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The poorhouse is about two miles from the city; it consists of a courtyard enclosed by walls, from which awnings are stretched supported on poles. And here from twelve to fifteen hundred wretched skeletons had found shelter, spectres with shoulder-blades almost cutting through the skin, arms shrunk to the bone, with the elbow-joint like a knot in the middle, and at the end hands which looked enormous and flat and limp, as if every knuckle were dislocated. Their gnarled knees projected from the fearful leanness of their legs, and the tightened skin between the starting ribs showed the hollow pit of the stomach. Men and women[Pg 192] alike were for the most part naked, but for a ragged cotton loin-cloth. And all had the same scared look in their eyes, the same grin of bare teeth between those hollow cheeks. Almost all had bleeding wounds where the bones had come through the skin.

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The walls are covered with bas-reliefs carved in the rock, the roof adorned with architraves of stone in infinite repetition of the same designs. The stone is grey, varied here and there with broad, black stains, and in other spots yellowish, with pale gold lights. Some of the sculpture remains still intact. The marriage of Siva and Parvati; the bride very timid, very fragile, leaning on the arm of the gigantic god, whose great height is crowned with a monumental tiara. Trimurti, a divinity with three faces, calm, smiling, and fiercethe symbol of Siva, the creator, the god of mercy, and of wrath. In a shadowed corner an elephant's head stands outGanesa, the god of wisdom, in the midst of a circle of graceful, slender, life-like figures of women. Quite at the end of the hall, two caryatides, tall and elegant, suggest lilies turned to women. In the inner sanctuary, a small edifice, with thick stone walls pierced with tiny windows that admit but a dim light, stands the lingam, a cylinder of stone crowned with scarlet flowers that look like flames in the doubtful light; and in deeper darkness,[Pg 22] under a stone canopy, another such idol, hardly visible. The Brahman priests are constantly engaged in daubing all the statues of these divinities with fresh crimson paint, and the votaries of Siva have a spot of the same colour in the middle of the forehead. Two lions, rigid in a hieratic attitude, keep guard over the entrance to a second temple, a good deal smaller and open to the air, beyond a courtyard, and screened with an awning of creepers.In the evening at Byculla, in the street of the disreputable, in front of a house hermetically closed, and painted with a round red spot for each person who had died there, a fire of sulphur was burning with a livid glow. Only one gambling-house tried to tempt customers with a great noise of harmonium and tom-toms; and from a side street came a response of muffled tambourines and castanets. First the dead, wrapped in red stuff and tied to a bamboo, and then the procession turned into the lighted street. White shapes crowded by, vanishing at once, and the harmonium again rose above the silence with its skipping tunes, and the tom-toms beating out of timeand attracted no one.
ONE:Very early in the morning, on emerging from[Pg 164] the gloom of the narrow streets, there is a sudden blaze of glory, the rising sun, purple and gold, reflected in the Ganges, the waters throbbing like fiery opal. The people hurry to the shore carrying trays piled high with flowers and offerings. The women carry little jars in their hands looking like burnished gold, and containing a few drops of scented oil to anoint themselves withal after bathing. These jars are covered with roses and jasmine blossoms, to be sent floating down the sacred stream as an offering to the gods. The steps are crowded already with the faithful, who have waited till Surya the day-star should rise, before going through their devotional ablutions. With a great hubbub of shouts and cries, and laughter and squabbling, this throng pushes and hustles, while those unimaginable priests sit stolidly under their wicker sunshades, mumbling their prayers, and accepting alms and gifts. All along the river there are people bathing on the steps which go down under the water, the men naked all but a loin-cloth, the women wearing long veils which they change very cleverly for dry ones after their bath, and then wait in the sun till their garments are dry enough to carry away.

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TWO:The moon at night shed an intense light, warm and golden. There was scarcely any shadow, and in the quivering atmosphere the flowers poured out their perfume on the cooler air. Frogs croaked a basso continuo to cries of night birds, and a sort of roar, very loud but very distant, almost drowned the concert in the fort close by.

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TWO:And then, under the verandah, the accused were brought up: an old man and a youth, father and son, both superbly handsome, very tall, erect, haughty, in spite of the hustling of the armed men and the heavy chains that weighed on them; and after bowing low to the judge they stood towering above the crowd of witnesses, soldiers, and native functionaries, in magnificent dignity and calm indifference.

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TWO:Elephants, freshly painted, go past begging.

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ONE:But the enchantment of this rose-tinted land, vibrating in the sunshine, is evanescent. The city[Pg 3] comes into view in huge white massesdocks, and factories with tall chimneys; and coco-palms, in long lines of monotonous growth, overshadow square houses devoid of style.

We believe ideas come from everyone, everywhere. In fact, at BlackTie, everyone within our agency walls is a designer in their own right. And there are a few principles we believe—and we believe everyone should believe—about our design craft. These truths drive us, motivate us, and ultimately help us redefine the power of design. We’re big believers in doing right by our neighbors. After all, we grew up in the Twin Cities and we believe this place has much to offer. So we do what we can to support the community we love.

Over the past four years, we’ve provided more than $1 million in combined cash and pro bono support to Way to Grow, an early childhood education and nonprofit organization. Other community giving involvement throughout our agency history includes pro bono work for more than 13 organizations, direct giving, a scholarship program through the Minneapolis College of Art & Design, board memberships, and ongoing participation in the Keystone Club, which gives five percent of our company’s earnings back to the community each year.

ONE:The old woman's bones and ashes were cast into the Ganges, her husband still vacantly looking on, as all that was left of his life's companion floated for a few moments, and then was swallowed up in an eddy.

To achieve real change, we have to expand boundaries. Because the Wild West of what-could-be is unexplored but rife with opportunity.



TWO:At the end of a quarter of an hour the princes drove off through a great cloud of white dust sparkling in the sun, and raised by the carriages and the escort of armed sowars.

Employees and consumers. Two halves of a brand’s entirety, the whole of a brand’s audience. Sometimes these two halves have very different viewpoints, creating a weak spot in the brand story. Weakness tarnishes credibility. Brands that aren’t credible aren’t viable.

We squash weakness by designing the whole brand story. It’s crafted around the truism held by employees and consumers to create an experience that connects from the inside out.

By being true to the brand we represent, we elevate the audiences’ relationship to it. Like becomes love becomes a passion. Passion becomes advocacy. And we see the brand blossom from within, creating a whole story the audience embraces. That’s when the brand can truly flex its muscles.

TWO:On the edge of a pool, where, like a huge, full-blown lotus flower, stands a kiosk of sculptured marble, dedicated to the Rajah's mother, we came upon the shoe market, the last survival of a time not so very long ago, when shoemakers, as working on the skins of dead beasts, dared not come within the precincts of a town.An aggressive capital! Palaces of concrete and stucco washed with yellow stand cheek by jowl with commission agencies and hovels, and all without a suspicion of style, not even giving one the impression of a southern city. In the streets, thick with dust, an all-prevailing turmoil as of a fair is prolonged to the latest hours of night. Red uniforms and "young England" tourist suits ending their career in rags on half-breed cooliesa wearisome staleness and total effacement of local colour, worse than commonplace; and then, above all, a very strong and nauseating smell of lotus and tallow, with an after-gust of something peppery and acrid.

ONE:From the summit we looked down over a panorama of the town, set out in square blocks sunk in the verdure of palms, bamboos, and banyans. At our feet was the cupola of the temple of Siva, all gold, and covered with bosses, the edges of the mouldings catching the sun. Besides this a number of coloured domes, painted in pale shades faded by the sunshine, descended the almost perpendicular incline down to the bazaar, where the throng was beginning to stir like white ants, of slow gait and deliberate gestures, their light-hued dhoutis flitting about the stalls for drink and fruit. Far away, beyond the bright green rice-fields, and against the horizon of intensely blue hills, the rocks stand outFrench rocks and Golden rockswhere the treasure of the conquered natives was distributed to English soldiers. It might almost be fancied that a glow of metal still shines on the smooth stone, a warm, yellow stone bathed in sunshine.

To develop a deeper and more meaningful connection with consumers, we believe design must invite them to take part in the conversation.

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ONE:MURREE



FORE:

Mike combines an expert technical knowledge with a real eye for design. Working with clients from a wide range of industries, he fully understands client objectives when working on a project, large or small.


FORE:Through the half-open doors in the courtyards bones were bleaching, almost buried under the fine powder that lies on everything. And from this dust, as we trod it, rose a sharp smell of pepper and smoke. Twisted branches drooped forlorn from the skeletons of a few trees that were left standing. Parasitic creepers had woven a flowing robe of tangle over a statue of Kali, left unbroken in front of a small temple in ruins; and all over the withered[Pg 198] and faded growth the fine white dust had settled in irregular patterns, a graceful embroidery rather thicker in the folds.As we go nearer, gothic towers are distinguishable among the buildingsfaint reminiscences of Chester, clumsily revived under the burning light of white Asia.

Tim is an experienced marcoms practitioner and manages projects from inception to delivery. He understands the synergy between great design and commercial effectiveness which shines through on every project.


FORE:Before daybreak, in the doubtful light of waning night, dim masses are visiblegrey and purple mountainsmountains shaped like temples, of which two indeed seem to be crowned with low squat towers as if unfinished.In every shop of the High Street jewellers are on the look-out for customers, hale them in, tease them to buy, and open for inspection little bags or cardboard boxes kept in safes, and containing the finest sapphires in the world. The day slips by in bargaining for the gems, in endless discussions and feigned departures. The indefatigable vendors return to the charge, run after the customer, wait for him at the door of a rival dealer, and drag him back again. Then there is a fresh dispute over prices, till irresistible argument at last brings down the estimates to a third or a quarter of what they were at starting.

Be a creative director is a hard task, but Michele loves what she does. Her combination of knowledge and expertise is an important pillar in our agency.


FORE:At another station, a man, standing on the carriage step, held out a broad sheet to a servant, the two ends falling to the ground. Then a lady stepped out, hid herself under the stuff, which wrapped her from head to foot, and walked along the platform with a woman-servant. She was the wife of some superior clerk, not rich enough to have a palankin, but of too high caste to uncover her facea white bundle tottering along the platform. One of her antelope-skin slippers came off; for a second a tiny foot was put out with silver anklets. The woman put her mistress's shoe on again, and then both went to the waiting-room reserved for ladies.

Jaye began making websites when animated logos and scrolling text were cool, but has since found a love for simplicity, creating websites that are a pleasure to browse. Monkey Island Fan.

TWO:

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ONE:Along Back Bay lies the Malabar Hill, a promontory where the fashionable world resides in bungalows built in the midst of gardens. Palm trees spread their crowns above the road, and on the rocks which overhang the path ferns of many kinds are grown by constant watering. The bungalows, square houses of only one storey, surrounded by wide verandahs, and covered in with a high, pointed roof, which allows the air to circulate above the ceilings, stand amid clumps of bougainvillea and flowering jasmine, and the columnar trunks of coco-palms, date trees, baobabs and areca palms, which refresh them with shade.At an angle of the stairs of violet-tinted stone, which lead to the summit of the hill, a tablet of green marble, engraved in flowing Arabic characters, remains uninjured, the record of the great deeds of some emperor of Golconda.

From the purely practical to the richly philosophical, design is the solution to a host of challenges.



ONE:


DASHBOARD
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UI DESIGN
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ANDROID PAGE
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PROFILE
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TWITTER STATUS
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ONE:When I went away home to the fort, where I was living with my friend Lieutenant F, the sentinel's challenge, the tall grey walls casting sharp shadows on the courtyard silvered with moonlight, and another sentry's cry; and still, in contrast with the cheerful evening, I could remember nothing but the tonga post-horsea thing so frequent in this land of fanatics, so common that no one gives it more than a passing thought.A palankin, hung with heavy red curtains, went by very quickly, borne by five men. They chanted a sort of double-quick march, marking the time with a plaintive sigh and a slight bend of the knees, which gave their pace the appearance of a dance, the litter swaying very gently.

There’s more to design than meets the eye. It’s when it meets the heart that design creates a meaningful, lasting connection with the audience.



ONE:But this suburb is now no more than a heap of huts and hovels. The tombs, ruined and overthrown, are few and far apart, heaped with sand, and showing as arid hillocks amid the level of withered grass. The plain beyond, laid out in rice-fields of a tender green, furrowed with silver streamlets, spreads unbroken to the foot of a huge wall of the hue of red gold enclosing a hill; and on[Pg 99] entering the precincts, behold, in the bays of the thickness of the wall, a whole village where dwell the families of the soldiers who guard this citadel.



FORE:The Jumna Musjid, in the middle of the bazaar, is a reminder of the mosque at Cordova. A thousand[Pg 63] unmatched columns stand in utter confusion of irregular lines, producing a distressing sensation of an unfinished structure ready to fall into ruins. Every style is here, and materials of every description, brought hitheras we are told by the inscription engraved over one of the lofty pointed doorwaysfrom the temples of the unbelievers destroyed by Shah Mahmoud Bogarat, the taker of cities, that he might, out of their remains, raise this mosque to the glory of Allah. In the centre of the arcade a large flagstone covers the Ja?n idol, which was formerly worshipped here; and my servant Abibulla, as a good Moslem, stamped his foot on the stone under which lies the "contemptible image." Some workmen were carving a column; they had climbed up and squatted balanced; they held their tools with their toes, just chipping at the marble in a way that seemed to make no impression, chattering all the time in short words that seemed all of vowels.
Published Aug 30.
TWO:They were clad in colourless rags, matted and grizzled hair hung about their pain-stricken faces. The woman was the more delicate, her bones smaller and less knotted than those of the man, whose joints were gnarled, his scraggy knees forming thick bosses of bone above his shins. They threw themselves like hungry animals on some cooked grain which Abibulla brought out for them, and then, with scared looks all round, they went quickly away, as quickly as they could with halting, weary feet, without even saying thank-you.

Armed with insight, we embark on designing the right brand experience that engages the audience. It encompasses both the strategic direction and creative execution that solves a business problem and brings the brand to life.

In the create phase, the big idea is unleashed to the world through different media touchpoints. This is when we watch the audience fall in love all over again with our client’s brand.

Read More



FORE:Under a loggia, flowery with mosaics of jasper and carnelian, the emperor, seated on a white marble throne embroidered with carving, administered justice. At his feet, on a raised stone flag, the divan, his prime minister took down the despot's words, to transmit them to the people who were kept at a respectful distance under a colonnade, forming a verandah round the imperial palace.
Published Aug 28.
TWO:The muddy waters reflected the grey houses and the roofs of unbaked clay, on which the winter snows were melting in black trickling drops.

Armed with insight, we embark on designing the right brand experience that engages the audience. It encompasses both the strategic direction and creative execution that solves a business problem and brings the brand to life.

In the create phase, the big idea is unleashed to the world through different media touchpoints. This is when we watch the audience fall in love all over again with our client’s brand.

Read More




CRAFTED IN NEW YORK, USA.

The poorhouse is about two miles from the city; it consists of a courtyard enclosed by walls, from which awnings are stretched supported on poles. And here from twelve to fifteen hundred wretched skeletons had found shelter, spectres with shoulder-blades almost cutting through the skin, arms shrunk to the bone, with the elbow-joint like a knot in the middle, and at the end hands which looked enormous and flat and limp, as if every knuckle were dislocated. Their gnarled knees projected from the fearful leanness of their legs, and the tightened skin between the starting ribs showed the hollow pit of the stomach. Men and women[Pg 192] alike were for the most part naked, but for a ragged cotton loin-cloth. And all had the same scared look in their eyes, the same grin of bare teeth between those hollow cheeks. Almost all had bleeding wounds where the bones had come through the skin.

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The walls are covered with bas-reliefs carved in the rock, the roof adorned with architraves of stone in infinite repetition of the same designs. The stone is grey, varied here and there with broad, black stains, and in other spots yellowish, with pale gold lights. Some of the sculpture remains still intact. The marriage of Siva and Parvati; the bride very timid, very fragile, leaning on the arm of the gigantic god, whose great height is crowned with a monumental tiara. Trimurti, a divinity with three faces, calm, smiling, and fiercethe symbol of Siva, the creator, the god of mercy, and of wrath. In a shadowed corner an elephant's head stands outGanesa, the god of wisdom, in the midst of a circle of graceful, slender, life-like figures of women. Quite at the end of the hall, two caryatides, tall and elegant, suggest lilies turned to women. In the inner sanctuary, a small edifice, with thick stone walls pierced with tiny windows that admit but a dim light, stands the lingam, a cylinder of stone crowned with scarlet flowers that look like flames in the doubtful light; and in deeper darkness,[Pg 22] under a stone canopy, another such idol, hardly visible. The Brahman priests are constantly engaged in daubing all the statues of these divinities with fresh crimson paint, and the votaries of Siva have a spot of the same colour in the middle of the forehead. Two lions, rigid in a hieratic attitude, keep guard over the entrance to a second temple, a good deal smaller and open to the air, beyond a courtyard, and screened with an awning of creepers.In the evening at Byculla, in the street of the disreputable, in front of a house hermetically closed, and painted with a round red spot for each person who had died there, a fire of sulphur was burning with a livid glow. Only one gambling-house tried to tempt customers with a great noise of harmonium and tom-toms; and from a side street came a response of muffled tambourines and castanets. First the dead, wrapped in red stuff and tied to a bamboo, and then the procession turned into the lighted street. White shapes crowded by, vanishing at once, and the harmonium again rose above the silence with its skipping tunes, and the tom-toms beating out of timeand attracted no one.

Some Address 987,

+34 9884 4893

|


THANKS FOR VISITING US

The poorhouse is about two miles from the city; it consists of a courtyard enclosed by walls, from which awnings are stretched supported on poles. And here from twelve to fifteen hundred wretched skeletons had found shelter, spectres with shoulder-blades almost cutting through the skin, arms shrunk to the bone, with the elbow-joint like a knot in the middle, and at the end hands which looked enormous and flat and limp, as if every knuckle were dislocated. Their gnarled knees projected from the fearful leanness of their legs, and the tightened skin between the starting ribs showed the hollow pit of the stomach. Men and women[Pg 192] alike were for the most part naked, but for a ragged cotton loin-cloth. And all had the same scared look in their eyes, the same grin of bare teeth between those hollow cheeks. Almost all had bleeding wounds where the bones had come through the skin.

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The walls are covered with bas-reliefs carved in the rock, the roof adorned with architraves of stone in infinite repetition of the same designs. The stone is grey, varied here and there with broad, black stains, and in other spots yellowish, with pale gold lights. Some of the sculpture remains still intact. The marriage of Siva and Parvati; the bride very timid, very fragile, leaning on the arm of the gigantic god, whose great height is crowned with a monumental tiara. Trimurti, a divinity with three faces, calm, smiling, and fiercethe symbol of Siva, the creator, the god of mercy, and of wrath. In a shadowed corner an elephant's head stands outGanesa, the god of wisdom, in the midst of a circle of graceful, slender, life-like figures of women. Quite at the end of the hall, two caryatides, tall and elegant, suggest lilies turned to women. In the inner sanctuary, a small edifice, with thick stone walls pierced with tiny windows that admit but a dim light, stands the lingam, a cylinder of stone crowned with scarlet flowers that look like flames in the doubtful light; and in deeper darkness,[Pg 22] under a stone canopy, another such idol, hardly visible. The Brahman priests are constantly engaged in daubing all the statues of these divinities with fresh crimson paint, and the votaries of Siva have a spot of the same colour in the middle of the forehead. Two lions, rigid in a hieratic attitude, keep guard over the entrance to a second temple, a good deal smaller and open to the air, beyond a courtyard, and screened with an awning of creepers.In the evening at Byculla, in the street of the disreputable, in front of a house hermetically closed, and painted with a round red spot for each person who had died there, a fire of sulphur was burning with a livid glow. Only one gambling-house tried to tempt customers with a great noise of harmonium and tom-toms; and from a side street came a response of muffled tambourines and castanets. First the dead, wrapped in red stuff and tied to a bamboo, and then the procession turned into the lighted street. White shapes crowded by, vanishing at once, and the harmonium again rose above the silence with its skipping tunes, and the tom-toms beating out of timeand attracted no one.


THREE:Here, a white marble mosque with three flights of open arcades, with white domes to roof it, is paved with rectangular flags, each bordered with a fillet of black marble ending in an arch-like point, immovable prayer-carpets turned towards Mecca. Behind the marble lattices that form one wall of this mosque, the women of the zenana come to hear the moollah recite prayer.

Some Address 987, NY
+34 9884 4893
+34 59855 9853
agency@blacktie.co
@blacktie_co
BlackTie Agency

THREE:At the first ray of sunrise I went down to the temples, hewn out of the side of the hill and extending for above a mile and a quarter. Gigantic stairs are cut in the rock, and lead to caves enshrining immense altars, on which Buddha or other idols of enormous size are enthroned. Hall after hall is upheld by carved pillars. Bas-reliefs on the walls represent the beatitudes of Krishna surrounded by women, or the vengeance of Vishnu the terrible, or the marriage of Siva and Parvati; while on the flat roof, on the panels and architravesall part of the solid rockthere is an endless procession of Krishnas and Vishnus, on a rather smaller scale, producing utter weariness of their unvaried attitudes and beatific or infuriated grimacing.After the giant a whole chain of lavender and rose-coloured peaks turning to blue came into sight in the marvellously clear atmosphere; then the sun rose below us, in the throbbing tide of heat the mountains seemed to come closer to us, but immediately the mist gathered about Gaurisankar. "The Apsaras wearing impenetrable veils, that mortals may not gaze too long on the throne of the gods,"[Pg 152] said my sa?s, who had fallen on his face since the first appearance of the snow-crowned colossus, with hands upraised towards the paradise of Indra.

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THREE:BARODA

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FORE:SRINAGARAbove a large fan-palm the pale fronds of a talipot soar towards the sky, gracefully recurved like enormous ostrich plumes. A fluff, a down, of flowers clings to the stems of the magnificent crest, a delicate pale cloud; and the broad leaves of the tree, which will die when it has blossomed, are already withering and drooping on the crown. Then, in the clearings made by the recent decay of such a giant, falling where it had stood, and crushing the bamboos and ph?nix that grew round its foot, the flowers sprang in myriadsgreat sunflowers, shrubs of poinsettia, with its tufts of red or white bracts at the end of a branch of green[Pg 132] leaves, surrounding a small inconspicuous blossom, and tall, lavender-blue lilies.
GARHIWhen I went away home to the fort, where I was living with my friend Lieutenant F, the sentinel's challenge, the tall grey walls casting sharp shadows on the courtyard silvered with moonlight, and another sentry's cry; and still, in contrast with the cheerful evening, I could remember nothing but the tonga post-horsea thing so frequent in this land of fanatics, so common that no one gives it more than a passing thought.On the shore, on the steps in front of the temples and round the holy images, in short, everywhere on this day, red powder was sprinkled to inaugurate[Pg 179] the month just beginning; a beggar, to secure the favour of the gods, had smeared his head and hands with it.Japanese girls, too, in every possible hue, with piles of tinsel and flowers above their little flat faces all covered with saffron and white paint; little fidgeting parrakeets flitting from window to window, and calling to the people in the street in shrill, nasal tones.
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