as "an encourager of the arts."But where, all this time, was the Great Commoner? The whole world was astonished when the fact came out that Pitt would accept no post in his own Ministry but that of Privy Seal, which necessitated his removal to the House of Peers. The king himself offered no opposition. Pitt's colleagues were not only astonished, but confounded; for they calculated on having his abilities and influence in the House of Commons. "It is a fall up stairs," said the witty Chesterfield, "which will do Pitt so much hurt that he will never be able to stand upon his legs again." No doubt it was a great mistake, but the infirmity of Pitt's health is an abundant excuse. This matter settled, Chatham condescended to coax the haughty Duke of Bedford, whom he met at Bath, to join him. He explained that the measures he meant to pursue were such as he knew the Duke approved. Having heard him, Bedford replied, proudly, "They are my measures, and I will support them, in or out of office." It was understood that he would receive overtures from Chatham, and, in these circumstances, Parliament met on the 11th of November.