THREE:The post-chaise was a tonga, escorted by a mounted sowar, armed with a naked sword. He rode ahead at a rattling trot, but the clatter was drowned by the shouts of the driver and of the sais, who scrambled up on the steps and urged the steeds on with excited flogging.All round the Royal Hill ancient buildings are piled in stages, the remains of still majestic magnificence. The thorn-brakes cover supporting walls as broad as crenellated terraces; fragments of light and fantastic architecture stand up from amid golden blossoms; tottering colonnades overhang tanks, all green at the bottom with a pool of brackish water.
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TWO:In the evening, lamps shining out through latticed windows lighted the faithful in their pious gymnastics. A moollah's chant in the distance rose high overhead, and very shrill, and in the darkness the stars shed pale light on the tombstones mirrored in the black water; a plaintive flute softly carried on the sound of the priests' prayers. Down the dark streets the folk, walking barefoot without a sound, and wrapped in white, looked like ghosts.
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ONE:They shoved it under water, but it presently rose to the surface and floated down the stream, followed by a flock of hawks that snatched at the burnt remains and fought over them in the air, while crocodiles below swam up and snapped at them, dragging them down in their enormous jaws, which appeared for a moment above the water.In a little alley of booths was a shop with no front show, and behind it a sort of studio full of carvers and artists working on sandal-wood boxes, ivory fans as fine as gauze, and wooden lattices with elaborate flower patterns, used to screen the zenana windows. And in little recesses workmen dressed in white, with small copper pots about them in which they had brought rice for their meals, were chasing and embossing metal with little taps of their primitive tools, never making a mistake, working as their fancy might suggest, without any pattern, and quite at home in the maze of interlacing ornament.
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TWO:One of them was standing against a curtain of black satin embroidered with gold; muslin that might have been a spider's web hardly cast a mist over her sheenless skin, pale, almost white against the glistening satin and gold, all brightly lighted up. With a large hibiscus flower in her hand she stood in a simple attitude, like an Egyptian painting, then moved a little, raising or lowering an arm, apparently not seeing the passers-by who gazed at herlost in a dream that brought a strange green gleam to her dark eyes.The manager also traded in clocks, and a selection was displayed for sale at one end of the stalls.
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