ONE: "There have been several men around the hotel trying to sell things to us, and we have been looking at them. One thing I am going to[Pg 90] get and send in this letter is a box of Japanese pictures. They are not photographs, but real drawings by Japanese artists, and printed on Japanese paper. You will see how soft and nice the paper is; and though the pictures look rough, they are very good, and, above all things, they are truthful. I am going to get as many different ones as I can, and so I think you will be able to get a good idea of the country as the natives see it themselves. They have these pictures showing all their ways of lifehow they cook their food, how they eat it, how they work, how they playin fact, how everything is done in this very curious country. The Japanese make their drawings with very few lines, and it will astonish you to see how much they can express with a few strokes of a pencil. Here is a[Pg 91] picture of a horse drawn with seven strokes of the artist's finger-nail dipped in ink, and with a few touches of a wide brush for the mane and tail. Do you think my old drawing-master at home could do the same thing?
FORE:You are rather late, he said.
FORE:FLYING KITES. FLYING KITES.
FORE:Out in the open country how sweet was the silence. Not yet have I forgotten one bright star of that night's sky. My mother and I had studied the stars together. Lately Camille, her letter said, had learned them with her. Now the heavens dropped meanings that were for me and for this night alone. While the form of the maiden--passing fair--yet glimmered in the firmament of my own mind, behind me in the south soared the Virgin; but as some trees screened the low glare of our camp I saw, just rising into view out of the southeast, the unmistakable eyes of the Scorpion. But these fanciful oracles only flattered my moral self-assurance, and I trust that will be remembered which I forgot, that I had not yet known the damsel from one sun to the next.
