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THREE:The days were as happy as the evenings, for they were spent in her father¡¯s studio, where he allowed her to paint heads in pastel and to draw all day long with his crayons.

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FORE:Meanwhile, she and M. de Genlis had fallen in love with each other, and resolved to marry. As he had neither father nor mother, there was nobody whose consent he was absolutely bound to ask; but a powerful relation, M. de Puisieux, who was the head of his family, had already, with his consent, begun to negotiate his marriage with a rich young girl. Instead of telling M. de Puisieux the state of the case while there was still time to retire without difficulty, M. de Genlis said nothing, but proposed that they should at once marry secretly, to which neither F¨¦licit¨¦ nor her relations seem to have made any objection. She had no money, and had [367] refused all the marriages proposed to her; here was a man she did like, and who was in all respects unexceptionable, only that he was not well off. But his connections were so brilliant and influential that they could soon put that right, and it was agreed that the marriage should take place from the house of the Marquise de Sercey.PASSING through Chamb¨¦ry, the little party arrived at Turin in pouring rain, and were deposited late at night in a bad inn, where they could get nothing to eat; but the next day the celebrated engraver, Porporati, insisted on their removing to his house, where they spent five or six days. At the Opera they saw the Duc de Bourbon and his son, the unfortunate Duc d¡¯Enghien, whose murder was the blackest stain upon the fame of Napoleon. The Duc de Bourbon looked more like the brother than the father of his son; he was only sixteen when the Duc d¡¯Enghien was born.

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FORE:The following song, one of the many circulating at the time, is a specimen of the least objectionable of its kind:LA MARQUISE DE POMPADOUR

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FORE:After a very few months she married the Marquis de la Haie, who had been the page and then the [355] lover of the infamous Duchesse de Berri, eldest daughter of the Regent d¡¯Orl¨¦ans.

Finibus Bonorum et Malorum" by Cicero are also reproduced in their exact original form, accompanied by English versions from the 1914 translation by H. Rackham

FORE:Like all other nations, the English were horror-stricken at the crimes and cruelties going on in France, and exasperated against their perpetrators, more especially against the Duke of Orl¨¦ans, who was regarded with universal hatred and contempt.¡°The more fool you, monsieur! In these times of trouble every one ought to give his personal service one way or the other. What do you want now?¡±

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FORE:They waited and listened. There was certainly more noise in the streets, something was evidently going on; but there was no attack upon any of the prisons; on the contrary, it was the gaolers who were undoubtedly alarmed. Their whole tone and manner changed from brutal insolence to civility and indulgence. When evening approached they were running about from one room to another with looks of dismay, while the terror of the prison spies was uncontrolled.

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FORE:

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THREE:The Comte d¡¯Artois appealed to the Queen and the Comte de Provence, who went to intercede for him with the King. Louis, irritated by the vehemence with which Marie Antoinette took the part of the Comte d¡¯Artois, asked her whether she knew what he wanted the money for, and on her replying that she did not, proceeded to tell her. The Queen looked thunderstruck, gave way to a torrent of indignation against the conduct of the Comte d¡¯Artois, and left the room. But Louis, instead of abiding by the decision he had so vehemently announced, allowed himself to be persuaded by the Comte de Provence and his aunts to revoke everything he had said, and do everything he had inveighed against. The Comte d¡¯Artois was not punished and the disgraceful debts were paid.

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THREE:Amongst other contrasts to be remarked between Louis XIV. and Louis XV., was the opposite way in which they treated their numerous illegitimate children.¡°Why? It will be putting your head in the wolf¡¯s mouth.¡±

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FORE:When first Madame Victoire appeared at court her sisters, Henriette and Ad¨¦la?de, and her brother the Dauphin, who were inseparable, were inclined to find her in the way and treat her as a child, but they soon became very fond of her, and she at once had her own household and took part in all the court gaieties as her sisters had done from the earliest age.Mme. Le Brun painted the portraits and went to the parties of the chief Roman families, but did not form many intimate friendships amongst them, for most of her spare time was spent with the unfortunate refugees from France, of whom there were numbers in Rome during the years she lived there. Many of them were her friends who had, like herself, managed to escape. Amongst these were the Duke and Duchess de Fitz-James and their son, also the Polignac family, with whom Mme. Le Brun refrained out of prudence from being too much seen, lest reports should reach France that she was plotting with them against [97] the Revolution. For although she was out of the clutches of the Radicals and Revolutionists her relations were still within their reach, and might be made to suffer for her. THREE:At last they heard that the Princesse de Conti was living near Fribourg, and it was arranged that she should take charge of her niece. She wrote an affectionate letter, and sent the Comtesse de Saint-Maurice-de-Pont to Bremgarten to fetch her.The King heard of it, and formally forbade them to go, which, as far as de Noailles and de S¨¦gur were concerned, put a stop to the plan for the present. But La Fayette was his own master and had plenty of money, so he made the excuse of going to England with his cousin, the Prince de Poix, and on his way back escaped in a Spanish ship and landed in Spain en route for America.