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ONE:Whether there exist any realities beyond what are revealed to us by this evidence, and what sensible evidence itself may be worth, were problems already actively canvassed in Aristotle��s time. His Metaphysics at once takes us into the thick of the debate. The first question of that age was, What are the causes and principles of things? On one side stood the materialists��the old Ionian physicists and their living representatives. They said that all things came from water or air or fire, or from a mixture of the four elements, or from the interaction of opposites, such as wet and dry, hot and cold.332 Aristotle, following in the track of his master, Plato, blames them for ignoring the incorporeal substances, by which he does not mean what would now be understood��feelings or states of consciousness, or even the spiritual substratum of consciousness��but rather the general qualities or assemblages of qualities which remain constant amid the fluctuations of sensible phenomena; considered, let us observe, not as subjective thoughts, but as objective realities. Another deficiency in the older physical theories is that they either ignore the efficient cause of motion altogether (like Thales), or assign causes not adequate to the purpose (like Empedocles); or when they hit on the true cause do not make the right use of it (like Anaxagoras). Lastly, they have omitted to study the final cause of a thing��the good for which it exists.

THREE:Meanwhile a series of Stoic thinkers had also been feeling their way towards a compromise with Plato and Aristotle, which, so far as it went, was a step in the direction of spiritualism. We have seen, in a former chapter, how one of the great distinguishing marks of Stoicism, as compared with the systems immediately preceding it, was the substitution of a pervading monism for their antithesis between God and the world, between heaven and earth, between reason and sense. It will be remembered also that this monistic creed was associated with a return to the Heracleitean theory that the world is periodically destroyed by fire. Now, with reference to three out of these four points, Bo��thus, a Stoic contemporary of Carneades, returned to the Aristotelian doctrine. While still holding to the materialism of his own school, including a belief in the corporeal nature of the divinity, he separated God from the world, and represented him as governing its movements from without; the world itself he maintained to be eternal; and in the mind of man he recognised reason or nous as an independent source of conviction. In163 his cosmology, Bo��thus was followed by a more celebrated master, Panaetius, who also adopted the Aristotelian rationalism so far as to deny the continued existence of the soul after death, and to repudiate the belief in divination which Stoicism had borrowed from popular superstition; while in psychology he partially restored the distinction between life and mind which had been obliterated by his predecessors.259 The dualistic theory of mind was carried still further by Posidonius, the most eminent Stoic of the first century B.C. This very learned and accomplished master, while returning in other points to a stricter orthodoxy, was led to admit the Platonic distinction between reason and passion, and to make it the basis of his ethical system.260 But the Platonising tendencies of Posidonius had no more power than those of Antiochus to effect a true spiritualistic revival, since neither they nor any of their contemporaries had any genius for metaphysical speculation; while the increased attention paid to Aristotle did not extend to the fundamental principles of his system, which, even within the Peripatetic school, were so misconceived as to be interpreted in a thoroughly materialistic sense.261

FORE:It was natural that one who united a great intellect to a glowing temperament should turn his thoughts to poetry. Plato wrote a quantity of verses��verse-making had become fashionable just then��but wisely committed them to the flames on making the acquaintance of Socrates. It may well be doubted whether the author of the Phaedrus and the Symposium would ever have attained eminence in metrical composition, even had he lived in an age far more favourable to poetic inspiration than that which came after the flowering time of Attic art. It seems as if Plato, with all his fervour, fancy, and dramatic skill, lacked the most essential quality of a singer; his finest passages are on a level with the highest poetry, and yet they are separated from it by a chasm more easily felt than described. Aristotle, whom we think of as hard and dry and cold, sometimes comes much nearer to the true lyric cry. And, as if to mark out Plato��s style still more distinctly from every other, it is also deficient in oratorical power. The philosopher evidently thought that he could beat the rhetoricians on their own ground; if the Menexenus be genuine, he tried to do so and failed; and even without its191 testimony we are entitled to say as much on the strength of shorter attempts. We must even take leave to doubt whether dialogue, properly so called, was Plato��s forte. Where one speaker is placed at such a height above the others as Socrates, or the Eleatic Stranger, or the Athenian in the Laws, there cannot be any real conversation. The other interlocutors are good listeners, and serve to break the monotony of a continuous exposition by their expressions of assent or even by their occasional inability to follow the argument, but give no real help or stimulus. And when allowed to offer an opinion of their own, they, too, lapse into a monologue, addressed, as our silent trains of thought habitually are, to an imaginary auditor whose sympathy and support are necessary but are also secure. Yet if Plato��s style is neither exactly poetical, nor oratorical, nor conversational, it has affinities with each of these three varieties; it represents the common root from which they spring, and brings us, better than any other species of composition, into immediate contact with the mind of the writer. The Platonic Socrates has eyes like those of a portrait which follow us wherever we turn, and through which we can read his inmost soul, which is no other than the universal reason of humanity in the delighted surprise of its first awakening to self-conscious activity. The poet thinks and feels for us; the orator makes our thoughts and feelings his own, and then restores them to us in a concentrated form, ��receiving in vapour what he gives back in a flood.�� Plato removes every obstacle to the free development of our faculties; he teaches us by his own example how to think and to feel for ourselves. If Socrates personified philosophy, Plato has reproduced the personification in artistic form with such masterly effect that its influence has been extended through all ages and over the whole civilised world. This portrait stands as an intermediary between its original and the far-reaching effects indirectly due to his dialectic inspiration, like that universal soul which Plato himself has placed between192 the supreme artificer and the material world, that it might bring the fleeting contents of space and time into harmony with uncreated and everlasting ideas.

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ONE:It will now be better understood whence arose the hostility of the Stoics to pleasure, and how they could speak of it in what seems such a paradoxical style. It was subjective feeling as opposed to objective law; it was relative, particular, and individual, as opposed to their formal standard of right; and it was continually drawing men away from their true nature by acting as a temptation to vice. Thus, probably for the last reason, Cleanthes could speak of pleasure as contrary to Nature; while less rigorous authorities regarded it as absolutely indifferent, being a consequence of natural actions, not an essential element in their performance. And when their opponents pointed to the universal desire for pleasure as a proof that it was the natural end of animated beings, the Stoics answered that what Nature had in view was not pleasure at all, but the preservation of life itself.48

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THREE:"It's the fifth house," she said. "I shall trust to chance that the people are in bed. If not, I dare say I shall have a good tale to tell."

TWO:Even M. Vacherot, with all his anxiety to discover an Oriental origin for Neo-Platonism, cannot help seeing that this attack on the Gnostics was inspired by an indignant reaction of Greek philosophy against the inroads of Oriental superstition, and that the same character belongs more or less to the whole system of its author. But, so far as we are aware, Kirchner is the only critic who has fully worked out this idea, and exhibited the philosophy of Plotinus in its true character as a part of the great classical revival, which after producing the literature of the second century reached its consummation in a return to the idealism of Plato and Aristotle.522

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