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THE last of the four French heroines whose histories are here to be related, differed in her early surroundings and circumstances from the three preceding ones. She was neither the daughter of a powerful noble like the Marquise de Montagu, nor did she belong to the finance or the bourgeoisie like Mme. Le Brun and Mme. Tallien. Her father was noble but poor, her childhood was spent, not in a great capital but in the country, and as she was born nearly ten years before the first and six-and-twenty years before the last of the other three, she saw much more than they did of the old France before it was swept away by the Revolution.
ONE: TWO:THREE:But her greatest love was for her father; it was almost adoration. Louis Vige was exactly opposite in disposition to his wife, to whom he was, however, devoted. Kindly, affectionate, light-hearted, and thoughtless, his love for her did not interfere with his admiration for other women; a pretty grisette was quite able to turn his head, and on New Years day he would amuse himself by walking about Paris, saluting the prettiest young girls he met, on pretence of wishing them a happy new year.
FORE:Because she will die.The next day, just as she was starting for the Vatican Museum, the students of the Academy came to visit her, bringing her the palette of Drouais, a talented young painter whom she had known in Paris, and who had lately died. He had dined with her the evening before he started for Rome, and she was much touched at the recollection of him and at the request of the lads that she would give them some old brushes she had used.

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FORE:Mme. Adla?de, tonne dun tel propos rpond sur le mme air:

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FORE:For nothing was safe from her pencil: her books, her copy-books, even those of her schoolfellows, the walls of the dormitory, every available space was covered with heads, figures, and landscapes in crayon or charcoal, and when out in the playground she drew with a stick upon the sand.[118]

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FORE:

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FORE:The infatuation of Barras for her began also to cool. He left off going to her as at one time to [342] consult her about everything. If he wished to see her, or she to see him, she must go to him at the Luxembourg.

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FORE:She cared so little for money, and her dress, her [69] entertainments and requirements were so simple, that she let him spend all she earned; whilst her occupations, professional and social, were so engrossing, and her life so full of interest, excitement, and enjoyment, that she was content to make the best of things and let her husband go his way, while she followed her own career among the friends and pursuits she loved.

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THREE:

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TWO:It was said by his illegitimate brothers, MM. de Saint-Far and Saint-Albin, to have begun on a certain evening when a quadrille arranged by Mme. de Genlis, in which each couple represented proverbs, went to the Opera ball, as the custom of those days permitted, and was suddenly disarranged by an enormous cat, which, mewing and clawing, rolled itself suddenly into the midst of the dancers. The cat proved to be a little Savoyard boy, dressed up in fur, dreadfully frightened at the abuse and kicks he received.
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THREE:In an agony of terror Pauline sprang out of the carriage and implored him to tell her the worst, for she could bear it.

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THREE:Un magistrat homme de bien,The day after to-morrow.

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THREE:[220]

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THREE:Trzia was born at Madrid about the year 1772, and was the only daughter of Count Cabarrus, whose fortunes had rapidly risen, and who being a man of sense and cultivation was resolved to give his children the best possible education.

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FORE:Her first child, the only one that lived, was born in February, 1780.
THREE:kissed the ring, and handed it round to be kissed by all the rest, who little supposed that it was a portrait of the unfortunate Louis XVII.Mme. de Montesson had so far succeeded in her plan that she had, in 1773, been privately married to the Duke of Orlans. The marriage was celebrated at midnight in the presence of a small number of persons of high position. But the marriage, though known and recognised in society, was only a morganatic one. Louis XV. would never hear of her taking the rank and title of Duchess of Orlans, or any precedence that would have been the consequence. This was of course a continual grievance to her, but she was obliged to resign herself and make the best of the position, at any rate far more exalted than any to which she had the least pretension to aspire. She had an unbounded influence over the Duc dOrlans, in whose household and amongst whose friends she was always treated as a princess, and with whom she led a life of unbounded luxury and magnificence. Like Mme. de Maintenon after her morganatic marriage with Louis XIV. she renounced the title of Marquise and was known as Mme. de Montesson, possibly thinking like the hero of the well-known incident: Princesse je ne puis pas, Marquise je ne veux pas, Madame je suis.
THREE:

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What nonsense?After her proceedings at the Bastille and the Cordeliers, and considering her connection with the revolutionary party, Mme. de Genlis (or Sillery, as she was also called) need not have expressed the surprise and indignation she did at the arrival of a body of police to search her house for arms, reported to be stored there. They were sent by La Fayette, who had done even more mischief than she had; but for some reason they did not like each other. The touchy, conceited Republican poet, Marie Joseph Chnier, who ranted against religion, royalty, and everything and everybody superior to himself, began to make love to Mme. de Genlis, and when she objected to his impertinent familiarity, said furiously: You are right; I am [418] neither a grand seigneur nor a duke!which specimen of the manners of her party disgusted her extremely. In her Mmoires she relates of this worthy that he was accused of having participated in the condemnation of his brother Andr, also a poet, executed under the Terror. This was, however, almost certainly untrue, but it was said that he could have saved him if he had made use of the influence he possessed with the Terrorists, but that he either feared or did not care to do so. The celebrated actress, Mlle. Dumesnil, then old and infirm, received one day a visit from him, during which he tormented her to recite something for him. She was ill in bed, but nevertheless he went on begging that she would recite only one line that he might say he had heard her, when, turning towards him with a violent effort she said
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