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David, Chardin, the celebrated genre painter, Van Loo, Grard, La Tour, Joseph Vernet, and many others were flourishing. Louis Vige was also an artist. He painted portraits in pastel, of which his daughter says that they were extremely good, many of them worthy of the famous La Tour; also charming scenes after the style of Watteau, in oil.Mme. Le Brun painted the portrait first of Madame Adla?de, then of Madame Victoire.But the next day passed and she was not called for. All day she waited in a feverish, terrible suspense that can well be imagined; night came and she was still spared. Morning dawned, the morning of the 9th Thermidor. The weather was frightfully oppressive, and in all the prisons in Paris they were stifling from the heat, for the late cruel restrictions had put an end, even in the more indulgent prisons, to the possibility of walks in garden or cloister and the chance of fresh air. But as the long, weary day wore on, there seemed to be some change approaching; there was an uneasy feeling about, for there had lately been rumours of another massacre in the prisons, and the prisoners, this time resolving to sell their lives dearly, had been agreeing upon and arranging what little defence they could make. Some planned a barricade made of their beds, others examined the furniture with a view to breaking it up into clubs, a few brought carefully out knives they had managed to conceal in holes and corners from the prison officials, some filled their pockets with cinders and ashes to fling in the faces of their assailants, and so escape in the confusion, while others, republicans and atheists, felt for the cabanis, a poison they carried about them, and assured themselves that it was all safe and ready for use. このページの先頭です
ONE:See this absurd Valence, on his knees to me, asking for the hand of my niece.Ah! he said, Madame is no ouvrire; it is very well known who she is.
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ONE:However, she had plenty of interests, and made many English friends besides the numerous French emigrs she found there. She painted the portraits of the Prince of Wales, Lord Byron, the Comtesse de Polastron, adored by the Comte dArtois, who was [151] inconsolable when she died soon afterwards, and many othersEnglish, French, Russian, and Germanand made the acquaintance of the first musicians, actors, and singers of the day; also of the painters, many of whom were extremely jealous of her.Paris seemed to be awaking into life again; the streets were more animated, the people to be seen in them were more numerous and did not all look either brutal or terror-stricken. Art, literature, and social gaiety began to revive.
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TWO:As to the other daughter, Mme. de Valence, her marriage had turned out just as might have been [409] foretold by any one of common sense. M. de Valence did not change his conduct in the least, he was still one of the most dissipated men in Paris though he never stooped to the dishonour of Philippe-galit. He remained always the favourite of Mme. de Montesson, who at her death left her whole fortune to him.The Greatest Names in FranceThe Marchale de NoaillesStrange proceedingsDeath of the DauphinOf the DauphineOf the QueenThe Children of FranceLouis XIV. and Louis XV.

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TWO:Tallien had stepped into the place of Guy de Kersaint, deputy of Versailles, who, though a revolutionist, objected to massacres. [97] He tried to explain and excuse them by the fury and excitement of the time when he perceived the horror with which they were regarded, not only by the civilised world at large, but by many of the revolutionists, even by some of his own colleagues. However, the brand of infamy remained attached to his name, notwithstanding his endeavours to clear himself from [299] the suspicion and accusation which have nevertheless always clung to him.

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TWO:THE last of the four French heroines whose histories are here to be related, differed in her early surroundings and circumstances from the three preceding ones. She was neither the daughter of a powerful noble like the Marquise de Montagu, nor did she belong to the finance or the bourgeoisie like Mme. Le Brun and Mme. Tallien. Her father was noble but poor, her childhood was spent, not in a great capital but in the country, and as she was born nearly ten years before the first and six-and-twenty years before the last of the other three, she saw much more than they did of the old France before it was swept away by the Revolution.

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TWO:Poppo, the celebrated violinist, was also seized and dragged before the bloodthirsty comit de salut public.
THREE:On the morning of the 4th Thermidor a dagger had been mysteriously sent to Tallien, without a word of explanation. No one knew who had brought it; there it was upon his table. But he knew the dagger, and what it meant. It was a Spanish poignard which belonged to Trzia. It was then that he went and made his last and useless appeal to Robespierre. Trzia had again been removed to La Force, and on the 7th Thermidor he received a letter from her.
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THREE:With the King returned those that were left of the Orlans family. The best of the sons of galit, the Comte de Beaujolais had died in exile, so also had the Duc de Montpensier. The Duchess Dowager, saintly and good as ever, Mademoiselle dOrlans and the Duc de Chartres remained. Both the latter had made their submission and expressed their repentance to the King, who in accepting the excuses of the Duc de Chartres said
It was on the 27th of July, 1794, that she started on a journey to see her father, who was living in the Canton de Vaud, near the French frontier. For two nights she had not slept from the terrible presentiments which overwhelmed her. Young de Mun went with her, and having slept at Moudon, they set off again at daybreak for Lausanne. As they approached the end of their journey they were suddenly aware of a char--banc coming towards [243] them in a cloud of dust, driven by a man with a green umbrella, who stopped, got down and came up to them. It was the Duc dAyen, now Duc de Noailles, but so changed that his daughter scarcely recognised him. At once he asked if she had heard the news, and on seeing her agitation, said hastily with forced calmness that he knew nothing, and told M. de Mun to turn back towards Moudon.Indeed, many houses had been illuminated, such [145] was the terror he had inspired and the cruelty of his actions.M. de Beaune was cheerful enough when the day was fine, as he spent his time in visiting them; but when it rained he stayed at home fretting, grumbling, and adding unintentionally to the troubles of those he loved. He took to reading romances aloud to Pauline, who could not bear them, partly, perhaps, from over-strictness, but probably more because in those days, before Sir Walter Scott had elevated and changed the tone of fiction, novels were really as a rule coarse, immoral, [236] and, with few exceptions, tabooed by persons of very correct notions. However, she knew M. de Beaune must be amused, so she made no objection.[229]
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