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Three musicians in white, with red turbans, squatted down on the ground in front of us. One sang to the accompaniment of a viol with three strings and nine frets, and a darboukha; a drawling strain, all on the upper notes, and rising higher to a shrill monotonous wail, retarded, as it were, to a rhythm against the accompaniment; then by degrees more lively, faster and faster, ending with a sudden stop on a word of guttural consonants. But the man began again; he sang for a long time, varying the tunes, always returning to the first. But nothing of them remains in my mind, not even the rhythm, only a vague recollection, a singular echo, confused but [Pg 67]charming, in spite of the weirdness of the too high pitch.

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Another sanctuary holds an idol made of seven metals mingled to a pale golden hue. The statue is loaded with jewellery of silver and precious stones. On its head is a fan-shaped diadem starred with rubies. The walls and columns, of a dull purple, are decorated with gaudy mosaic of scraps of looking-glass set in brass along the lines of the mouldings.
ONE:
THREE:We drove across a succession of parks to visit[Pg 175] Sumer Mundir, a too elaborately carved temple, the panels representing scenes from the Ramayana set in ornamental borders. On the roof, which bristled with sculptured stone, thousands of blue pigeons were perched asleep, their iridescent plumage scarcely stirring in the sunshine. Beyond a tank at the end of the park was a palace in the Arab style with incredibly delicate ornaments of wrought marble, open halls painted in subdued colouring, and lighted by the golden reflections from the water. The pool had steps all round it, in which crowds seat themselves on the occasions of pilgrimage, and far away the enchanting vision of Benares, the holy city, in every shade of amber and honey.
THREE:Above the throne, in the white marble wall, is a round hole, the mark of a cannon-ball at the time of the Mutiny. Out of this came a parrot, gravely perching to scratch its poll; then, alarmed at seeing us so close, it retired into its hole again.
THREE:A long train of wailing women, loud in lamentation, came slowly out of a house where one lay dead whom they had just been to look at, on their way now to wash their garments, defiled by contact with the body. But all dressed in red, with gaudy embroidery in yellow, white, and green, and large spangles of looking-glass glittering in the sun, they did not look much like mourners.The want of foresight in the people here is amazing. A servant earning five rupees a month got his son married, a child of fifteen, and for this event he bought fireworks on credit, and at enormous interest, which would cost him three years' wages.
TWO:

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THREE:Under the central dome sleeps Mumtaj-Mahal, the well-beloved sultana, for whom Shah Jehan erected the most beautiful mausoleum in the world.In the evening calm, the silence, broken only by the yelling of the jackals, weighed heavy on the spirit; and in spite of the twinkling lights and the village at our feet, an oppressive sense of loneliness, of aloofness and death, clutched me like a nightmare.
THREE:
THREE:More temples, each more stupendous than the[Pg 41] last, and more halls hewn in the rifts of the hills, and over them monks' cells perched on little columns, which at such a height look no thicker than threads.
THREE:The draught-oxen all had their horns painted[Pg 134] in gaudy colours, generally one horn blue and the other green.
THREE:Then at Peshawur again in the evening, girls, with groups of soldiers in red jackets or Scotch kilts; the common women were horrible, whitened,[Pg 251] with loose shirts and tight-fitting trousers. One alone sat at her window wreathed about with mindi flowers in the crude light of a lamp. The others accosted the passer-by, laughing and shouting in shrill tones.Colombo again; and again the jewellers and their blue stonesan intoxicating, living blue.
THREE:From the parapet of one of the bastions the Ganges may be seen in the distance, of a sickly turquoise-blue, shrouded in the haze of dust which hangs over everything and cuts off the horizon almost close in front of us, and the tributary Jumna, translucent and green. At the confluence of the rivers stands a native village of straw and bamboo huts, swept away every season by the rains. This is Triveni, containing 50,000 souls, which enjoys a great reputation for sanctity, and attracts almost as many pilgrims from every part of India as does Benares. The people come to wash away their sins in the Saravasti, the mystical river that comes down from heaven and mingles its waters at this spot with those of the sacred Ganges and the Jumna. The faithful who bathe at Triveni observe an additional ceremony and cut their hair; each hair, as it floats down stream in the sacred waters, effaces a sin, and obtains its forgiveness. In front of the barracks, a relic of past magnificence, there stands alone on a porphyry pedestal, in the middle of a broad plot[Pg 184] trampled by soldiers on parade, an Asoka column carved with inscriptions to the top, and decorated half-way up with a sort of capital.

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And, quite unexpectedly, as we turned a corner beyond the coppersmiths' alley, we came on a row of tea-shops, displaying huge and burly china jars. Chinamen, in black or blue, sat at the shop doors in wide, stiff armchairs, their fine, plaited pigtail hanging over the back, while they awaited a customer with a good-humoured expression of dull indifference.In the further room were four sufferers past all hope: one in the anguish of delirium that made him cry out the same words again and again, in a hoarse voice that was growing fainter. He was held by two attendants. Another lay with chattering teeth; a third was struggling violently, hidden under his coverlet; the fourth seemed unconscious, apathetic.
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